Chapter 1: Give Me Liberty
Shepard nurses a hangover from her second day of leave after the events on Horizon. She receives a seemingly casual phone call from her mother. Shepard visits the Citadel and gets more than she went shopping for.
Song: "Spaceman" by The Killers
Two headache pills with a glass of water and she still barely survived the hours of debriefing in the head after what might have been the best night of her life if she had gotten laid. She squints from her half-buried face in the pillow and sees her aquarium blasting harsh blue light. At least she made it back to bed. Her bedside table screams spiritual intervention, as it holds an empty bottle of what once was glowing green, an open container of headache meds, and an untouched glass of water. It would've helped if she actually took the pills.
Shepard attempts sipping at the water to prep the throat for medicinal relief when her clock beeps at her--call waiting. No one calls her on her private line except people she keeps private. So, like a proper commander of the SR-2 Normandy who knows any phone call to her is important, she ignores it.
She jumps awake, staring at the clock, reading five missed calls. Shepard rubs her eyes; she doesn't remember falling asleep, but the water is gone, she didn't spill it on herself, and her head doesn't throb like it did. She pushes herself up; every muscle sore, dry, and groaning at her as she forces them awake. For a while she just sits over the side, staring down at her feet. She didn't even bother taking off her boots last night. This morning? Whatever. She at least needs to change her socks. No need to change underwear as she recalls they disappeared. A bet, maybe. With who, though? It would have to be someone she trusted. She stretches then shoots her arms back down.
"Oh gawd," she winces.
When she manages a shower, and buttons the last piece of her uniform, her clock bleeps again. And this time, as if her computer sensed her walking around, lights up, and bleeps too.
Someone's insistent. Shepard hits the comms button on the table. It goes to speaker and the blue holoscreen pops up, scrolling three letters she didn't think she'd see today.
"Hi, Mom," Shepard says.
"Why didn't you tell me you were dead!?"
"Ah, Mom. Not on a Sunday."
"I may be a busy woman but I'm not that busy; to schedule some time with me is not hard."
Fresh socks, boots back on, Shepard walks out, grabbing her comms device, and hooking it around her ear. Her room system disconnects but now she can talk and show her face about the ship. She takes the elevator down.
"All you have to do is say 'Mommy dear, I wanna see you.' And I'll fly over, or you fly, since you got that new ship. What's it called?"
Shepard swings by the galley and Cookie already has a cup of coffee for her. Black, as she likes it. Not too hot, so she can drink it right away. She raises the mug and her brow in gratitude.
Shepard sips caffeinated turpentine, then says, "The Normandy."
"Galaxy's Smallest Diversity Convention."
She skips another sip.
"Mom!" she snaps.
"Kidding, kidding. Mostly. Didn't take Cerberus for alienosophes."
Cookie wraps a to-go bag of food for her. In routine, she always asks for the kiddie's meal, which to the cook is a delight because it's easy to prepare. She's all for cultural food, but sometimes a simple, Earth boxed lunch is all she wants. Brings back the comfort foods of home. Plus it makes great hangover food.
"They're not anti-alien, Mom."
"Of course not. Keep an eye on that Jack Harper."
"You know. The Illusive Man."
"Mom, you know his name!? Liara couldn't even tell me."
"She's not me."
"Clearly." An impressed tone slips out.
"What do we say?" Mom says singy-songy.
"Thank you, Mommy," Shepard sings back.
Cookie snorts. Shepard makes a jesting sneer at him and walks off with her joe and lunch back to the elevator, and toward CIC.
"You're welcome. I hope someone was around to hear you. It helps your crew to know you're still human."
"I am human."
"You know what I mean."
"Was scolding me the only reason for this call?"
"No, I—actually just wanted to hear from you. When I got the news I didn't believe it."
"You sure that's all? Mom, you know I've been around."
"I'm sure. Don't worry about me—fate of galaxy 'n' all that."
Helm in sight. Shepard walks down the passageway. Most of the crew members along the computer lines are combat and communication specialists. They monitor the radar systems and make sure no blips show; they also send evil mail through the ship servers with attachments containing annoying video with catchy tunes. Some, not all, get forwarded to her by Tali or Garrus. Mostly Tali. Silly, silly Tali.
"Just don't forget how it used to be. When you go on leave, you stay with family, not sleep on the ship."
Shepard stops just behind Joker, who's logging in diagnostics, and arguing with EDI.
"I am with family."
"You're a great leader, daughter."
A small burst warms her chest and flushes her cheeks.
"You must get that from me."
Joker turns in his chair. "Hey, is that—?"
"No it isn't," Shepard cuts him off.
"Was that Joker? Did he get my recipe?"
In a kiddish tone: "Yes, Momma Shep. I did."
"What did he say?"
"If you wanna talk, patch into the pilot house. Then he can complain to someone else about his girlfriend problem."
"It is NOT my girlfriend. Ugh. I wouldn't even consider it, commander. Blegh. Bad enough women already get in your head. But an AI?"
"See what I started? Now I gotta give your adopted son his binky."
"I should go too, hon. You two play nice."
"Miss your cottage pie, Mom!"
Clicks comm off. Shepard glares at him.
She shakes her head and skips ahead. "Did you hold a room near Neon Market?"
"Yeah. Got an extra key too. But I lost it. I might remember where it is if I don't have to do any 3Ms for a month."
"Bribing your CO?"
"Aha." Pulls card out of pocket and Shepard snatches it out of his hand.
"But for the rest of the year you'll do them with me." Shepard leaves.
"Ah, come on!" He protests.
EDI chimes in. "You've been had."
"Hush, not-girlfriend-material-you." He calls back as Shepard disembarks. "Have fun on another day of leave! I'll just be here, with the skeleton crew, and this AI, and a week straight of watch. Don't do anything you would do!"
Like question how her mom heard about her death and never freaked out? Never, Joker. Still. The thought rummages noisily as the two quarians hashing it out over a dress they found on a mannequin in the back corner of the shop.
Shepard made it to a lesser known ward on the Citadel, where she can find high-end styles for half the price. Not quite a colony market, but still honoring the sales, like Cyber Monday, only she likes to call it Shepard Sunday. (Not really. She just made that up.)
The fashion trends these days. What are they going to do to the dress? Cut it up and reuse it for—yes they are. They are going to cut it up and use the fabric to integrate it into their suits. Quarians use everything.
“This dress has a tear!” one cries out. “I’m not paying five thousand credits for this!”
“It wasn’t torn before you ripped it outta my hands, bosh’tet!”
They have great taste. The dress is a dark blue and bright red accents, something the Quarian would pride in: the boldness and flare. Shepard would have a hard time choosing which color is best.
The incredible need to shop takes her to a more quiet store.
It’s been two years since Sovereign and she can still smell the smoke and ash when she almost didn’t make it out alive. Kaiden’s voice was the first good thing she heard after that. The medics came second. Ashley’s funeral was the most peace Shepard saw. They had her wake at Shepard’s favorite bar on the Citadel and, to her surprise, a lot of aliens showed up. Classy, respectful aliens. And to think Ashley might’ve been paraonoid. She could have cared more than the rest of them to have so many clink glasses and tell a short story. Shepard’s couldn’t make her tale, long, or short; she didn’t know what to say despite having a knack for rallying speeches. Maybe the hurt in her eyes was enough because everyone in the room understood the silence. She, at last, had said, “To Ash. To family. To sacrifice.” After several toasts—the seventh one was to Ash’s unscathed chestplate, the tenth was for her armory—Shepard believed people were toasting excuses to drink. Shepard then toasted Ashley’s hair products. “To silky smooth even on the battlefield!”
“To silky smooth!” everyone had cheered back.
That was her twelfth shot.
In the end, before Shepard made one of the hardest decisions in her life, Ash took a liking to the adopted crew. After five or six or ten drinks, Shepard fantasized about Garrus and Ash gambling on who would be the better shot. It would happen. Kaidan had agreed. Even though Kaidan hated Shepard later.
Horizon’s still fresh. Frozen faces staring into the sky—terror etched into them. Mordin’s force field to camouflage her strike team. And Harbinger talking like he’s monarchy. We are Harbinger. We are a douchebag glass cannon that hits like a bitch. Except when Mordin got hit. Shepard needed several medpacks that day. Don’t tell Mordin she kept him down for a while during the last stand with that laser-shooting UFO. It was for his own good.
They finally got to Ilium last week and saw Liara, who looked a little ruthless for wear. Something about Shepard must have rubbed off on her, or…that’s the real Liara coming out of her shell. She briefly mentioned how she was involved with Cerberus. She didn’t like hearing it. Maybe she should let Liara know The Illusive Man’s name. Maybe she’ll wait.
A small store enthralls her.
Mandy’s Fineries has a narrow opening with a holographic sign posted on the wall, moving with elegant, gold beams highlighting the white-toned name. When she walks in, the space is open and well-kept. Quality clothes revolve on wall racks. On the floor, Shepard inspects a fixed rack of black suits in the men’s section, with availability in Turian, Drell, and Salarian upon request.
A human with pink and white ombre hair pops out from her counter space. She wears enough foil and glitter to replace a warning light.
She says, “May I help you find something for your…husband? Father?”
Shepard glances at her. “Uh just browsing. Thanks.”
“You’re Commander Shepard, right? You forgot this last night.”
Shepard finds herself stroking the arm of a sleeve, and jerks away. “What?”
The girl hands her a wrapped box in a customized tote bag.
“Yeah, you paid for it, then ran off.”
“Was I with anyone?”
“I don’t think so.”
“Mandy. If you’re ever in need of my services again, you’ll always have a discount here. You deserve only the best.” She grabs a card from the cashier counter.
It seemed primitive in the holo-age, but vintage. How the store’s set up, Shepard likes vintage.
Mandy adds, “I also do military uniforms and ribbon racks. Whatever you need.” She winks.
Shepard slips the card in her cargo pants after the exchange. The battle dress uniforms (BDUs) always had great pockets, so when she’s out in town, it’s all about the pockets. She doesn’t have to carry a purse or bag, and everything is against her skin in case shit goes down.
She walks out.
Two Citadel officers stand in the way.
“Commander Shepard. Please, come with us.”
Shepard turns—the store’s empty—and turns back. “Look whatever’s in this bag, I’m innocent.”
They glance in the bag.
“Please, ma’am,” the left says.
Citadel: Lower Wards, Zakera
Shepard took a liking to Captain Bailey the first time they met over the security dispute. Has she thought about grabbing drinks with him? Every time she swings by. Has he noticed her staring in places other than his eyes? She wouldn’t know; she wasn’t looking. He’s a bit of a rebel with enough wrinkles to tell her he’s been around, and done things. Seen things. She’s never asked. But when she’s taken into a black room, some of that liking fizzes. They put her purchase by the door, out of reach, and almost out of sight with Bailey as a blockade. He leans on the table between them, one leg resting, and dangling his boot. He writes a note on a small paper piece, then sets the pen down for the mug beside it. He holds it against his bottom lip—it should be coffee, but it smells like whisky—and sips before speaking.
“Sorry about the cloak and dagger nonsense. I requested my men not mention anything in public.”
“What’s going on?”
He attempts another sip; it dribbles over the side—“Damn,”—and he wipes the sides with his shirt, then sets the drink down on paper. “Captain Shepard has asked to speak with you.”
Shepard thinks back on the incessant ringing during her hangover, then how her mother wanted to “hear her voice.”
“We just spoke this morning,” she says.
“I don’t see how that’s possible, Shepard.”
“She’s detained until further notice. I have people looking into it, and it seems, so far, the Alliance has arrested her…for treason.”
“Treason!?” She jumps out of her seat but he waves her back down. It does nothing to her rushing blood, a need to punch something, kick something, anything.
Bailey mentions the Alliance requested to contact the nearest authorities immediately, but the nearest authorities would have been her omni-tool, or her ship. EDI would have mentioned something if Chambers hadn’t.
“How come I didn’t know about this when I was on the Normandy? How long has it been?”
“About twelve hours now. They have her confined to quarters. If she was my responsibility I’d let you see her. I’m sorry, Shepard.” He picks up his mug. Paper sticks to the bottom.
“No, no, no. I just spoke with her. How come you’re the one to tell me she’s in trouble. Unless…”
“You think this is a trap? I don’t know what to tell you, Shepard.”
He takes another sip, longer this time. One word faces her on the paper; it’s stained in liquid, but visible.
“Would you like me to get in touch with Admiral Hackett? I’m sure he can clear things up.”
“No.” She stands. “Thank you. I’ll talk with the Alliance myself. See what I can do for them.”
On their way to the exit, Bailey hands her the bag.
“Uh if you need anything else, I’ll be here.” He pats her elbow, an acknowledgement appropriate among comrades in the Alliance, and with most species in general, but there’s something else to it.
Bailey’s tactics aren’t transparent but he is a part of the bigger scheme of someone’s subterfuge. When Shepard leaves, officers stare at her from their desks, but once she stares back, they shoot attention to whatever paperwork they have to finish if they want to have their smoke break. Or whisky break, if they’re anything like Bailey.
So it’s not a trap but it’s a work-around trick to pull Shepard in certain directions. She doesn’t like to be played, but her mother arrested must have some people worried as much as herself, and that’s cause for secrecy. Shepard hasn’t realized her hands are shaking until she tries to contact Joker—she stops. Maybe using her omni-tool isn’t the best idea. No. She needs to keep up appearances.
“Joker,” Shepard calls, “contact the Citadel coordinator for AJAG and tell them they’re expecting me.”
“I’m sorry,” Joker says, “you were off-ship for an hour and you’re in trouble?”
“Not me, Joker. Mom.”
“Momma Shepard? Oh shit. On it, commander.”
The mug says to go to the Presidium. Can’t argue with Bailey’s mug.
For fuck’s sake, Mom, what did you do?
Chapter 2: Or Give Me Dad
Shepard gets help from likely characters and new help arrives. Shepard learns more about AJAG, all while doubting the legitimacy of their charges against Captain Shepard.
Song: “Namir - Trailer Edit” - Deus Ex: Human Revolution
It’s as blindingly perfect as she remembers it a couple months ago. She takes a glass elevator, looking out over a crystal reservoir bordered with tree parks stretching out like wings. Shalta Ward has been able to adjust the day/night schedule but the rest of the Citadel is fixed in daylight hours. For aesthetics in Shalta, it’s mostly night. Presidium could have done it first after reconstruction, but higher-ups found workers more productive, and pliable in permanent day. People rest as needed, otherwise work continues. And if they have good pay, they don’t feel as overwhelmed. It certainly helps C-Sec but due to fixed lighting, criminals do not just come out when it’s dark. They make due in the fake sun, or they move to Shalta, where Silversun Strip is. She hears it’s lovely, though she doubts she’ll ever make it over there any time soon. Lovelier than all this white and…white.
Shepard presses her sinuses with her thumb and finger.
Anderson paces in front of his desk, reading something over when he notices the elevator doors close behind Shepard as she walks in. Her boot soles don’t click on the shiny floor unlike the last time she was here, in her dress blues with her constricting dress shoes. Bootcamp instructors ring in her ear: if you can feel your toes, you didn’t tie them right!
“Shepard!” Anderson drops his datapad. “Admiral Hackett’s filled me in. This is a serious offense.”
“What do you know?”
“As much as he can send me. Hackett has been gracious enough to confine her to his condo in Alliance housing. I can take you there after her hearing.”
“Who charged her?”
“Her CO, Captain Robertson. But, Shepard, there is solid evidence, and they plan on presenting it full force at this hearing.”
“The other admirals. Hackett agrees with me that there is no time for this nonsense. The Reapers should be priority, but you know the Alliance. They left you in cold space. I cannot deny that they’ll deny this reality as much as the Council does.” He rests a finger under his lip, his elbow rests on his arm. “How did you get wind?”
“Bailey. I was told I needed to see you.”
“See me? I would have thought you’d go directly to Legal, not me.”
“That was the plan but I’m getting…messages.”
“Messages? Covert? That’s odd. Unless it’s a way your mother is communicating with you.”
“I don’t know. But someone wanted me to come here.”
“It’s just me, Shepard. I haven’t seen anyone or anything else here all day.”
“What about yesterday?”
“Fishing at Bachjret’s virtual pond. Sorry, Shepard, I don’t know anything more.”
“Think you can take me to see my mom?”
“Absolutely. But I must warn you. You being with Cerberus will severely limit your involvement, if you’d be allowed at all.”
They walk to the elevator.
He points at the bag, “Mandy makes some great suits. You got good taste.”
“I hope so.”
The doors open. An Alliance officer stands in the cab, flashing glances at Shepard and Anderson with dull brown eyes.
“Commander? I’m Lieutenant Castleberry.” He speaks as if half his mouth is glued shut. “An honor.” They shake hands when they meet him in the cab. “I took the expedient liberty of finding you. Please follow me.”
Castleberry presses for bottom floor, then the door lock frantically.
“What’s the urgency?”
The elevator descends.
“Captain Shepard’s hearing starts in five minutes.”
Anderson says, “Already!? Who the hell moved it?”
“Captain Robertson. Hackett’s trying to delay but he’s tied to the rules. We all are. There’s something else. Captain Shepard has requested Councilor Anderson as her counsel.”
“First time I’ve heard it,” Anderson says.
“First time Hackett pushed to allow it. It adds more people on Shepard’s side, which isn’t much, but quality over quantity. Not many like the prosecutor.”
“Where are they now?”
“Captain Shepard is being escorted to the court hall.”
Shepard moans. “I hate today.”
“And mine started so cheery,” Castleberry says. “Sunday morning, about to binge my sitcom, and I get a call to come into work just as I heated my frozen dinner.”
“Where is it?”
“Probably still in the microwave.”
“The hearing, Castleberry!”
“AJAG—not far from here. I will assist Councilor Anderson.”
“Were you the lawyer detailed to this?”
“Hackett chose me. I’m your second chair.”
“Quality over quantity.”
The elevator descends to the lower numbers, meaning court would be the same level as the gardens, which is pleasant. She turns and sees the wings of trees lengthen and grow taller. Her omni-tool chimes.
“Shepard,” EDI hails, “there is a squadron of unlisted personnel closing in on Captain Shepard’s location.”
“I read multiple unregistered weapons. I believe they intend to stop the hearing permanently.”
Joker chimes in. “That means get in there and save the day! And save my pie!”
Shepard calls C-Sec. “Captain Bailey.”
Bailey answers, “I’ve mustered my people and they’re heading toward the court hall. Hurry, Shepard. I don’t know what kind of threat we’re dealing with but if it’s about your mother, it’s big.”
“Good work, thank you.”
“Just get your ass over there; I’m not losing any Shepards on my watch.”
Anderson pulls his M-3 out—“I think he likes you.”—and Shepard copies, missing her M-98 Widow, but content with this short barrel.
Shepard ignores him. “How’d they get passed Citadel defenses and C-Sec?”
Castleberry offers, “When we kill ‘em, let’s ask ‘em.” Shepard stares long enough the brain light clicks back on. “Before. Before we kill ‘em.”
The elevator VI says, “Presidium. Ground Floor.” The doors shift and Castleberry takes point.
Shepard has no time to enjoy the view. But the function has her on edge; open bridges, multiple doors, and sharp corners. She can’t see anything beyond a few feet, and when Castleberry gets them to the reservoir, she’s vulnerable. Representatives and desk clerks get startled as they move by, guns drawn, aimed down. Sorry, children. Adults at work.
“Through here,” Castleberry takes them across a bridge.
All’s silent. She checks the sky. Empty. For good measure, she checks the water. She can feel the presence of her battle with Saren everywhere, repaired and covered up as if it never happened. Politics, as Ash would say.
“Any readings?” Anderson says.
“None,” Shepard says.
Castleberry takes them through a door, into a lobby of confused and—now—scared workers.
“Sir?” An Asari receptionist squeaks.
“Precautionary,” Castleberry waves her to sit as they leave the lobby and into a mezzanine. Across the way is AJAG, a small label above the doors reads Alliance Judge Advocate Group.
Oh that’s what the G is for.
“They’re closing in, Shepard,” Joker says. “Readings from east entrance.”
Shepard’s blood throbs. Her mechanics cool the sizzling adrenaline coursing through her, but it doesn’t stop her racing heart. It beats strong and loud, as if every courtroom would be able to hear.
Shepard whispers, “I don’t see anything.”
Then she hears it. A commotion. Angry.
She taps Castleberry and moves ahead. She lines herself against the door frame under the AJAG sign. Ear toward the wall.
“That’s a lot of people in there,” Castleberry says.
“Easy, lieutenant,” Anderson says. He motions him to get behind him as he takes the other side of the door.
Shepard tightens her grip, careful not to get her finger into the trigger (cage) until she’s ready. She breathes in slow, taps the door access—it opens—she peeks in, head to wall, one eye wide. The noise bursts out of the hall.
People thread around the pillars of AJAG’s main floor, a hall with offices to the left that lead out to more open space, and courtrooms on the right fanning from the center. A bird’s eye view would show her the shape of an ornate scale, a typical legal symbol.
Several citizens hold up posters on makeshift poles and holo-banners that creatively tell the Alliance where to shove it, but more importantly, support for her mom.
“Is this how you treat grieving mothers, humanity!?” A Turian female shouts.
She failed to mention to the public that she is alive. It was safer to stay dead, but now it’s quite inconvenient.
Shepard relaxes off the wall and holsters her gun, then hails the Normandy. “It’s a group of protestors. EDI, what kind of unregistered weapons did you pick up?”
“C-Sec allowed me to acquire a large database of potential threats, however, I could not scan precisely what.”
“EDI, they’re sticks.”
Anderson and Castleberry holster their weapons now.
EDI delays her response. “Unregistered sticks.”
Bailey calls. “Shepard, false alarm. But I dunno how they got passed security. No one but officials are allowed in that vicinity.”
C-Sec has the crowd surrounded now and starts pushing them back slowly.
“Don’t let this drop your guard,” Shepard says.
“Will do.” Bailey disconnects. “My people will get them out of there.”
“It could have been a distraction,” Shepard says to Castleberry and Anderson. “Eyes open.”
“Ma’am, the Councilor is due in court. We gotta go.”
Conflict tears her in two, one to stay, and one to sit in on the hearing. Both help Mom, but which is more survivable?
“I’ll stay with C-Sec.”
Castleberry transfers something from his blue omni-tool. “Here. Access to live feed.”
“Is that legal, legalman?” Anderson inquires.
“Oh I’m sure there’s a loophole somewhere,” Castleberry winks and walks Anderson ahead of him into Courtroom 3.
Shepard snatches a glimpse through the door: Admiral Hackett and who she assumes is Captain Robertson, and female dress blues with a neat bun of dark hair.
Her heart jumps. Blood races and light-headed rush floods her head.
She steps forward—
Mom examines the room, the opening door attracts her eye, Anderson and Castleberry approach her, she nods, she looks back at the door, through the door, right at her.
—and the doors close.
She stops. It’s the first time in years since she’s seen her. And two years are void.
Hang in there, Mom.
Shepard curses. She left the bag in the elevator.
Hackett’s voice locks her attention to her omni-tool as she resteps toward the elevator. If she had worn her visor this’d be easier. But the audio feeds into her ear device to ensure privacy.
“I apologize for my tardiness, Admiral.”
“No apologies necessary, Councilor.” They shake hands between tables. “Traffic can be hectic this time of day.”
Someone looking like the bailiff announces to the room, “All rise.” Everyone in screen remains standing but at attention. “The Honorable Judge Vaughnus presiding.” A grim, beastly man in sharp dress blues steps behind the bar, and sits in the judge’s chair. He wears his hair tighter than Bailey’s.
Shepard almost makes out the prosecutor’s table. That must be the commanding officer of Mom’s ship.
The judge orders the tables to sit.
Judge says, “Hearing for Captain Hannah Shepard, Case 404-1, proceeding. Captain Shepard, you are accused of treason in the highest offense, by Captain Jimothy Robertson, Commanding Officer of SSV Kilimanjaro on two accounts: (1) destruction and the unauthorized distribution of federal property and (2) espionage, the selling of military information to the paramilitary organization known as Cerberus. This Article 32 is to assess the grounds of a General Court Martial trial. Who represents you?”
Councilor Anderson acknowledges. “I argue for the trial’s dismissal on grounds of no valid evidence.”
“Very well. The Investigative Officer may proceed.”
Lieutenant Castleberry traverses the well. “Thank you, Your Honor,” he says.
Anderson looks at him the same way Shepard looks at her screen.
“Well that’s something,” Anderson says.
Castleberry ignores him and the stabbing glare. The judge slides his fingers across his desk, more likely the case file. Castleberry waves his omni-tool, transferring it to a projection between the defendant’s table and the bench. It’s a collage of memos, e-mails, and classified photos. The photos look like petri dishes, tubes, and a shipping manifesto and receipt.
Castleberry talks, “Captain Shepard is accused of maintaining an exchange of information with Cerberus on account of her late daughter, Commander, and Former Spectre, Jane Shepard of the SSV Normandy. This evidence proves the exchange.”
“How does it prove anything, Lieutenant?” Anderson says.
“The letters were encrypted. Alliance CID worked on a key and one of the key signatures in that decryption belong to Cerberus exclusively.”
“Someone could have planted it there!” Anderson squeezes his fist and points it at the coding in the screen.
The judge allows the evidence and Castleberry continues, rotating to the photographs.
“CID received this an hour ago after extensive digging on behalf of the prosecutor. Not only was Captain Shepard in communications with Cerberus but also donating unfertilized eggs.”
Shepard stops, a room away from the elevator. She leans against an unoccupied desk.
“Those are potential human beings, Your Honor,” Mom says, “not federal property!”
“So it is true?” the judge says.
“Request validation of how exactly these photos were acquired!”
A young, blond paralegal emerges and scans the files with her datapad. “It’s legitimate,” she says.
“You have no right to bring this into the case,” Mom says. “That is personal.”
“As personal as your ties with Cerberus after your daughter died,” her commanding officer states, after being silent the entire time. He leans over the table, then turns his head to her. “All of this, to you, is personal.”
“That evidence you have has nothing to do with this hearing! Drop it, Jim!”
“See?” Captain Robertson folds his arms and leans back in his chair.
Admiral Hackett says nothing.
The judge warns, “I advise you against raising your voice and to keep the honor of the courtroom.” Mom sits back down. “However, I agree with the defendant. What’s it to this case?”
Castleberry swipes to the memos.
“Within the communications, Cerberus and Captain Shepard agreed to a shipment of parts, along with the information Cerberus obtained from Captain Shepard—the final location of the SSV Normandy, forwarded e-mails about the Alliance’s denial to recover the Normandy between her and Admiral Robertson, up to the knowledge of Shepard’s remains, which were in constant transit, and constant radar without the Alliance’s knowledge.”
“Her knowledge of where her daughter’s body went will be in question, but what about this present evidence?”
“Article 108. When Captain Shepard, owned by Alliance Navy, placed her genes up for shipment without proper authority, with the receipt digitally signed by her, in Document Material One—” He swipes to DM-1, “—she willfully, and knowingly, shipped Alliance property to Cerberus. ’Precious cargo,’ she states in DM-5 and DM-6, then twice in DM-7, followed by ‘save my baby.’”
Mom sits through the accusation, staring at nothing but the table, and her glass of water, one document sliding through the air until the judge is done looking. Then, she looks up, and when a silence falls on the court, she speaks.
“What if it had been your daughter, dead in space, and the people, the place you put your years into, told you there’s nothing they can do?” She glares at the judge, tears brew in her voice—it’s all Shepard can sense from what she sees.
Her mom is breaking.
The dress doesn’t matter. She should be in that courtroom. Shepard pushes her hand against the pressure in her chest—it’s hard to breathe. Shepard forgets the dress and makes way to the courtroom again.
Castleberry avoids eye contact but the judge watches her, tapping his finger.
“Who took these photos?”
“The eyewitness, Your Honor.”
“No shit.” He taps his finger faster, faster, then stops. “Who ever took these photos needs to be a part of this hearing or I will throw it out. It is not enough for this case due to the seriousness of the prosecution.”
“Eh, Your Honor, the eye witness covertly brought the evidence to CID on behalf of egregious conditions that the Alliance would not be able to comply with.”
“That is my call, lieutenant, not the Alliance. You brought the evidence into my courtroom. Do you understand?”
“Yes, Your Honor.”
“I need the name and contact information and bring him in.”
“Your Honor, if he were alive—”
“What do you mean if?” Now his knuckles rap on his desk. “Do you have a witness or not?”
“The facility was attacked just after these shots were taken, which means who ever attacked must have known of the defendant’s contraband. He most likely did not survive, nor the evidence.” Castleberry looks at Mom longer than usual.
She shakes her head.
The judge squints. “You’re trying my patience. Get up here. Now.” Castleberry hustles to the bench. “Has the Alliance looked into this attack? Do we know if it was an intentional assault on the ‘government property’ contained?”
Shepard tries to hear the bench, but the audio is stronger at the table, and she overhears Anderson and Mom.
Anderson says, “Or he did survive and the evidence is there. But wouldn’t you want to know what happened…again?”
Mom turns to him. “He could clear my name and my intentions but not the memos.”
“It’s your call. This witness is a wild card. It could go either way.”
Judge dismisses Castleberry, then says, “CID has confirmed the attack on the Cerberus cargo vessel outside the Voyager Cluster.”
Anderson says, “Alliance has probable cause to investigate. I can dispatch—”
The judge raises his hand. “Pirates are swarming the area. Too risky.”
“But my defendant needs that witness.”
“This might be more beneficial to not have him. On numerous burdens.”
“Burdens of what?” Anderson says. “She has a right to fairness and justice, including all evidence available. If he is still alive, we need to rescue him.”
“On who’s dime?” Castleberry says. “Alliance? That mission could cost millions."
“Easy,” Judge warns—
“Cerberus held no expense to recover my child, lieutenant! Just like any parent would have! But what would you know? You wreak of dorm room meals.”
“You sure you want to ask Cerberus for a favor like this, even if it’s your AWOL husband?”
Shepard stops in her path, feeling five hearts throbbing in every other place except where one is supposed to be. A dizziness falls behind her eyes and she slowly lets her arm rest; the screen turns off; the audio remains. She can see the door to the courtroom as the last of the protestors exit with a mix of human and Turian security officers. She passes them, knocking into one, not apologizing, staring at the door, memories lost and coming back, then swirling around wanting to make her puke. She focuses on the door, then focuses on solving this sick feeling, the only way she knows how: a fight.
She barges into the courtroom, although she wishes the door had more dramatic flair. “I’ll do it!”
Everyone turns and looks; the only one she cares about is—was—in tears. Mom wipes her eyes. Shepard aims for the bar.
The judge jumps to his feet, flailing his gavel and throwing a fat finger toward her. “Bailiff, get her out—Commander Shepard?”
The bailiff storms over.
“Stop!” the judge orders. “Shepard, you—how—of course you know.”
“I’ll get Captain Shepard the witness.” She eyes the bailiff next to her. “And I’ll do what I can to salvage the remains of your so-called Alliance property. No expense to the Alliance.”
“On who’s authority, commander?” Castleberry says. “You are no longer a Spectre and Cerberus won’t let you rummage through their stuff.”
Shepard was going to ignore Castleberry altogether, be on her way out to blow up some pirates, and save the day. Was. She turns and when she faces him, he begins to tremble, and she closes in, enough to smell that week’s worth of TV dinner trays sweat out of him.
“That’s my dad you kept from me.” She feels her knuckles taut against her pale skin. Everything throbs. Her ears swell and her arms pump with malice. She hears a faint ringing but resists. “Think about whose family you’re screwing with.” She turns back to the judge and the ringing fades.
The judge proceeds, “Commander Shepard, if you can provide evidence, this hearing is granted a continuance until further notice."
"What?" Captain Robertson protests. "She's a conflict of interest! She might coerce her father, taint the evidence. Need I remind everyone he's wanted for desertion."
"So Alliance won't mind to confirm his death or bring him back into custody." Judge finishes conclusion, "Captain Shepard will remain confined to quarters. If I don’t hear from you in five days, I will waive this hearing entirely and move to trial. I will not wait forever. And neither will the Alliance.”
“No, they’ll just wait two years.”
The judge bites his cheek, then cracks the gavel. “Good luck, Shepard.”
Both Shepards answer, “Thank you.”
Shepard looks at her mom’s shackles. “Mom—” The bailiff walks in front of her and takes the captain toward an approaching company of guards. At least four, including a salarian with a few scars. Bailey’s men.
“Sorry, Jane,” she says before she’s all but pushed away into the center formation.
Shepard watches her go. The guards about-face through the side door. It opens and two fresh uniforms hold the entrance and the formation gradually disappears. Shepard blocks out Anderson’s verbal support, but lack of pull in the matter. Just like before. Hackett wants to stay informed but her mother’s words careen off the thought train tracks. That’s two Shepards feeling betrayed by their military. They do everything for the Alliance; the Golden Geese. And when the golden geese stop laying golden eggs?
Let’s say they dealt with Shepard’s death the same way her dad dealt with Mom.
And now he might be Mom’s ace in the hole.
They got the a-hole right.
“Joker, prep the Normandy. Chart course for Voyager Cluster.”
“Garrus! Get that tu-tu on because I told you so!”
Chapter 3: The Burden of Proof
Shepard falls down the rabbit hole...
Song: "Apex Towers" - Deus Ex OST
Shepard thinks to locate a cab as she leaves the courtroom and surveys the main hall. C-Sec did their job, including keeping the press out. She can see Al-Jilani outside the windows talking to her metal turd. Her best bet is taking the elevator, but the other floors might have even more press. Admiral Hackett’s home, (one of many probably), shouldn’t be far. He might have a private car. Or he might have a private word seeing as he’s on the prosecutor’s side by military requirement. She’s about to take the elevator choice when she notices the three officers take her mother into one of the armored patrol cars located on the other side of Courtroom One. Shepard moves toward them as she feels an off-putting sense, like when her shirt doesn’t sit right on her shoulders, but it’s her insides.
The Salarian opens the door—she can’t see his scars this far away—and he speaks to the driver wearing a matching uniform but human with white hair.
Tingles graze her neck.
Shepard lengthens her stride. Mom gets into the the back seat. Shepard’s a room length away when the doors close and the car flies away, leaving an officer behind, who walks back toward the courtroom, not even glancing toward Shepard’s direction. Another car pulls up—no one inside—a cab. She glances back—the officer is gone but Castleberry approaches, not noticing her at first with his head down, reading over a file. He’s two arm lengths away before he looks up and stops, and rolls his eyes.
“I truly wish you would have trusted me, commander.”
“You lied about your position and you lied about my father.”
“And you threw horrible accusations in the judge’s face and you want me to trust you!”
“Yes!” He’s carefully not to touch her as he passes to crack open his cab door. He stops and turns when she keeps talking.
“You think this case will put you in good graces? Get you a promotion?”
“Time in Service, commander. I have nothing to gain but apparently your faith. Here,” he offers the door. “Take my cab. I’ll hire another one.”
“I insist.” He opens the door further—her bag from the store sits in the passenger seat.
It entrances her, pulls her into the car, and Castleberry leans in before letting the cab go. “You surprised me, though, Shepard. I would’ve punched me in the face.”
After she hears the shift-lock of the automated car, a voice—her voice—tells her to check the bag. It wouldn’t have a bomb in it. This bullshit is too complicated for that. It rests at her feet now so might as well. A loosely folded black dress lined with red accents lies in the open box on her lap. Peeking out of the open zipper seam is a card. She opens it.
“Hard pass,” she says.
Shepard scans for cameras, then checks outside. Castleberry’s gone. And the car isn’t moving.
“Admiral Hackett’s home.”
Well, she is on leave. And someone did get her something pretty.
She rotates her boots over her uniform after putting it into the box, back in the bag, then zips the dress down to close the back, not up like most dresses. Ooh. Extra sexy. Nothing else was in the bag so she supposes she’ll clash military with civilian until she buys the set.
It’s a midi bodycon and accentuates her best features, and freeing her chest with an angled neckline. The fabric appears leathery but it’s lightweight and sleek; when the light catches it at certain angles she can almost see reds and greens in the threading. A ghostly holographic print. She strokes the highlights, seeing if she can bend the color—a bright blue VI ball pops through her fingers.
A male voice emits, “It’s good to see your priorities aren’t materialistic.”
The car prepares, warming the systems, locking in coordinates, then gently takes off.
It’s not a chill up her spine; it’s a heat. “Illusive Man,” she says.
The spinning ball floats from her chest and projects her investor and, she supposes, her mission coordinator, but she’ll die before she calls him her boss. He’s just the one with the money who happened to have enough of it to bring her back to life. Whoopie-doo. Mom had called him Jack Harper. It would sound odd if her daughter started to without a base. Illusive Man fit him. His projection sits him in the driver’s seat, but his legs don’t match the angles; he must be sitting in that chair he likes so much.
She eyes him as she speaks, “Sorry to say it, but Moms before Proms,” watching him take a sip from a glass she can’t see, “Why are you in my dress?” then taking a drag from between two fingers.
“I needed a way into the Citadel Tower unnoticed.” He exhales. “Mandy is the best seamstress I know.” The projection keeps looking ahead, as if he’s driving with his mind, or just avoiding eye contact.
“Castleberry one of yours too?”
“He is your Miranda in Legal. He may not be good with a firearm, but ruthless with a book. You can trust him.”
“He’s a lying dick.”
“And he won’t be the last.”
Shepard looks out the window; they’ve left the Presidium. “Where are we going?”
“Where no one can track us.”
“What the hell?” She’s headed toward a reconstruction area. “What is this? What did you do with my mom?”
“Everything to keep her alive, Shepard.”
“How much danger is she in? Is this about Henry?”
“We can speak more where it’s secure.”
“Like hell. You could have mentioned this on the Normandy. Used your satellite phone, or even shown up in person to prove good faith. But no. I’m talking to one of your blue balls and yes that means two things!”
“I have everything—” He glitches out, then flickers back on. “She—pard?” Interference distorts his voice, mixed among digital tones.
Shepard speaks to her omni-tool, “EDI, can you clean this up?”
“I will do my best,” EDI says. “I’m reading another signal. It’s trying to narrow your location but I cannot block it.”
Illusive Man attempts to talk to EDI, but his signal cuts out most of his words, leaving half-consonants; clicking sounds now. After a few seconds, EDI scrubs the interference.
“—tracking you.” Illusive Man says. “I’ve unlocked manual drive. Foll—the coordinates.”
“Wha—who!?” Shepard jumps into the Illusive Man—’s lap. She takes the Haptic Interface and Illusive Man retracts into the ball. It returns to her dress.
She zooms upward. The gyroscope freaks out, she ignores the readings, then veers left around a tower. Then forward into traffic. Day becomes night outside the Presidium ring. Bright lights with skycars and trucks coming to, from, and above-across. Shepard takes in the view of wards wrapped around her, and buildings blurring past, like flying through New York City but this time with clearance.
“There,” Illusive Man says. He resets in the passenger seat, leaving her dress. Shepard lowers the shuttle, toward an epicenter of heavy construction. “The old convention center.”
A mile ahead, the size remains daunting to most; once a popular place where she’d see aliens cosplaying as humans, and humans cosplaying as who-knows-what. It was the first time she saw an Elcor in make-up, though.
“I hope there’s enough parking,” Shepard smirks with a side-glance.
“Pre-paid meters,” he says.
It’s abandoned, locked until Illusive Man hacks in and the parking gate opens. She heads for it.
“Are you sure this is—”
Illusive Man’s gone. She pats her dress down. Ball’s gone too. She glances about the cabin. Nothing. She looks forward—the car glitches. “Shit!” It goes black. It falls toward the garage, a wall of glass panels for each floor. Third floor meets her skycar and glass shatters everywhere—the car fishtails down a ramp to the second floor, and over the side, passed an elevator, nose first. Shepard bangs her head on the roof, the tail slams into the ground, bucking her out of the seat. The car skids further down, and down to water—first floor is flooded.
Splash. Murky water creeps up the car and breaches the cabin—it shocks her. Like jumping into a pool after lying in the sun. Shepard finds the emergency hatch and turns it. She pushes. Door doesn’t open. She kicks it. Her bare foot throbs on impact. So does everything else. She lies back and kicks with both feet, using leverage from the seats. The door pops open partially—that’s all she needs. She uses her shoulder to push it up the rest of the way, and wades out. The flood is rib-deep, but only in certain parts of the bottom floor. She lifts herself onto the dry walkway, now soaking in the water spilling off her.
“EDI?” Shepard says, checking her omni-tool. After a breath, “Joker?” She gets her feet under her and carefully stands. A dull ache unveils across her head. She patches it with her palm but it won’t do anything without some meds and a stiff drink.
Shepard looks ahead; in the darkness are darker silhouettes. Dull illuminations from the outside fill through the glass panels and bounce off the disturbed water in front of it. Amongst the dark manifests a blue light. The VI ball finds her and out comes his image.
“I apologize for the deception,” Illusive Man says, “but I had to ensure our security.”
Heels click and echo throughout the garage. They stop just before the shadow’s edge.
“By drowning me?” Shepard snaps.
“Not you, the car. The VI created a small EMP, enough to shut down you and the car and anything following, but not the Citadel. Minor harm compared to what you deal with.”
“I’m sick of your shiny…” She walks up to it. “Blue…disco ball!” She swings through it—it flickers and retreats toward the shadow’s edge. Illusive Man’s holo-image stares at her. “Always risking other’s lives but your own!” She walks up to it again.
If thermal clips can destroy virtual drones, she can smash this virtual bug. She pulls back her arm and throws her fist into the ball—it strikes something firm, and clothed. The blue Illusive Man shuts off and glowing blue eyes stare back at her.
Shepard steps back.
Heels click and echo throughout the garage. Illusive Man meets her in the haze gray light. Water ripples dance across his skin and suit. Another silhouette moves out—she’s old but ages like wine.
Hannah Shepard embraces her. No shackles, no C-Sec. She squeezes. Shepard squeezes tighter. She remembers her smell. It’s warm, it’s sweet, it’s home. Even in a dank place like this, where ever Mom is feels safe.
“Do I have your faith now?” Illusive Man says.
Now it begs more questions.
“Why are you here?” she says after Mom lets go.
“Dear,” Mom says.
“Oh no, Mom. Don’t start with that.”
“He’s helping me, Jane. I needed my own proof that I’d be safe and wouldn’t help him until he helped me. I didn’t know how safe until he showed up personally. I feel good about it.”
“Doesn’t answer my question, though. Why. Is he. Here?”
Illusive Man turns. “Maybe I’ll answer that when we’ve found your father.”
Shepard folds her arms. “Is what they’re saying in the court true?”
Mom paces. “In a…way…yes. It’s true.” Shepard rolls her eyes. “But!” She points. “But. I did it for you. And I only traded secrets pertaining to you, nothing else.”
“Nothing else!?” She scolds. “Mom!”
“Ms. Lawson needed your memories. I was there to verify.”
“And Liara? She recovered my body.”
“Yes I might have helped with that as well. A little bit.”
Shepard puts her head in her hands. The bump throbs worse now. “So when you called me, you were…?”
“Making sure what I did was the right thing.” Mom pauses. “And I wanted to hear your voice.”
“How did you call?”
“Hackett has a good heart. He knows this is all bullshit compared to what’s out there.”
“Dad’s out there.” She crosses her arms again and looks at her feet.
“He needs our help if he’s still alive.”
“I thought you were done with him.” Shepard adjusts her damp dress; it sticks like extra skin.
“I am. Now I need him to turn himself in.”
“I heard but I don’t believe it. He went AWOL?”
“After reports of your death he…went missing. Him and his crew.”
“And emerges taking photos of your shipments. What’s going on, Mom?”
“He must’ve found out,” she says. “I can’t…I can’t lose our family.”
“So you froze some eggs?”
“It sounds sick when you put it like that. I was…I was just trying to help.”
“You did,” Illusive Man says.
He takes her mom’s hand, and caresses it, which makes Shepard’s face burn. She could grow a horn where the bump is, and maybe impale him on it.
“We’ll get them back, your cargo, and your ex-husband.”
“Thank you, Jack.” She hugs him. …Hugs…him… “If it wasn’t for you my daughter wouldn’t be here.”
Shepard rolls her eyes again. “You better get going before Hackett notices you’re gone.”
“I’m sure that won’t be a problem. But yes, I should get back.”
The crew posing as C-Sec appear on an upper level, including Mandy, with the skycar.
Shepard glances at the car. “It’s gonna look strange hailing the Normandy from here.”
“I’ve got it covered,” Illusive Man says. “Hannah, we’ll see each other again soon.”
“You’re not—” Shepard uncrosses her arms.
“I am. I swore to your mother.”
“Don’t tell me you want her recipe too. God, let’s just find my dad and go home.” She looks him over. He stands tall, with a hand in his pocket, and the other resting at his crisp, smooth side. “Crew’s gonna shit themselves.”
A chill comes over her now that it’s just the two of them and the busted up shuttle. Shepard holds her arms and closes her legs together, and she overlaps her naked toes.
Illusive Man says, “EDI, pick up, please.”
EDI responds, “Right away.”
Shepard shoots a look at him.
Chapter 4: Reasonable Doubt
Shepard and Illusive Man take on their first mission together. They learn their battle synergy and fight pirates!
Agebinium rests outside, a scarlet orb in black space that illuminates Joker’s field of vision. Shepard stands behind him as he turns his chair 180.
“Usually when people come back from leave they bring back ethnic coffee or homemade goodies. But not you. No. You bring back the puppetmaster. Is this going to be normal, Shepard? What would Momma Shep say?” He squeaks into a mock female voice. “‘You brought home a boy for me to disapprove? Why can’t he be like Mr. Moreau’s boy?’”
This is the last known location of the Cerberus facility named the “Roe” station. She says the word and their shuttle goes off to fetch her father’s corpse—it’ll be frozen if the facility’s power is off, or it’ll be rotting. EDI had reiterated, after going over the mission until Shepard felt comfortable with the plan, that it is more likely Henry Shepard has been captured, and the pirates will demand ransom. The Roe Station hovers starboard off the bow, listing in the right view panel. It’s nothing special. A straightforward facility like Lazarus, with two main docking areas, and one is already occupied with a repurposed transport ship.
“Maybe threaten em a bit?” Joker continues. “Tell em I’m only in this chair 24/7 cuz my balls are made of steel and it hurts to walk?”
And no hull code. Two turian cannons, Batarian guts, and Alliance shell.
Shepard swipes her omni-tool of the report and signals it off. “Joker, make sure that ship doesn’t leave.”
EDI chimes in, “There’s still a little time, Shepard.”
“They’ll be in a hurry once they figure out we’re here.” As she leaves the bridge, she adds, “Don’t threaten Illusive Man, Joker. He sits all day in a chair too.”
Joker combats snorting with laughter and makes several inaudible comments under his breath until she hears nothing but crew and tech as she passes through CIC and down the elevator to Miranda’s office. But one comment she did hear, and it repeats over in her head as loud as a raid siren.
“Hope Jack doesn’t find out.”
Tight quarters like a frigate leaves little room for secrets. Eventually, the denizen of the deep will hear about it, but that’s nothing compared to the image seared into her remade brain.
Things don’t add up and when she thinks she thought of two-plus-two another number pops up and she’s back to counting on her fingers. Her disheveled reflection catches her off-guard when she faces the door to XO’s office. Shepard reaches for the door interface—
“Sir, it is dangerous,” Miranda says, on the other side of the door, “I think you’re letting your emotions get the better of you.”
—and pulls her hand back.
“Your concern is appreciated but unnecessary,” Illusive Man says. “EDI has already covered our bases.”
“We can handle this side operation ourselves. With you here—if something goes wrong—no. Not on my watch. Shepard is a target enough with the Collectors.”
“I trust Shepard.” There’s a bite of sincerity.
Someone steps across the room. Their shoes click.
“So do I,” Miranda says, “but if I lose either of you…”
“You know what to do if that happens…but it won’t.” A pause lingers. Not even footsteps or a chair turning. Nothing. “Is my suit ready?”
A chair’s leather scrunches; someone’s shifted their weight or they sat down.
“You’ll find everything you need in the Armory locker, right next to Shepard’s.”
Her heart bounces against her chest. Shepard backs up and hugs—terrible word—the wall into the galley. Gardner stares at her. He’s leaning by the scullery full of recently washed dishes, stacked in rows. He finishes drying his hands after he acknowledges her.
“Howdy, cap’n. Got some cabbage rolls in the chillbox.”
“No thanks,” she says. “Not hungry.”
“That’s too bad. They make for a delicious excuse.”
That’s when the office doors shift and Illusive Man walks out, his steam-pressed back to her, heels clicking along the floor as he adjusts one of his cufflinks. He rounds the elevator and is out of sight when Shepard asks for a cabbage roll. She turns—neatly-wrapped foil greets her face.
Gardner grins. “Did you want sauce?”
Jacob always has her favorite guns ready for check-out, so when she gets to the Armory, it can be a fast transaction. Shepard signs the forms, focusing strictly on using Jacob as a curtain, and not the Illusive Man changing in the corner.
Shepard says for close-range listeners only, “Take my gear to Airlock, Mr. Taylor.”
Illusive Man pulls his white shirt off, revealing his bare back. Disgust jolts her mouth into a sneer.
“Ugh.” She swallows cabbagey bile. “Please.”
Shepard hasn’t changed in the airlock since the space program. A history lesson of how astronauts once prepared for outerspace. She’d change in her room if Jacob wasn’t so gungho about protocol. And she wasn’t about to pull rank over ship security. That’s just douchebaggery. (I’m looking at you, Ms. CDO who refused to wash her hands before entering the chowline.) But Jacob’s all right. And now she’s dressed and customizing her weapons.
She coos at Snippy-Boom-Splat, her new rifle, when Miranda walks in.
“Shepard, may I speak freely?” Before Shepard can answer, she says, “I don’t approve of this. I certainly don’t approve of the Illusive Man coming aboard without me knowing beforehand! He is my boss. It is my job—”
“Whoa, Miranda,” Shepard lies down Snippy. “I understand. This got thrown at me too.”
“Then you know—”
“I know you wanted to see Oriana safe. And…?”
“Point taken, commander.”
“I’ll bring your boss back whole.” Shepard pats Miranda’s arm.
“I just wish you could understand my point,” she says.
“What do you mean?”
Miranda’s attention turns to the footsteps coming up the neck of the ship. She must know the walk, because she crosses her arms and steps back into a corner. The room is cozy enough for two. Now the doors open and it’s three.
Illusive Man stops in the airlock frame, catching the aura that he’s interrupted a moment. Shepard looks for words to describe how ridiculous he looks. He’s wearing dark-plated armor, specialized for soldiers who aren’t shocktroopers, but still need flexibility to run like in the Kestrel gear. It’s a play off the Cerberus assault armor he sent her, but all black with lined white accents, blue lights, and a gold visor, with a touch sensor for manual tinting. His Cerberus insignia rests over his heart with an added design of three dots making a triangle.
“Hey,” she says. She’s still looking for them.
He taps his visor open. “Commander.” He strolls up to the weapon bench almost before Shepard could get Snippy out of the way. “Ready when you are.”
“Dr. Chakwas said you refused to see her.”
“It’s a waste of time. We need to do this now.”
“I insist. A pain stim will curb the pain you’ll feel long after this.”
“I may be older, Shepard, but I can hold my own.” He turns with a smooth adjust of the hip and she tries not to notice. “More than you know.”
“All I’ve seen you do is smoke and drink and boss people around from your ivory tower. Now’s a perfect time to be humble before your weak ass gets me killed or worse.”
Miranda tries. “Can we please not fight?”
Shepard’s convinced she can break that helmet with her own—she only needs five inches. She steps up to him. There’s the five, now she needs force.
“Enough chest-thumping, Shepard,” he says, not moving, “We both know you have more of it.” He flashes a smirk.
“Guys,” Miranda says.
Shepard checks her plating. “Clearly less than the one in front of me.”
“Th—that’s what I said,” Illusive Man says.
Miranda gives up. “Joker, ready the Tweedles for launch into the station.”
Shepard hears her leave. His blue face orbs enrage her and she wants to rip them out of him, but something has her stuck, invisible, and she can’t look away.
“I’m your slackman, Shepard. I won’t overstep your command.”
“We’ll see when you’re getting shot at.”
Before the shuttle departs, EDI initializes a temporary heat sink. Shepard’s unsure what that entails, but the gist shows when they leave the Normandy, and the stealth field lingers. Enough time to breach without being noticed. Roe Station shines silver in the scarlet light of Agebinium. A recent station because she doesn’t remember it. As they approach, she gives herself a mental overview.
Snippy: center mag-sling.
Main: left center.
A meditative tactic before her adrenaline kicks in and she’s forced to battle her insides. She checks Illusive Man, who sits across from her. He would have made it easier if he allowed another squadmate. Or four. This must be some secret.
Joker radios in to their helmets. “Isn’t that the planet with that ay-hole pirate who tried nuking you?”
“That’s the one,” she answers.
Illusive Man looks at her.
Joker says, “Whatever happened to the ol’ sea salt?”
“He died, Joker. Just like everyone else who screws with me.”
Illusive Man doesn’t blink. He’s abnormally quiet. But the shuttle signals them and she readies her semi-auto rifle, Garrus’ second favorite, and the bloodrush kicks in her fingers, and the shuttle feels hot but there’s a chill on her neck. She takes in a deep breath, nods to Illusive Man—he stacks beside her, Cerberus rifle ready, visor down with dense reflective gold tint—she slaps the holo-latch, and the door shifts open.
A long shaft into the station is empty. A railing reaches halfway and meets the white top cover of the shaft. It’s a short walk but dangerous—no cover but a small frame around docking small bay doors.
EDI says, “All exterior clear. I detect movement inside, however.”
Shepard says, “Good to have you in range.”
“I’ll do what I can.”
Illusive Man squeezes her arm firmly where part of her armor is fabric. He’s old school. It almost surprises her. She understands, though, and goes ahead. They jump out and the shuttle breaks away, once inside, the airlock shuts, and Shepard switches her ammo. Pirates have a tendency to wear stolen gear, usually expensive plating. They also are varied in style. She takes up the Warp, Illusive Man switches to Cryo. He keeps a space between them as they approach the second door with her muzzle up. They cover both sides. Tight space. She waits. EDI says nothing. Space can mess with your head. If it wasn’t for the station’s generator, she wouldn’t hear anything at all, then her mind would start hearing things regardless. As long as she remains grounded, he’ll make it.
She’ll make it.
Visor reads heartbeat in the 70s and climbing; it feels like she started a race three miles ago. Another deep breath. Finger on trigger, boot against door frame. She slaps the door. It opens.
Station runs, electricity inside on; their first room is a vacant waiting area, an office takes the far half, with desks, chairs, and a couple computers. Nothing moves, no shadows underneath, or on the walls. A few papers lie on a table. Shepard confirms her sector along the wall is clear, then moves to next sector, then EDI calls in.
“Shepard, I’m detecting movement in the starboard wing.”
“The hangar bay,” Illusive Man says. “They’re still hauling the cargo.”
“These are larger containers than Captain Shepard’s cryogenic egg supply and three times the capacity.”
“They could be cleaning out the place,” Illusive Man says. “This is a medical research facility.”
“We’re here for the evidence. No more, no less.”
He nods and follows behind for the next door. Left boot against wall, she switches to left shoulder, and right hand support.
“Shepard,” he points his rifle at a datapad two arm-lengths away from the wall on an L-shaped desk. She flicks up her helmet at it. He gets it and reads it over.
“No Henry but we got something interesting. Logged two days ago by Norma an Ganda, head of labs. ’New patient today. Bart Roberts. He claims he sustained heavy damage after his ship was commandeered by pirates. No sight of the pirates, or his ship, but docking crew logged a small vessel. It’s a piece of junk. But Mr. Roberts is charming and even if he is lying, those wounds aren’t going to heal themselves.”
EDI calls in. “Bartholomew Roberts was an infamous pirate who was captured during his time in the Navy, then elected pirate captain. Later, he fought a British Naval captain to the death. He lost.”
“So he manipulates Norma to get inside, a medi-gel as a bonus, but that doesn’t explain the ship.”
“Perhaps that is the ship currently docked,” EDI says.
“If it’s a piece of junk, Normandy won’t have a problem.”
Illusive Man says, “I’d rather it not come to that, Shepard.”
Shepard slaps the door. Another white corridor, one ceiling light flickering—gunfire damage. Burns mark up the bulkheads. Shepard takes point and moves down to smell the residue; incendiary tech. It smells like an electrical fire collided with an organic. Mordin’s specialty. Up ahead is a crossing path, and leaning against the wall is a charred body. Her helmet can only filter so much stink before it overwhelms, so she lengthens her stride, checks each path, and makes it to the next room. On the other side, automatic rounds shoot off—Illusive Man grabs her by her back plate and pulls her away from the door. She smacks against the bulkhead, probably his hand too, but he’s not showing it, and he rechecks his sector, then squeezes her arm.
Blood hammers against every rib in her chest. Deep breath, slap, muzzle up, wait for break in fire, and cloak. Her armor rematerializes her shield into a virtual mirror, rendering her and her rifle invisible. She watches the microscopic triangles lift away the color of her arms into everything around her, a silver-liquid nothing. She steps into the frame and counts.
A mess of humans in Alliance and Cerberus uniforms takes cover in the elongated lab, using the machinery and counters to block most shots. There’s a chillroom to her right, medical beds with testing structures, and things that would poke and prod, one small hallway down the left, and a path between all the tech toward the bays. Shelves are filled with labeled glass. One is already knocked off its screws and shattered, liquid spilled everywhere.
A woman lies dead behind the nearest counter—easiest cover for Illusive Man—and a man with two pistols is stuck in the middle behind the poking machine. She takes the spot left of the body, along the open path.
She aims. Eye to glass, sees the top of someone’s head, tugs the soft trigger, and feels little kick as the gun fires, blood spurts, splashes on the glass room divider used as a writing board, and ducks down.
Illusive Man meets her side. He scoots the body all the way to the floor, out of his way. She looks like she’s sleeping.
“Stay in cover!” Shepard yells enough for the guy to hear. “Do NOT move!”
Guy responds, “Not moving!” The Cerberus medical uniform lessens the tension, but she can’t trust him yet. His response is a start.
The pirates sporadically fire. Illusive Man takes a shot, ducks, and Shepard checks—one more down. Shepard moves her muzzle around the corner, gets behind the gun, and fires. If she had done that with Snippy her arm would be dangling out of its socket. She can see why Garrus appreciates the finer makes.
One pirate shouts back, “You’re not getting out alive, Bart!”
Illusive Man squeezes her arm as she cloaks (One-one-thousand…) and part of him vanishes. He pulls back and the cloak peels and fades.
“Whoa,” he says and she glances back to see his fingers reemerge.
Three-one-thousand. She plunges bullets into two targets closest to Bart, and three bullets into another target, further back behind a block. She scans her sector. One target remains and her cloak fades.
“Contact!” Illusive Man shoots between cover points, a narrow slit on his left, a man in blue and gray falls dead just as they flanked Bart from the bed.
“Room clear,” Shepard and ‘slackman’ say together. She flashes a look at him, then moves toward bart, muzzle down.
“You’re Bart Roberts?” Shepard keeps an eye on the room, but it looks like Illusive Man—she really needs to make him a short call sign—is doing his job.
“Who’s—” Bart gets it when he checks the Illusive Man. “Cerberus? You’re not from this station.”
“Are there any more?”
“Survivors, no. You’re lookin’ at it.”
So Henry’s gone. Nothing new.
“She meant pirates, Mr. Roberts.” Illusive Man—TIM?—tilts his head, then maneuvers behind Shepard, and pats her spine.
“Oh, all back in the bay still. I got as far away from them as I could. A lot of us didn’t make it.”
“All of them except you.” TIM casually mentions. (TIM better than putting his real name on her minty tongue.)
“I didn’t kill them! We were suppose to just steal supplies and go! Then the ship mutinied and everything went to hell, so I got outta there.”
“What’s the quickest way to those supplies?” Shepard says.
“Quickest way to the storage bay is through this way.” He points at the forward-facing corridor.
Joker radios in, “Shepard, you are already on the fastest route.”
“Are you sure?” Shepard says to Bart, but also Joker.
“Hell yeah, I’m sure. Just promise to take me off this nightmare.”
EDI grows concerned. “Shepard…”
Shepard extends her arm back and pushes him back, so she gains space. She raises the gun, shifting back to right shoulder, finger on trigger, shooty-end at Bart.
“Whoa!“ Bart brings up his palms.
Two muzzles at him now.
“We’ll take you off the station right after we you show us the bay.” She motions to the far door. “That way.”
“You’re crazy! They’ll kill me on sight!”
“Shepard will protect you.”
Terror strikes him. “Shepard!? But—oh shit!”
Bart nearly drops his hands—“Up where I can see ‘em!” yells TIM.
“Easy, easy!” Bart complies.
“You pass as a shitty Cerberus agent,” Shepard says, closing in, feeling up his back. She confiscates a loaded pistol. “Tsk, tsk. Up and away, Bart. We gotta meet your friends.”
EDI chimes. “Shepard, I’ve detected engine systems engaging.”
“Move it!” Shepard shoves Bart.
They break for the doors at the far end of the lab. TIM yanks Bart out of the way so Shepard can breach. He holds him by the scruff of his stolen uniform. Bart keeps his hands on his head, but sweat beads down his nose. Eyes wide, pupils dilated. He looks how Illusive Man should be, but he’s an eye of a storm.
Shepard calls herself out, then tells Bart to open the door. He slowly reaches for the panel, his arm trembles—
She yells, “Hurry!”
—He slaps the door open, Shepard walks in, but it’s too late to turn back around when she hears Bart roar “I’m not going back!” then the click of a small arm, and TIM shouting, “Gun!”
Her shield breaks with the first blast, the second blast shocks her. Pressure hits her back and she falls forward. TIM unloads, each bullet making a unique sound where ever they land, and Bart’s body falls. Shepard watches black boots scurry across the floor to her, then a tug from behind, and the tiles move underneath her. It’s another corridor, smaller than before, with a door reading “Bay 1-A, 1-B.”
“Shepard!” TIM says. He scoops under her shoulders and rolls her over, eyes bulging, fixed on finding the hole. He freezes, stuck in his mind for several shallow, quick breaths, and he sees something, and she cranes her neck down—nothing to see. TIM rips a pack of medi-gel from his armor compartment. He stabs her with it. That’s not gel—it’s a pain-stim.
She glares at him.
“You wore the dress,” he says.
“Did not,” she says.
TIM pinches her back, she would wince, but the stimulant works fast. He pockets what he finds and stands up, pulling her up at the wrists with his momentum, and steadies her until she shakes off the light-headed side effect.
Shepard nods and the hallway bends. Did he give her a dose for an elcor? She slaps her helmet and welds her rifle into her shoulder, then moves forward. TIM opens, Shepard storms in. The bay is three times the size of Normandy’s, with less stuff, and a crew of pirates firing at them. Not them entirely. A human wearing brown Drell clothes fires over the stacks of leftover containers that fortify his cover, but block him in.
No choice. Shepard chances their meet and ducks down, TIM copies. Her visor reads as long as she stays put, ricochet off the cargo won’t hit them, and keeps them behind the stranger. She doesn’t need another Bart.
“You should have stayed in the hallway!” the man yells over the gunfire.
“That ship cannot leave!” Shepard says. She sprays over cover without looking.
Across the bay, she spots a strip of clear panels looking out toward an empty dock.
“That ship has sailed, sweetheart.”
Her ears roar and she swears she feels her suit vent the steam. “EDI!” she yells.
“The lucky ones left with the cargo but I’ve trapped the rest of them here! Unfortunately I didn’t think of my own escape so we’re stuck here.”
Illusive Man tries opening the door.
“You can get in but you can’t get out. Heathens hacked the console to the entire room and drew me back here, but not empty-handed.”
“How do we get out?” Shepard says.
“That’s the fun part.” He waves a detonator he had by his feet. “But I can’t set the charges from here.”
“Charges?” Shepard looks at the bay. “That’ll kill us. All of us!”
“Just ride the wave, sweetheart, you can do it.”
She clamps her teeth down until her jaw almost feels the ache, then darts her eyes to the stack of explosives, and focuses on finding a way around without them noticing.
“I’ll keep ‘em busy.”
Shepard cloaks and jumps over the barricade. One-one-thousand.
“Neat trick!” She hears behind her.
Upon reaching halfway around the room, she glances back, Illusive Man fires a few shots and a pirate falls, but he keeps his gun primarily fixed on the man. He wears a breather mask with shades, which makes him sound Drell, but overcompensates.
Five-one-thousand. She hides behind the lone office desk in the corner, just another couple seconds away from where she wants. The airlock to the dock and the hinges along the panels prove weakest and she waits for her tech to recharge, before bracing the open space. It reaches one hundred again and she activates it, then jumps, and runs for the airlock. Only a pirate would think of blowing a station up; she nevertheless plants them on either side of the lock, and one up top, closest to the window. They materialize out of her invisible field and the man throws up a thumb, which almost gets shot off.
“Joker, if you can hear me, I need emergency evac!” The row of buttons light up on the charges’ primers. “NOW!”
She books it to TIM. Three-one-thousand…four-one-thousand…TIM leans over the barricade and holds out his arm. For once she’s happy to reach it. A symbol on an elongated container catches her eye. TIM snatches her hand.
“To the sea!” The man shouts.
The explosives detonate. All she hears is the violent suction of air as the boom resounds then falls to silence with the drop of air pressure. She’s lifted off the ground by the vacuum but TIM refuses to let go. He grapples the container with his whole body, folded over the top, gritting his teeth, but the container shifts with the pull. Shepard looks behind her and where the airlock once was is a giant hole, and broken off panels peeling into space with the last vestige of water vapor from the initial blast, and the last bit of pirates drifting into the black. One last one holds onto the edge of the lock, then mouths a scream she only hears in her head, and he’s spaced.
The man’s breathing mask grew into a full helmet. He’s flat against a piece of barricade that slides past her, all while he appears to be smiling with his eyes. He gives her another thumbs up, then when he’s close enough to the hole, he rolls off the cargo, and he’s blasted out. Shepard’s heart plummets into her stomach and she tries pulling her other hand up, but the pull is too strong, and all she hears is that horrible man’s voice in her head.
She hopes she doesn’t hit her head on the way out. The container gives and TIM crashes into her and the room blurs white, gray, then black and red. After the spinning stops, she catches sight of the Normandy closing in, but in space, 1000 feet is an ocean away. She holds herself, but there’s another suit in the way. Realization drains the heat from her face; her view has been over the Illusive Man’s shoulder. She leans away and sees the hole and the lights of the bay reflecting in his gold visor. She can’t see his face, but he turns his head, and she darts her eyes back to the Normandy, now only a pond away. The airlock opens and the rescue pole extends out.
“‘Follow the explosions,’ she said,” Joker talks passively about EDI, who had explained once they got inside, that she was temporarily jammed when they traversed the hacking signal. “Hey, look! Raining pirates! Is it my birthday?”
Not far from where the Normandy picked them up, she spots the man drifting along with his hands folded over his stomach, his ankles crossed, and eyes closed. Shepard snatches his arm but really wants to snatch his helmet, and pulls him into the shuttle. She’s sorry Joker missed hitting him, but Joker said he didn’t want pirate scum dirtying up his windows.
Joker pressurizes the airlock from the bridge and Miranda bolts into the room as the inner lock opens. “What have you got? Who is he? Where’s the cargo?”
TIM steps between her and Shepard. “Relax, Miranda. We have this under control.”
“Like hell,” she snaps. She points at the pirate. “I’m taking him to the brig.”
The man eases himself to this feet after contently sitting on the floor after his surfing experience. “Whoa, hey. No one needs to put me anywhere nice but I don’t deserve the brig. I helped you guys.”
“We don’t know that. For all we know you sabotaged the station and Shepard knows what I do to those people.” Before she raises another hand, Illusive Man braves her up close and personal, and mumbles that she can do what she wants later. Then says, turning to Shepard, “But for now, he belongs to Shepard.”
The man bows his head. He looks like he’s praying, but then he unlocks his mask, the helmet shifts into the plate, and the shades retract. He takes it away, revealing a face almost impossible. Ten years added, a long-worn tan, a clean shave, rough skin, and mossy green eyes.
“Hey, darlin’,” he says.
The mask no longer distorts his voice. With the Drell disguise gone, all that’s left is the past she wanted to forget, but instead it stares back, and all she can say is…
Chapter 5: The Card That Dad Dealt
Miranda peers into the past, Tali and Garrus drink, and Shepard hates a lot of things at once.
Song: "Heathen" - Halestorm
Illusive Man falls back onto the pillow, his lips parted, skin reddened, and damp. Besides the naked blue alien passed out next to him, the naked human who won her third medal just about earned her fourth. The Skyball champion slides away to rehydrate at the bar. Though none of them have acknowledged the fly on the wall, Miranda doesn’t make an effort to announce herself. She holds a report and remains just inside the door of Illusive Man’s private quarters, a spacious suite with the minimum essentials only her boss would deem essential. The bar being one of them.
“Can it wait, Ms. Lawson?” Illusive Man wipes his brow then reaches for a cigarette.
The girl turns her hip as she finishes her drink, measuring up Miranda with a curled lip.
“I wish it could,” Miranda strides over. “But you wanted to know immediately.”
He sits up and moves to the edge of the bed. Without blinking she hands him the file. He stinks of bourbon and sex and looks it too. As he reads, she watches his composure. She’s never seen him angry nor happy. Just once she might see that today.
He puts the report to sleep and hands it back.
“Whatever it takes,” he says.
“Sir, this isn’t one of your sex toys.”
“Miranda, whatever it takes. I trust you.”
The girl climbs back onto the bed and caresses his chest, then curls her way around him.
Illusive Man looks at her. “What are you doing?”
“I thought I could take the reins for a bit, babe.”
Miranda turns away, but she hears a squeak, and a gag. Maybe she walked away too soon. She’s almost through the door when something urges her to look back.
Illusive Man has the girl pinned downside, his pelvis pressing against her ass as he chokes her. Snobbery gone to shock.
“I told you I am in control,” he hisses in her ear.
Being loyal has its ups and downs but despite what other personnel might think, she’s never been under his control. Nor would she. The years she’s grown accustomed to this pernicious normalcy has taught her that her perfection isn’t nearly as desired as a woman who knows her place.
And it’s not on top.
Tali watches the straw spin in her drink’s centripetal force. She had docked in the lounge after finishing—would she believe it—calibrations with the human engineers. By now she was supposed to be up in the battery but got too hot in the suit and changed course. Fortune, or sub-conscious timing of Garrus’ predictable work schedule, smiles on her when she hears the door open. Her suit gets hotter and she sips deeply.
Garrus stands in the doorway. “Hold on, The Illusive Man was here and I missed it?”
He walks in and takes the stool next to her. Right next to her. His knee rests twenty-two centimeters—approximately—from hers.
“Spirits, damn me,” he says.
He leans over the bar and their knees touch.
“I need a drink,” he says, and self-medicates.
After sitting in burning silence, Tali says, “It’s almost like he wants Shepard to himself. Did you hear about the brief? A two-man breach! Is he trying to kill our Shepard?” She tilts a look at Garrus. Turian mouths don’t seal on human glasses well. “Try the induction port. It takes in the alcohol faster.” She slides an extra straw over and Garrus cheerily takes it with dancing fingers.
He’s down half a glass when he speaks again. “Or he wants fewer witnesses to whatever scheme he’s…scheming…” His mandibles twitch when he hears the door open, but he doesn’t check. Maybe his visor already read her.
Miranda stomps in, straight behind the bar, snatches a bottle, a tall shot glass, and pours. She slams the drink and pours again. Tali and Garrus stare from the other side. Tali slurps through her straw to squelch the unnerving quiet. Miranda downs a third, slaps the glasses on the table. She stares at the counter before EDI’s voice is on the 1MC.
“Medical Response Team away. Bridge Airlock. Personnel stand clear of area. Medical Response Team away. Bridge Airlock.”
Miranda storms out.
Garrus inspects his straw. It’s pink. “Tali, am I a man?”
Her suit reacts to the sudden temperature climb and sends a refreshing chill up her back.
It’s been years since Shepard has seen her father, much longer than Mom has, and they have not been kind. She remembers the strong warmth of his hands as he walked her down the passageways of her first ship. She remembers him saying to step high over doorframes, but he never called them that; they were knee knockers. It’s hard to forget when she was the only one short enough to get knocked in the knees. One time her dad missed and it got him in the shin. She learned her first swear word that day. Nowadays the ships feel more civilian-engineered; practical, still secure, but with far less knocking. She was older, but not too old to want to still hold her dad’s hand. His latest ship had returned from the longest tour and while hundreds of families waited on the pier on Earth, only sweet-sixteen Janey stood there for him. She wore blue like everyone else, but when Dad appeared, he wore white. He stood in front of her, a king in his royal dress uniform, and his princess who ran up to him to remind him he’s still Dad to her. He smelled like the ship. And he took her hand once again and walked with her. Strange he hadn’t asked about Mom’s absence then. But two years later, she would realize why. It was after her graduation and receiving her first set of orders at age eighteen that she saw her parents quibble in the stands before walking down to congratulate her. It was a large room. Her division was dismissed. Liberty called. And she met up to Mom and Dad after her first few months of being on her own. They hugged. Janey was proud of herself. Other parents cried streams of pride. Not hers. They just smiled and sighed with relief. And in their little triangle, they squeezed her hands, a family link that bonded them forever to the Alliance and each other. After that day, Dad said he had to go back to work, and couldn’t stay for her liberty. He let go of her hand—his fingers slipped off hers, and she said “okay.” One month after that, she got a visit from him. They stood in the p-way of her own ship. When he said he wanted to tell her in person that “your mom and I are getting a divorce” there were no knee knockers to stop him from walking away. He walked. She watched him walk. It was the first time she had heard about it. Then, her phone rang. It read “Mom.”
She didn’t answer then either.
Time deteriorated his fatherhood to a mere man who deserted everything. She eyes him behind her helmet—despite his peaceful facade, his eyes are worn with lack of sleep, and his mouth wrinkles aren’t as prominent. They used to ripple when he smiled. Shepard keeps a large distance in the small space, where being next to Illusive Man feels more secure; next to Cerberus.
Miranda is the first one on scene but Dr. Chakwas and Security arrive shortly and the doctor begins body scans for triage. Security stands by the doors and their new ship rat.
“Henry?” Miranda says. “Shepard, Henry?”
Dr. Chakwas’ omni-tool blips at Illusive Man. She moves to Shepard. It blip-blips. “Shepard, I need to take you back to medical.”
Miranda requests, “Hold on, doctor.”
She notices the other Shepard. “Or we’ll do it here. Suit off, commander.”
Shepard says to Henry, “You’re needed to testify on behalf of Captain Hannah Shepard.”
Henry pockets his helmet—security team aims at him—carefully. With palms up, he says, “Jane, that cargo is worth more than my word.”
“True, given you’re one of people who tried stealing it.”
“Shepard,” Dr. Chakwas insists.
Shepard detaches her helmet and pulls back strands of hair caught on her damp skin. Color thickens in Henry’s face. “I ran into Bart Roberts.”
“And is he…?” Henry mimics the click of a trigger and muzzle to his head.
“Pity. I was going to do that.”
“He said pirates were after him.” Her suit’s VI assists with unbuckling her arms. She pulls off her gloves and opens the armor locker to start throwing gear in.
“No, Jane. He was my Second. Trusted him with everything. I should not have trusted him with this. The pirates were not after him because he was one of them.”
“So are you. Your entire crew and ship went missing.”
“We’re not pirates, Jane, we’re contractors. They were loyal to my cause.”
“Cause? What cause could possibly be worth more than free dental?”
He looks at her as if it’s obvious. “Well, yours.”
Shepard drops her leg gear. “So they weren’t that loyal then.”
“When they found out this heist was more than medical supplies, Bart took up a new cause. I didn’t see it until I was pinned down and the entire station was murdered.”
“How did your ship dock at the station? If the entire station was killed…”
“We acted as Bart’s missing ship looking for our lost crew member. A bit ironic, really. He took a trip through space to get into the station just as we did getting out. Huh. Anyway, deep space was probably the last straw and he did his job all the way up to the point of mutiny.”
“I don’t blame him. You spaced him so your ship wouldn’t be detected.”
Shepard holds her neck, remembering. Suffocating, every blood vessel expelled of oxygen, and the exact pitch of her voice as she counted how long it took until she was wiped from the universe. Then being forced to do it all over again. Only she wasn’t alone.
“You spaced us.” She takes away her chest pieces, leaving on her skin suit she detaches from the VI’s hardware. The doctor gets handsy but easily ignored.
“He killed innocent people. Now my crew must pay for their actions. Help me take them down, I’ll help you retrieve the cargo, and you can use that in court.”
“Sure but you’re coming with the cargo.”
“I cannot do that, Jane.”
“Then I’m turning you in now.”
“Wait! You don’t know where the cargo is going!”
“You can dangle that card in front of my face for ten seconds before I leave you in the airlock until the next de-pressurization. Ow.” Chakwas digs into one of her many sore muscles.
“Pain is the assurance of living,” Chakwas says.
“That’s lovely prose, doctor,” Henry smiles sweetly. “But your patient is threatening me.”
Shepard snaps, “Tell me, Henry!”
“Take me with you.”
“Give me the best reason you have because I can find it on my own without you just fine. All Mom wanted was you safe!”
“Because you have five days and I can do it in one.”
“How did you know…?”
“You’re not the only one she called.”
She shakes her head. “You’re lucky.”
“Luck cheapens the blessing of the gods.”
A sharp sting rockets up her back. “The hell?” Chakwas steps away when Shepard jerks to.
“LCG off. Now.”
She grabs for the collar and stops. Illusive Man watches intently. She about-faces and proceeds to remove her second skin. Underneath is the black dress, formed into a shirt she found weightless and in sync with her biology and tech. The second she got on board she had done two things: (1) called for an emergency briefing; and (2) requested EDI to have a look at the merchandise. They had found that it doubles as armor and changes to fit the needs of the wearer. For this mission, she needed insurance, and the dress provided.
Shepard’s neck tingles when Illusive Man nears, and says behind her, “Did too.”
Only Henry sees her face contort until she exhales as a bull sees a red flag.
Chakwas inspects closer, then lifts the hem.
Illusive Man reports, “That’s the impact of the bullet.”
“You were shot!?” Chakwas publicizes the injury.
“In the back,” Illusive Man adds the insult. “With this.” He places a hand cannon on the bench, far from Henry, close for Shepard to shoot him with it.
“Oh, honey,” Henry says, “that’s not healthy. …Is that why I didn’t get my chance with Bart?”
Shepard stares until she hopes fire shoots out at him. “What’s our next assignment?”
Henry says, “How familiar are you with Bekenstein?”
Chapter 6: Held In Contempt
A few characters come together and try to talk about their feelings. It's awkward.
Song: "Tf29" - Deux Ex: Mankind Divided (OST)
Normandy - Medical
Miranda took on dadsitting duty for Shepard when Dr. Chakwas insisted The Illusive Man and her sit in medical, but it led to more problems than the doctor wanted. For instance, when she took his vitals, he just sat there, and pestered her with questions about her day, and asked about work, then, if she needed anything, he threw Miranda under the bus, and said she could get it done. He even went as far as to remove his suit and joke about dropping his pants.
“Did I just see a smile?” he says.
“No,” Shepard says, slouching. “Are we done, doc?”
“Hardly,” Chakwas says. “What would have been a bullet wound is still cause for caution. You’ll have bruising above your iliac crest for a few days, but I’ll need to run more scans to make sure there’s no major damage.”
“Doctor, this is nothing compared to what I’ve brought home before.”
“Granted you keep showing up on my doorstep. Wait here.”
Chakwas dismisses herself and the words “did too” cross Illusive Man’s face when Shepard glimpsed at him before attending to her empty hands.
“Why did you keep the dress on?” he says.
She shuts her eyes. Just a few seconds without the world or who’s in it is fleeting bliss.
“I don’t know,” she snaps.
“You scanned it and found it more useful than you thought?”
“I said I don’t know.”
“Maybe you trusted me a little more than you admit.”
“I wasn’t going to waste time stripping down!”
Shepard wishes she saw them sooner, the eyes behind the glass. Her crew appear to be eating food, but they keep looking over their shoulder. Others are confident, or careless, and stand on the other side, glancing at her for a second but eyes locked on Illusive Man. Tali has been fanning herself, using Garrus as a leaning post. When she realizes Shepard’s caught on, she all but prances away. Garrus stands alone, looking left then right, pointing for direction, then marches toward the battery.
She slaps the privacy tint on the window panel and it silvers out the mess hall with mirrors, same technology as her cloak and visor. But now’s there are two Illusive Mans and two of her. She sees his back in the mirror. It’s flawless. When she thinks he’s not looking, she looks down at herself, and is thankful she doesn’t have to strip now.
Doctor Chakwas returns. “Okay, commander. Lose the fancy shirt.”
Shepard bounds off the table and walks out. “I’m done.”
Normandy - Cabin
Commander Shepard folds over her desk and plants her cheek on the cool surface, staring at her empty qauarium. Shepard has never had an incident involving her father. Her childhood was great. Her parents were supportive. And when she finally found her passion in life, her dad found his own passion, and had to pursue it on his own. Mom understood. Shepard remembers the calls. Being a captain gives you entitlements to free time whenever you want, and Mom had a lot of it at one in the morning. She knew her daughter was up for whatever reason. Being young meant she could sleep four hours and still pack in a fourteen-hour day. Shepard answered for her mom’s sake, but after a few weeks, she had to break it to her mom that her current division officer was tired of being his underling’s secretary. Of course, no one could deny a captain, but they could add on their child’s workload.
“You don’t have your own office, yet?” Mom had said.
Years later, she has her own everything, but the tank is still empty.
Bubbles rise from the filter and dance along the surface and she remembers the image on the cargo. She hastily gropes her desk for a stylus and forgets it to use her finger on a datapad, scribbles the logo down, then takes the elevator down the Engineering.
If anyone knows where it’s from, it’s Jack. She doesn’t look up when Shepard’s boots clink against the metal steps descending to the room’s shadowless red light.
Shepard extends the datapad. It’s a poor sketch of an upside-down, equilateral triangle framed by two curves that fork into sharp, upward claws.
Jack has her own pile and she hasn’t stopped reading.
“I want to know something,” she says.
Shepard lowers her arm. She squeezes the frame harder, either to steady herself, or prepare to throw it as a distraction.
“Cuz something doesn’t add up and I know you’ll be straight with me.” Jack stares up. “How certain are you Illusive Man didn’t know about Pragia?”
She eases her grip. “You heard the logs. Those scientists said it.”
Jacks stands, kicking one of the datapads. “He knows every damned thing about every damned one.”
“He likes to think so.”
“So why wouldn’t he know about the facility? About the kids there?”
“He ordered the shutdown.”
“Doesn’t mean he didn’t know, Shepard!”
“You’re…right. But it’s behind us now.”
“I still can’t trust Cerberus, Shepard. I keep reading over all these files and the more I read the more questions I have.” She paces a bit before settling on her cot. “But a deal’s a deal. And you helped me back there. Thanks.” She glances at Shepard’s sketch. “What the fuck did you wanna show me?”
Shepard offers it and Jack takes it.
“Is this a shitter?” She turns it up and down. “What is this?”
“You ran with gangs. I hoped you could tell me.”
“It’s no gang sign that I know of. But punks always spring up out of nowhere and get fried just as quick.”
“Between your reading and brooding, think you could find out for me?”
Jack puts the sketch on the myriad stack of crates, away from her mess.
“Yeah sure,” she says. “Fuck off now.”
Normandy - Lounge
Shepard takes in the view from the starboard observation lounge, sitting on the couch with a glass of water in her hand. Joker had just passed the final mass relay and the stars blurred less. There was a time when ships rocked and listed. She can’t feel a thing. She misses it. She misses the unpredictable tosses. Or during GQ drills when they’d test the high-speed turns like they used to on the water. She takes a sip and stares at the glass. She rolls it around before setting it back on the arm. She misses the smell. She misses Earth. She’d feel awkward without her crew, though. To be surrounded by humans, knowing there are galaxies out there with so much more, she couldn’t go back to that. It’s an itch; an unwanted tag on her shirt, and feels wrong. As wrong as hearing Illusive Man’s voice celebrate humanity and his cause and how humans come last to the Council. We don’t. Anderson is on the council. Not a Volus, not an Elcor, not a Drell. A human. Yeah there are technicalities in why but the Council saw humans as capable, not that humanity needed their approval. And her “alien” crew like her. And despite Cerberus’ well-deserved prejudice, everyone’s getting along with Illusive Man.
She puts the glass to her lip and watches the stars pass. Left to right. No waves crashing, no yellow sun, or blue ocean. In a pocket of black, where no stars burn, she gazes in, then beyond it. She can see the shoulder plate of black armor reflecting the Normandy’s hull as it approaches. A silver horizon upon solid metal, and then a golden hemisphere as she tries to tear herself away, but she can’t let go. She can’t feel alone again. She can’t die like this again. She can’t.
Miranda’s voice slings her back onto the couch, where she’s been waiting to take another drink but she never poured.
“Yes—” her voice scratches. She clears her throat and takes a lingering drink before repeating herself.
“We’ve arrived,” Miranda posts herself by the window. She observes the rearrangement of furniture but says nothing.
Shepard finishes her water. “Thank you.”
“That bad, huh?”
“What? Oh. This isn’t vodka.”
“Maybe it should be.” She smirks. She’s pretty when she can be herself. “Shepard,” she stops, though.
Shepard drops off her glass on the coffee table. Gardner hoarded the detergent for the galley so he’ll eventually make his way in here to clean up.
She’s thinking. When she looks left she reroutes her aggressive statements into polished introspects. She is kind but she doesn’t have to be; Shepard likes her tactful ruthlessness.
“It’s okay, Miranda.”
“Are you going to be okay?”
“Absolutely. Bekenstein hasn’t been hit by Collectors.”
“That’s not what I mean. I know you’ve been dealing with everyone else’s baggage, including mine. With your dad here—”
“Hold on. Nothing has changed. It’s just my dad.”
“Oh I just thought, maybe you’d need someone to talk to.”
“It doesn’t bother me, Miranda. It’s okay.”
“Good,” she says.
“Good,” Shepard says.
“Then I’ll just, like usual, tell you to be careful. Like usual.”
“Like usual, I will.” Shepard watches her twirl a strand of hair around her glove. “Illusive Man’s a pain in my ass, though.”
Miranda’s shoulders drop off a metric ton of tension and she glides over to the bar and sits. “Commander, about Illusive Man…” She combs her fingers through her hair. “You need to be cautious with him.”
“Oh I am.”
“I think of you as a friend, and—” she slips into a memory, dazing off at the wall. “—he can be very persuasive.”
“Wh—wait, do you think—?” Shepard sneers. “Oh gawd no. No. I’m good, Miranda. I’m good on that front.”
“I just wanted to make sure.”
“Sure, sure. Thanks, Miranda.”
“Any time.” She taps the empty glass. It resonates. “Next time with me?”
Long after Miranda’s gone, Shepard remains staring at the glass. Her throat itches.
Chapter 7: At His Bekenstein
Three's a crowd even in a bigger crowd. Jack and Jane learn more about each other, Jane and Henry learn more too. There's dancing.
Background Songs: "Tainted Love" (Bleeding Love Club Edit), Lower Afterlife ("Techno Madness") by Jesse Allen, "Stampede" - Dimitri Vegas
Dance Song: "Giants (feat. Carah Faye) [Festival Mix]"
(See the end of the chapter for more notes.)
Hannah’s teacup rattles on the plate when she raises it for a sip. Lemon and chamomile. The smell can’t even calm her anymore now that two admirals sit with her in her luxurious cell. Hackett’s vaulted living room isn’t the largest, but it’s the coziest, with framed photos of every ship he’s served on lining the dark walls that bring together the white flooring and red-cushioned furniture. Hackett’s couch has been her security blanket for the past few days, though he has offered the guest room, she can’t stand any room without a view. She scrunches her toes in the shaggy rug hoping the fabric dries her nervous sweat. She watches the teal waves unfurl onto the white sand; a common feature in panel windows, though she knows on the other side is nothing but Citadel and space.
Admiral Hackett sits across the coffee table in his favorite reading chair. His cover lies upside-down on the table, but Hannah stares at its up-right reflection as he rubs his eyes before the talk.
“I’m sorry, Shepard,” he says, “but your daughter’s XO reported on her behalf, and states that the cargo has not been found.”
“I haven’t heard anything.”
“Are you sure?”
Anderson paces the room. None of them look like they’ve changed clothes in two days. Or slept.
“This is an outrage,” Anderson says. “What they’re doing is accusing her of trafficking! What’s worse is they’re playing the slave card! And they’re getting away with it. How is this possible? No one in their right mind would dare call military dependents government property. They’re children!”
“The product is unfertilized and Shepard’s been in communications with Cerberus. I have seen the documents that give them grounds for this case and it is not in Hannah’s favor. But you’re right. Someone is not in their right mind and I want to know who.”
Hannah sets the tea down. It slops off the side and splashes the saucer. She doesn’t look up.
“I’m not the only one,” she says.
Anderson stops behind her. “Not the only one what?”
She breathes in deep and lifts her head, eyes full, and glossy. “I’m not the only one.”
Milgrom interlaces Asari and human infrastructure with intelligent, passive violence; an industrial city filled with crime without the pull of a trigger. Residents are the planners, the executives, the mob bosses, and anyone under them barely exist. Perfect and notso perfect for people like Shepard and Illusive Man. Shepard’s dead to these people, but Illusive Man’s a legend, an untouchable tycoon. And now—
She glances over. He walks the outer path, her at the inner, Henry in the center. They’re walking by a strip of tree holograms. Beyond that is a colossal formation, possibly a drilling rig, or used to be. Illusive Man looks at her and she gapes forward.
—his physical company will be a challenge, though he doubts anyone would think he’d show his face. Just in case, they have a plan and, no, it doesn’t involve his disco ball.
The riverside of the city reminds is lined with a wide boardwalk. Piers are lit like birthday candles and mainland is the cake. Nightlife swarms the exorbitant towers full of people who never sleep, or at most don’t sleep at home. Those who do sleep are far out of downtown, in the suburbs, or the high-end life on the cliffs, far from everyone. Like that ass she spanked with Kasumi.
Now she’s with her father and benefactor, and she wonders if she’ll wake up. She’s already slapped her arm twice and said she felt a bug. They had taken a shuttle to the outside of town, and then the metro to the waterfront. Shepard remembers the strips of light over her skin, and the flashes through the windows as they veered through tunnels at freeway speed. She couldn’t see where they were going but she felt it.
That was when she checked her outfit for the dozenth time before Henry said she looked fine.
She recalls EDI’s report: her dress’ fabric—armor made of attonytes, a newly-developed prototype VI fabric from Cerberus—can shift over her body like a fast-action blast shielding. It can go from catsuit to bikini, and it will protect her entire body; espionage’s highest fashion ensemble. And she went with its original cut. Red suits her.
They arrive at the party, a red carpet charity event concerning animals, and the environment, called Exhale. Henry flashes invitations at a large Polynesian bouncer, who checks them over. They pass. The Waterfront is packed with uppy-yups, and some are driving overhauled classics that still have wheels that turn into the body, and double as electro-magnetic force. The building is a castle of white and gray exterior, smooth and modern, decorated with environmental slogans, appropriate for the theme.
Save the greens, save the future
Pass the trees, please!
Can't we all just right a wrong?
Feed more trees: exhale!
Wild animals cruise the boardwalk. Shepard almost jumps seeing a bear sitting on the curb with someone moving its head with his omnitool. A mother duck waddles by with a line of ducklings. Even the feathers look real. Shepard reaches down for one of the ducklings. It cries and scurries away, but not before Shepard felt how soft he is. Maybe not all the animals are fake.
Henry and Illusive Man escort her inside, her arm around Henry’s now to make it more official. It’s an oval room as large as the metro’s central station mingling with a floating forest, grounded bushes and flowers, and soaring exotic birds. There’s a triangular design across the tile, meeting a dance floor, several banquet tables for every species, and a double staircase, with a VIP elevator roped off with added security. The second floor is scattered with asari and human, mostly. She catches Illusive Man’s silver hair illuminating in the ambient light trails passing over and then notices the girls ogling him. She looks away. Girls at the bar ogle her father.
Oh for feck’s fuckin’ snake’s sake.
“How’s the leash?” Shepard says to Henry.
Before they disembarked, Miranda locked him down with a fancy device at her happy request.
“Fits like a collar,” he says. “Weird.”
“Don’t draw attention to it.”
“You don’t have to worry about me, Janey. These are my heathens.”
“That’s what worries me; I don’t think I fit in here.”
Illusive Man says, “Relax, Jane. What do you see?”
“I hate this first name rule,” she says, but surveys regardless.
Henry says, “First names hide who we are as icons, and we won’t slip up fake ones.”
Party guests stand tall with noses up and drinks limp. They never look at the servers, but take from their trays. The bartenders are entertainers and get minor attention if they juggle, but many are blasé about the whole party—it’s like Monday morning to them. Ones that stand closer to the dance floor are more eager. When the music changes its beat into a heavy synthesizer, it fills the castle, and guests flood the tile to move like they lost all their bones. If Shepard tries, it’ll look like hers are broken.
“Don’t overthink it,” Illusive Man assures, and then he offers his arm.
He stands in profile.
She stares at the sleeve creases, then him.
“Just act like you own the world,” he says with eyes obliquely on her.
Shepard gets it…and his arm.
There’s an aura of carelessness in the blue and green. Among the river of light above, to the holo-trees encircling the pillars and framing the room, to the random animals prowling the stage, no one sees the Collectors as a threat. It’s beyond them. They’re untouchable; as untouchable as they were when the Citadel was attacked; not them. It would never happen to them. That’s their delusion. An easy facade to replicate because it’s far easier to party against the truth than to fight proving it. If there ever was a happy medium, she could be it. She holds her past and her present in her grasp and her future lies in taking the first step, and demanding refreshments.
Her new mask straightens her back and pouts her lips with a subtle nudge of her tongue. She pulls her shoulders back until her collar is taut, her neck long, and slender. She remembers she’s wearing her sexy underwear and no one else knows but she shaved. Everything. A tiny smirk curls devilishly. Be Miranda. Shepard struts forward, leading the men across the threshold, toward the standing tables nearest circular, where the majority of uppies eventually catch onto fresh meat, and sniff the air before locking eyes with Jane. When one finds her, more turn; a herd of deer who’ve heard a wolf.
A server promptly offers a platter of amuse-bouche (a commander after a dozen receptions learns things) when she situates herself in view of the cheerleaders on the dance floor. Asari who remain in their cages to inspire the crowd. She turns to the man and looks him in the eye.
“Thank you,” she says, and takes one.
The platter shivers, his arm trembles, but the man smiles and nods, and vanishes as fast as he came.
Someone nearby mutters. “Is it true what they say about women who go for the food first?” They didn’t mutter quiet enough. As they glance over at her, they look like they pissed themselves when she stabs them with glare daggers. She pops the garnished cracker in her mouth and crunches down, as an animal gnawing bone.
Henry leans in. “It’s been a few years but I know my way around. The guy we want, Hanish Zhadny, is upstairs.”
Shepard glances through the crowd. A northern stairwell with ornate carpeting and marble pillars is guarded and gated.
He continues, “There’s a bathroom window that’ll divert me to where he is.”
She nods once.
“I’ll get you what you want.”
“All I want is that cargo,” she says. “Nothing more.”
Henry bows elaborately until Shepard eyerolls and shoos him off. She watches him snatch a champagne flute, take a sip, and somewhere in his twirl, he plates the drink on a table, and she only sees his coat tail disappear behind a waterfall room divider.
“If he bails,” she says to Illusive Man, “I shoot him.”
It’s easy to keep an air of malice where her frustration is a constant. Her and Illusive Man sit at the bar, half a chair separate, and the bartender comes over.
“Water,” Shepard says.
Illusive Man looks at her. “Four Roses.” She must have made a face. “For your water.”
Bartender pours, sprays, and two glasses meet them in hand. Now they’re alone. He tosses out the straw before he sips.
“Oh,” she says, “it’s a drink.”
He meshes his lips together, taking in the sting of alcohol. “A precise drink.” He sets it down. “For a precise occasion.”
The music changes songs to a slow start that elevates into an upbeat techno with steady bass. If the crowd cheers for it then it must be a fan favorite. More populate the floor and soon all she notices are swaying arms amidst gleaming bodies. She remembers her ‘broken bones’ and will take conversation if it avoids dancing. Illusive Man leans against the bar, one leg long to the floor, and watches the room. He strokes his pinky nail with his thumb.
“So long as you keep your eyes sharp,” she says, slamming the mere eight ounces, and waving for another.
Illusive Man looks at her.
“How does no one recognize you?” She squints.
“Legends do not walk amongst peasants. How does anyone not recognize you?” He reaches into his breast pocket.
“Peasants swimming in money, maybe. Don’t your eyes give it away?”
Out comes a vintage cigarette and lighter. “Many don’t know what the Illusive Man looks like. Here,” He pops the filter between his lips and lights the tip. “I’m just Jack.”
“Not to me.” A dryness scratches her throat and she consumes the refill.
“Still no trust?” He exhales smoke. “You don’t think we’re synergistic?”
A whiff curls her lip and she waves the stink away. “That was one mission.”
Henry comms, “Guys, we got a problem.”
Illusive Man takes his glass and scans a tip with the bar’s interface.
She stands with him. “And it did not end well.”
Henry insists. “Men’s bathroom. Please-now-thank-you.”
“Any fight we can float away from,” Illusive Man says, now arm-in-arm with her as they advance to the bathrooms. He balances a glass and cigarette in the other hand, the pro of luxury.
“You could float away now but I forgot you’re a real boy.”
He smirks. “You’re convinced now, with how tight you held me.”
Shepard vocalizes her contempt. And in case she’s doing it now, she unfastens her grip.
When they activate the door, Henry is standing at the other end with his hands on his belt, facing a blank wall. The bathroom is columned with urinals, closed stalls, and a community sink with several faucets. A guest in a white suit with black shoulder-boards dries their hands and leaves, muttering about the man talking to himself. Henry hears their shoes clicking across the tile and he turns around.
“What’s the problem?” Shepard says.
“This.” He waves at the wall.
“This! This!” He waves frantically.
It’s a wall without a window.
“They must’ve remodeled. I hope the courtyard’s not gone too. It was lovely in the spring. Cherryblossoms.”
Illusive Man inclines, “Don’t choose nostalgia over the end goal, Mr. Shepard. We need to look for the alternate route.”
Henry pinches between his eyes, mutters about the cherryblossoms, then “I’ll go back out and look.”
He walks to them—Illusive Man stops him.
“You’ve been gone long enough,” Illusive Man says. “Have a drink, Henry.” He hands him the glass. “On me.” And asks Shepard, “Are you gonna be okay?”
Without a beat she says, “Yup. Good. Absolutely.”
Jack checks his pack of smokes with the lit one dangling in his mouth again. He shakes to hear the number. Shepard deeply inhales, and tries counting with him, but she can’t hear the rattle when the voice in her head screams to run, and the more she attempts to breathe through it, the faster her heart beats. The faster it aches. The faster it tells her to bolt. Head and heart have it locked in but she exhales, and inhales again. Fighting, forcing her feet to stay. Illusive Man thrums the pack—
One, two, three.
Dum, dum, dum.
He pockets the cigs. “I’m going for a smoke.”
“Two at most.”
Illusive Man turns away—she snatches his hand. She doesn’t feel herself do it. A snakebite; an impulse; defense against circumstance. He glances at it then her.
Without a twitch in his cheek, or a flicker on his brow, he stares, and says, “Five minutes.”
He squeezes her hand and slips away.
And for one long moment, the longest moment that lasted less than a blink, she forgot to exhale.
Henry says, “Hoo, what a nasty habit.”
She walks out. “There are worse things.”
Shepard skips an order of top shelf H-two-O and goes immediately into glowering in a quiet corner booth. Black leather C-couch with a circle coffee table and a blue holo-fire.
She expected him to pull away. She examines her hand, the impression lingers beyond her skin; her nerves memorized the feeling. They’re as confused as her.
Henry scoots the empty scotch glass forward, away from his boot resting on the edge of the table, then he interlaces his gloved fingers, probably looking at her, or toward her. She can only see so much peripherally.
“How’s Mom?” he asks.
She waits to make sure the first words aren’t offensive to aliens.
“How’s me,” she says.
“Since you haven’t spoken to me lately. At all.”
“I’m…I’m sorry, Janey. You kinda surprised me.”
“I surprised you?”
“What am I gonna say? What am I supposed to? I spent two years learning to accept that I would someday see you when I die. And I’m alive. And so are you. So what? What am I gonna say?”
“Maybe whatever you said to Mom when you talked to her before me!”
“You were dead before!” He sighs. “You wouldn’t want to hear the things I said to her.”
“Worse.” He lets the word hang in the air. “You know you look tense. I could recommend—”
“Don’t start me on your damned pills, Henry. Medication is exactly why Mom divorced you!”
He twiddles his thumbs and after looking at him once, she crosses her arms, and jerks her body away, ensuring every front of her can’t see him. The crowd jumps up and down as the DJ hums into her mic. The booth on the other wall harbors a group in gold and white fashion, arms around each other, drinking, laughing. An asari with rosy skin in a bikini lies on the table. A man starts a line along her torso. He snorts it from hip to belly button, then up to her breasts, then meets his mouth to hers, and Shepard grows disdainful. She envies the oblivion. If one piece of her suit broke she could have ended this predicament before it was a possibility. Second death by suffocation is preferable to sitting here, watching a pair of scantily clad girls approach her father, giggling, and asking if he’s doing anything—or anyone—right now. Shepard wants to plug her ears but she’s too proud to budge. She stares off into the lights. A spotted feline crosses the pathway, glittering emerald and sapphire.
“Ladies,” he starts, “how would you feel starting your life over?”
“What do you mean?” They giggle.
“If you could do anything in the world, anything, what would it be?”
What a stupid come-on. Does that shit work?
One girl answers. “I—I really want to take my dad’s money.”
Good job, Henry.
“And use it to bolster Bekenstein defenses. I hate that he spends it on fake charities to make himself richer. I don’t feel safe here. I think I could do some good…maybe join the Alliance.”
“Is that your deepest desire?”
Shepard turns just enough to see.
He takes her hand. She’s blond with bright eyes and tanned skin.
He says, “Then do it,” and she smiles, and walks away. Her friend remains, staring at him. He takes her hand now. “And while you’re at it, you can give up seeking out meaningless sex and focus on your education. Men like an established women, not gold diggers.” He pats her and she follows her friend. He snatches her drink out of her hand before she’s out of reach and sits back. “Moscato? Cheap but sweet.” He sips.
“How did you do that?” Shepard asks.
“The art of persuasion.”
A deflective lie. He was good at those.
“Fine,” she says. “I’m going to find Jack.”
“I stopped taking the medication because I found a better way and your mother saw fit to distance me from you. I don’t blame her. I’m sure I sounded crazy.”
Her father was on anti-depressants and emotion-balancers. Pills that manage hormones and stimuli. Common meds in the Alliance, up there with Motrin, the bandage for all problems so you can continue doing your job while the military pretends the problem doesn’t exist. It’s also why he was the ship counselor. He knew more about psychological issues than most and could solve others before solving his own. For a while he cared. He cared about his patients and helped them, with medications being a last resort. Then Sovereign happened. And Alliance pushed Henry and the rest of Medical to keep personnel sane by any means. How to do that in the fastest way? Pills.
“Is that why you left?” Shepard asks.
Henry answers, “I left because I signed on to uphold my oath. I didn’t see the push for medication as a means of control to be in my patients’ best health interests. I found a way around it, a solution. And they denied me. Said my theory was impossible. Little did they know I had been off my medication for a few months and they saw no change.”
“You tried this theory on yourself, then. What is it exactly?”
“Energy Hypnotism. The rebalancing of your inner self.”
“How does it work?”
“I…talk…to what makes you you. Your energy. Your soul.”
“Yup. Sounds crazy.”
Henry smirks. “Sure does.”
“As crazy as Reapers.”
Henry looks at her, then above her, and slams his wine before saying, “You get lost?”
Cigarette stench hits her nostrils.
“Asked DJ for directions,” Illusive Man says, sitting on the edge cushion. “There’s a service door behind the stage curtain on the eastern wall. No security but everyone can see who goes in and out through that curtain. We’ll need a seamless transition.”
“How?” Shepard says.
“Through the dance floor. It’s heavily populated and if eyes are on us they won’t be for long.”
“A mass object illusion. Eyes too busy on many things they can’t see the real problem.”
“With an added bonus.”
“Ooh.” Henry takes his boot off the table. “What did we win?” He leans in.
“Shepard’s cloak.” He explains. “At the station her suit took me as a part of her when I touched it. She can get us in.”
“Aren’t you the little rogue!” He stands. “Shall we dance?”
Shepard questions if she’s already under his hypnotism, because she thinks back on her mom, and how they have less than five days, she still feels thirsty, and wishes she could be the man high off tummy toot, but somehow finds her hand in her father’s, and she’s moving toward the stage. She watches her shoe step onto the floor, and girls squeal when they see the trio enter. Emptiness greets her hand and Henry’s gone. Glowing blue eyes watch her through the bouncing heads, waving arms, and swaying hips. Henry’s voice carries in her ear, but she barely makes out the call. Bass throbs in her body, pulsing against her chest. It’s in her head, her ribs, her gut. Lyrics spring in her ears. The DJ sings and the crowd begins to clap in beat.
We can fall like bottom feeders
And we can rise stay above the waves
We can stroll, we can pump the brakes
So slow it down, speed away
She sees how security could be confused, but it’s not easy for her to be lost when her beacon stands close. Now a little too close but better than a stranger.
“Well, hello, beautiful brunette in the red dress,” Henry’s voice catches in her ear.
So far they don't know your name
But don't stop trying to find a way
Don't stand polite, be brave
Hold tight, spit it out
Shepard looks for her. Henry is at the center, pinned against a woman a decade younger than him, with pouting red lips she bites when she twirls around him. Thankfully the crowd ignites during the chorus and blocks the nauseating view. Not so thankfully, security strolls nearby, and watches her in suspicion. If she doesn’t start flailing she’ll stick out like an Elcor. But when she tries feeling the music, her limbs remain frozen.
Say what you want, say what you want
And stomp 'till you break through
And move like giants do
'Til everyone hears your demands
Stomp 'til you break through
And move like the giants do
Illusive Man grabs her. Half his voice reaches her comm, pseudo-radio, but right next to her, his day-old shave against hers. She feels his breath in her ear.
“The beats are bullets. They’re firing at your feet. You have to avoid them. What do you do?”
She steps back. He steps forward.
“They’re firing in intervals of four. You stand still, you die. Start counting.”
One, two, three, four.
He slides his hand down her spine to the small of her back and if the bass didn’t give her chills, that did.
Back, back, forward, forward.
Illusive Man’s eyes don’t have just one pupil. There are four, but far away it only appears to glow. There is a design she hadn’t noticed; something in the back of her mind tells her it’s Prothean, and they’re linked together somehow in thought, much like how Asari meld, but different. Like his eyes are trying to tell her something but it can’t show her. She’ll have to ask. And if she does, he’ll know what she’s thinking. The more she thinks, the more she’s alone in the blur of sweat and noise. Yet he remains cool, not even flushed.
“Sector clear. Move!”
You can face any kind of creature
And anyone on any day
You can stare down the eyes of evil
And send it back where it came
So far they don't know your name
But don't stop trying to find a way
Don't stand polite, be brave
He grips her hand and turns her 180 on a heel. “Intervals of two! Quick!”
Back, forth, back, forth. He spins her the other way, he snatches her hand, her arms cross over, he spins her back, and a thrill rushes over her. Her hair whips across. He catches the strands in her eyes.
“The enemy is underneath you.”
She stomps her heel down.
She stomps her other heel.
Hold tight, spit it out
Say what you want, say what you want
And stomp 'til you break through
And move like giants do
“There’re more.” He pulls her away, spinning her into a frenzy of people leaping higher in the center. He changes the steps—left, left forward, right, right forward—and moves her through an array of cascading, fans of light; beams trail over their heads in time with the synthesized melody. Spheres of white pulsate with the beat. He pauses, turning her slowly with every third slide. He brushes his fingers through hers and she watches the lights paint an outline along their skin, and his face—his unmoving face. At some point she lost which pounding in her chest is the music and which is her heart, until she finds it tightening her throat. Heat climbs up her back and swells in her head, seeping down her forehead, and pooling in her cheeks. A bead of sweat trails down her sternum and catches in her fabric but in a fleeting thought, it felt like someone tracing her figure. In a dizzying, fleeting thought, she wished it was, and she sees why he hasn’t looked at anyone else but her.
It can’t be.
Clapping is getting louder now. Cheering turns to screaming. Plumes of color burst from fists throwing ground chalk. Lights bounce through the clouds of pink and blue.
Move like the giants do…
“I’m in!” Henry comms.
Lights pierce the chalk pluming around them. She sees the stage, she flutters her eyelids, and remembers. Shepard slaps her cloak on and Illusive Man disappears in front of her, but not his hold. He pulls her passed the stage, through the curtain, with Henry holding the door.
“I can’t tell if you’re here,” he mutters.
“We made it,” Illusive Man says, taking a breath. “A good plan.”
The cloak fades and they reappear at the beginning of a long corridor with many other doors, cement walls, and nothing as pleasant as the lobby and banquet hall.
“Plan,” Shepard says. “Good. Right.”
“How ever you got in without us is proven a success.”
“Yeah. Well, that girl was really high, so I showed her to the waiting lounge. She’ll be in there for hours, contemplating her decisions. What about you? How’d it go? You look a little…”
Illusive Man answers quickly, “It was hot. Out there. A lot of people.”
“Lot of people,” Shepard echoes. “Where’s this Hanish Zhadny guy?”
“This way.” Henry glances down at something between them. “We’ll take the stairs.” He takes the lead.
When Illusive Man walks forward, her arm tugs, and she catches her balance, and looks down.
He’s still holding her hand.
"Four Roses" is a real bourbon.
I feel I should explain myself on the dance. We have club music and everyone doing their own thing but doing the same exact thing. And then you have Illusive Man, who values the old luxuries like cigarettes and scotch, and he chooses a freestyle ballroom cha-cha with a techno beat. A man that marries synthetic vibes with old time Earth dancing. I thought it would bring out his character, perhaps the person he was before he was Illusive Man, because as he said, "Here, I'm just Jack."
Chapter 8: He Puts the O in Psychic
Shepard meets Hanish Zhadny and reveals her true morality.
Songs: "2 Gether 4 Ever (Clubraiders Edit) - NDS vs Tom E; "Mirrors (Radio Edit)" - Empyre One
When she jerked her hand away there had been the longest uncomfortable silence since she died. But it was the first time she had wanted to be closer to her dad, literally. She had kept less than a pace behind him as they snuck up to Hanish Zhadny’s office. The journey was a stroll through any other corporate building, but when they get to the executive doors, the sound of commotion breaks the mundane.
“He’s at it again,” Henry says, ear to the door.
Illusive Man reaches for the small of his back but Henry hisses him down.
“Calm down. Not everyone needs rescuing.”
Shepard says, “Then where are his guards?”
“Hanish doesn’t think he needs them. They’d only be in his way.”
“Hanish believes he’s psychic, therefore the need for no guards.”
That’s stupid, but she says, “Then I guess he knows we’re comin’.”
“Be nice, okay? It’s probably the one endearing quality he has.”
Illusive Man keeps his gun holstered, adjusts his jacket, and Henry makes his entrance.
Bright screens face them in a black room. Several people in tall-back chairs watch a game, their backs to the door. The one in the center, the largest recliner chair with a food tray, mini bar, and three screens linked in front of him barks orders as his fingers dance across the orange interface. The only way he could be heard over the loud music are the headsets on his crew.
“Tank, pop your shield! Healers, restore your mana. I need Debilitate! Who has it ready? Shut that damn door! How many times—”
Henry shoos Shepard and Illusive Man in, and it shifts back, and locks.
“—Thank you! Where’s my—good. Fire mages, use your CDs!”
Headset on the left moves. “We still have ten seconds!”
“You’re hopeless, mages! I’ll do this myself.”
Shepard gets a closer look at his screens. It’s a realistic online game and each screen has a different character. His crew fights an ice giant who should have flattened all of them already after that last attack. She assumes the big chair belongs to Hanish. He’s only light blue because of the screens, but the warmth from his interface balances it out, and she can almost see his light brown skin. Two tubes stick out of his long, messy mohawk and his visor wraps around his shaved sides. Hanish sends all his characters at once to the giant, tapping on the keyboard like Joker would in daring maneuvers.
A blond girl on his right calls out, “Hanish, we’ve reached 500,000 credits!”
“Awesome!” His finger-fighting doesn’t miss a beat. “Who broke our milestone?”
Another screen pops up and a surveillance camera cuts to a group of cheering girls in cocktail dresses in a booth. That explains why he wouldn’t need security on his floor.
The girl player continues, “Carla Leche with a donation of 5,000 credits and a flight of Deep Azure Action shots for her squad.”
Hanish hits a button. “Congratulations, Carla Leche! Thank you so much for your generous donation for Exhale.”
“Oh my gawd!” Carla fans herself. “It’s him! It’s him!”
“Shut up!” One of her friends says. “Hold your bracelet still! Hi, Hanish! Oh my gawd I love you!”
“For being such a dedicated patron to our cause, we are refunding your drinks, and you now have access to our VIP section. Just speak with one of our servers, and they’ll hook you up. Any music requests, Carla?”
She squeals. “Oh my gawd! Okay, okay. Um um um ‘Liquid Sands’ by Our One True Empire!”
“You got it, Carla!” Then he hits another button, still fighting the giant with three characters, and the girl cuts the camera to the main dance floor. “Every credit toward Exhale is another tree planted, and an animal saved! The more you give, the more I give you, and your chance to receive a personal call from me. If you’re not on our broadcast, get on it at Loki-612 to watch our live feed of all the partying and sweet ass animals on the floor! This is Hanish Zhadny and you’re at Exhale!” Hanish slaps the button again. “All right, let’s send the credits through.”
Hanish orders the blond to transfer the donations. In the third screen, a fund report appears: 5,000 to Galaxy of Fantasy.
“Just enough for a new upgrade. Ice giant at thirteen percent and how is my sage out-DPSing the DPS?”
Shepard traces the wires back to one power hub. All she has to do is walk up and pull, but she contemplates how bad the situation would turn.
“What a load of shit. Rogues, get in here after mages cast their CDs.”
Guy on left says, “We just did!”
“Hanish Zhadny!” Shepard shouts.
Blond calls out, “Nine percent!”
Hanish says, “Fine! But next time wait ’til I give the order!”
Shepard shrugs at Henry.
Henry taps his ears, then points to desk. There’s an empty seat and headset. She puts it on—spellcasts and whooshing sound effects with roars, slashes, and explosions zoom from left to right ear. The ice giant roars, stomping his feet, and cracking the ground. Mystical chimes float over her head, or it sounds like they do.
“Mr. Zhadny,” Shepard says again.
She hears his answer clearly over the battle fantasy. “Can’t talk right now, commander.”
“You know who I am?”
“I’m psychic. Another Debilitate!”
“Five percent!” The girl announces.
“Is psychic another word for hacker?”
He scoffs. Shepard watches his hands dance. His characters run around as separate beings, casting, or attacking in different ways, and nothing says this guy can’t pat his head and rub his belly while writing calculus with his toes.
Girl shouts, “One percent!”
Hanish shouts, “Push it! Push it!”
Shepard eases the headset off her ears—usually her helmet muffles the battlefield, but this sinks her into it as if war had speakers. She watches the ice giant fall to its death and everyone but Hanish jump out of their chairs, punching the air, and cheer. He sighs in relief and disconnects the tubes from his skull, and stands eye level.
He waves a finger at her while pulling his bottom lip. “You’re here for something.”
Ooh he’s astute.
He decreases the music.“Something big but something small.”
Vaguely correct as a fortune cookie.
“Because you respected my game, I shall respect in kind. What do you—” Henry steps up beside Shepard with a big grin. “—oh no.”
“Hanish, my heinous anus! How are ya?” He nudges her. “We go far back.”
“Not far enough.” He crosses his arms. “No deal. Whatever you want I want nothing to do with it.”
“Hold on, anus, we just want information.”
“It’s HA-nish. HA and NISH for the hundredth time. It’s Arabic for frick’s sake.”
Any excuse to yell at her dad. “You’ve been making me say it wrong this whole time?”
Hanish nods. “He’s a real AH-nus that way.”
“Yeah no ahnus.”
“Who’s that?” He points at Illusive Man.
Illusive Man says, “You’re psychic, Mr. Zhadny. Tell me who I am.”
Hanish smirks. “I’m not a parlor trick.” Behind him, the game switches over to his surveillance camera; it rewinds to when Illusive Man went for his smoke, only he’s not smoking, but talking to the DJ. Camera zooms in to the DJ’s holoscreen and it shows the song title they had danced to. “Is this a sting or a date?”
She stares at the exchange; the DJ points to the back door. He didn’t even have to bribe her. But he says something else, something longer than a thanks. And she reads her reply: good luck. And she kisses his cheek. Warmth drains from her face and sick squirms in her belly.
He cuts to the moment when the Shepards sat in the booth. “Weird you brought Dad to chaperone.”
“Some cargo went missing,” Shepard says over the knot in her throat, “from a Cerberus facility near Agebinium. We need to find it.”
“Got a ship name?”
“Calamity,” Illusive Man says.
Hanish stares at him. Then snorts. “Seriously?”
“What’s so funny?” she asks.
“God, Henry, what have you gotten into?”
“What can I say? They stole my ship.”
“I told you they would bite you in the ahnus. Next time, stick to cab driver.”
“Cab driver?” Shepard says. “Those are automated.”
Hanish hasn’t stopped smirking. “Not this one.”
Henry Xs his arms. “Can you find it or not?”
“Sure.” He sits and hooks himself up to the tubes again. The screens black out and Hanish’s gloss over. “It’s in the Minos Wasteland.”
“Can you narrow it down?” Illusive Man says.
“I can’t. I see something but it’s like…it’s making figure eights around the Arrae System. I’m sure your fancy gadgets will figure out the rest.”
“Thank you,” Shepard says.
She turns to go—the green door light turns red—and she rolls her eyes. The chill of a fight bites at her neck.
“Nothing is ever easy,” she says.
Hanish says, “Nothing worth having, anyway. Right, Henry?” He disconnects himself again. “I don’t just give information for free, just like I don’t let anyone walk into my parties without paying. You will pay, Henry. You will pay more for my sisters.”
“Sisters?” Henry says, brow raised.
“My sisters that you brainwashed.”
“Oh no I didn’t—”
Hanish shows the feed at the booth again, to the girls who approached him, and then left him.
“—do that. Maybe I did.”
“Maybe you did. Where are they, Henry?”
“Out? Changing their lives for the better?”
“Shepard, you and your friend can leave. Henry’ll be your payment.”
“I can’t just let you do that. He’s—”
“—a crappy father. Don’t worry I’ll keep him alive. But I need his…charm…to get my sisters back.”
“Why do you need them back? They’re free people.”
“I’m the youngest brother of a legacy to a business I hate. All I want to do is play my games.”
“Business? I thought this was your business.”
“It’s my father’s. I just use it to expand my name; run parties. My sisters are in charge while he’s away. If they’re gone I can’t play, and I’ll be forced to be executive of lettuce until I die.”
“I’m sorry. Lettuce?”
“Yes! My family came from Yuma. So what? Once my sisters return, you can have your dad back.”
Illusive Man says, “Shepard, we don’t have time for this. We got the info. We need to help your mother. Remember why you’re here.”
Henry exchanges worried looks with her, then Illusive Man, then her.
“What!? B-but you need me! I need you!”
Shepard glares him down and it says exactly what he thinks it does.
Henry rubs his scruff, then exhales a chuckle, then he looks dead in her eyes, and says, “Pirate.”
“I take back my thanks,” Shepard says.
“You’ll thank me again later,” Hanish says. “Our future foretells it.”
The doors open and the long hallway lies in wait. Shepard doesn’t look back. She just walks without a word and tries not to remember how it felt when she was on the receiving end of abandonment.
Shepard descends the stairs with Illusive Man, where it forks into small cases to the banquet hall, and lobby. A guard offers the elevator and she takes it. It’s a bird’s view of the stage, where she didn’t fail at dancing, and it’s still live and bright, but the place where she first took Jack’s arm glues her attention to the triangular tile, and how the stairs wrap around the oval room like tentacles.
Chapter 9: Deballatio
Shepard makes a mistake. Several. She looks inward to find what's wrong.
Song: "Suite for Time and Machines" - Petri Alanko - Phantom Break OST
Realization wafts over her in a hot flash, but when she turns to leave the elevator, two pistols are primed, and aiming at her, and Illusive Man. It’s amazing no one has noticed, or cared. Security stares them down as the elevator descends like a snail. If it was a box, she would have scrambled for her gun hidden by the attonyte fabric, and chanced a couple shots just to get her kill.
Shepard keeps her arms neat at her side, fingers still. When she’s out of sight, she will jump to cover, and Illusive Man will have to play along, unless he figured it out too, that the room is the exact design as the logos on the cargo. It was Hanish all along. Fecking pirates. He used her callousness to dismiss her father; maybe he is psychic. Or maybe he’s just a great people reader. Either way, Henry is in more trouble than Hanish let on. And she’s gonna have to take every guard out in order to reach him. If Hanish wants to live, he’ll keep Henry alive, so she can take the violent approach this time. No more playing nice.
“That’s right, Shepard. You can’t do a damned—the hell?” Security looks ahead, beyond them. One gulps his last breath, the other falls silent over the banister. Before the second keels over, she notices the bullet wound.
Shepard turns—glass shatters from a central, concussive blast, throwing people across the room. Screams permeate the music, the DJ cuts the song, and bolts with the hundred other people fanning out to escape.
A woman, steps through the glass, holding a large rifle, barely able to lift it, and shouting over the hysteria. “The party is a scam!”
Security rush her and they’re down before they’re halfway across the room.
“Shepard!” Illusive Man shouts.
He jumps from the elevator railing to boost him up, and catch the banister before the elevator is too far down. Shepard copies but misses. She hurries again—Illusive Man’s climbed over already—and jumps. He snatches her wrists and hauls her up and over, falling onto his back with Shepard on top.
“How the hell did you make that?” she says.
“Years of Skyball,” he says, breathless. “You’re heavier than you look.”
“Shut up,” she says, and digs her knee into his stomach as she stands up to run.
Illusive Man follows, skirting the wall, pistol drawn, the same one that shot her in the back.
“Maybe you should lead,” Shepard says.
He declines. “I like the view from here.”
“Do you ever stop?”
“Until you want me to.”
They return to the hall and a lead of guards take the choke point; Shepard slaps her cloak, Illusive Man hides by the corner of the crossing hall, he distracts with gunfire, and she fires her tech, incinerating two unlucky fodder, and she takes to Illusive Man’s side.
“Now they show up!” she says.
Burning flesh wafts down the hall; without her suit, sick pools up her throat, and warms her face. She covers her mouth, swallowing the bile.
“That does not smell like pork,” Illusive Man says.
Shepard doesn’t even shake her head; she can’t chance vomit; she can chance Illusive Man taking point. She cloaks again and touches him. He watches the little triangles turn over his suit and he takes advantage; one more guard down. Three to go. Shepard remembers her secret compartment in the dress and hovers her hand over the spot; the attonytes push a compressed sidearm to her palm. She grips it and it expands to the full Locust sub she named Lenny.
“So do you?” he says, retreating to give her lead.
She blind fires and hits somebody. They cuss.
“Do what?” she says.
“Want me to stop?”
“This is not the time!” She cloaks, fires—one more down.
“Your dad’s not around.”
Seething tingles run through her. She listens to for the break in bullet fire and takes her turn. The guard stares at her through his gun and she knows it’s too late to bounce back. He fires and shoots her in the shoulder just as she pulls the trigger.
“Ah!” she yells.
Shepard pins herself to the wall, breathing heavy, a numbing sensation up and down her arm and chest, as if the dress responded with her own biology. Illusive man rolls over her, a slice of bread and she’s the jelly, and he unloads the clip long after she heard the man fall. She holds her breath, any way to control the racing beat in her chest. There’s not much to see except him. His day old scruff roughens his skin with a hint of silver. He lowers his weapon and moves for Hanish’s office. Her body follows and her mind lingers on the feeling he left of him pressed firmly against her.
“What about all that shit you said?” she says. “’Don’t let anything distract you from the end goal.’ That shit.”
“That shit specifically?”
“Yes that shit.” She leans on the doorframe, Lenny pointed down.
“You’re not a distraction.” He hacks the door, it turns green, he enters with weapon up.
He goes for the left corner, then turns center, she takes right, and turns center. Chairs are spun about, one tipped over. Surveillance feed shows every angle Shepard took, including the one in this room. Illusive Man looks for an exit.
“Gone,” he says, finding nothing.
But he attempts the computers, swiping and typing through nonsense she can’t explain as she’s never been that techy. There’s combat and there’re computers. Maybe it’s good he’s along for this frustrating mission.
“There,” he says. “Your dad left us a parting gift.” He swipes it to the big screen. They’re coordinates with a note: ‘Happy Birthday, sweetheart!’
“Is it?” Illusive Man says.
“No,” Shepard checks her omni-tool: 10 April. A ping flutters inside.
The building shakes and she knows it’s not an earthquake.
“Let’s go before they collapse the place,” she says.
“Hold on,” he says, and another screen switches. “Hanish alerted the authorities and guess who he dimed out.”
Four photos spring up on the active wanted list of every media channel. Henry’s hypnotized girls and two blurry but seeable shots of one Jack and Jane.”
“We don’t even know them!”
“Henry left breadcrumbs but Hanish poisoned the trail.”
“He played me!” Shepard punches the haptic interface. “He read my body language from the cameras when Henry was talking to me; he knew I’d leave him.”
“You made a mistake.”
“And you haven’t.”
“I’ve made a few significant regrets.”
“Henry said they’re his Heathens. What’s to say Henry didn’t willingly go with him?”
“He did willingly go with him.”
“You know what I mean! He must be working with Hanish. The cargo, the logo—they’re pirates! They always have a back-up and a backstab plan.”
The building rattles; the floor vibrates. The electricity shuts down and a nearby generator whirs on leaving dim lighting in every corner, and a blue, emergency strip marking the exits.
“We need to clear the trail,” Shepard says. “But how do I know my calls will reach the Normandy?”
“You don’t,” he says. “We can’t chance it. But you know who we can.”
“I don’t exactly have Liara on speed dial.”
Illusive Man moves for the back exit. “That’s too bad. I do.”
The staircase leads outside to an alley—there’s no one but the party trash. Sirens wail down the street. They illuminate the walls briefly then disappear. Someone stumbles from behind the dumpster fifty feet to their left. It’s the food server.
He freezes, stuck in a sneaking, fumbling position like he was caught in headlights. She probably looks the same.
“I never saw you two,” he says.
Shepard sighs in relief and waves with her unarmed hand. Would’ve been awkward otherwise. The server points at the opposite street, the block behind the tower, and mentions a foot traffic underpass through the city’s river, leading out on the other side of the waterfront. The far side.
“Thank you,” he says as distance grows between them. “I’m going to watch this place burn.”
“One of her contacts is meeting us,” Illusive Man continues. He leads her through the shadows, along the back of the waterfront. “She’ll take us out of the city.”
“You just love to be in control of everything, don’t you?”
“I don’t like being wrong. And when someone tries to make me wrong, I’m not.”
They back track around a bridge he thought would lead them to the next block. Instead it leads to a street with a crowd of people gawking at the tower beyond a police line. He dips into a stone, arched underpass, hidden from the mayhem, and lingering with familiarity. It’s gray, painted by shadows that grow darker further along the egress. In the center rests a series of advertisements, and an intricately designed floor contoured by the old architecture. It feels safe but possesses more danger than a crowded street near a car chase. If they were found now, they’d be caught. But all the commotion seems a lightyear away to the mute calm. Even the river sounds distant. Bridge lights above dimly fuse with the walk lights along the river’s edge. Illusive Man rests against the inner wall and the city’s luminescence softens the shadows on his face, leaving only a dark shadow strapping the side of his neck, and down his suit. He wears light and dark with confidence; she’s only felt honorable remaining on one side, not both, but how she treated her father…it was the first time she had control over him staying with her, or leaving. And she chose what she never wanted when she was his little girl.
Every time Illusive Man had ordered her around, hatred brewed behind her diplomacy, because that meant he had a confidence she never did. He had control where she never got to. She knows now she’s jealous of his abilities, his ability to manipulate, to control. She looks back on the day her dad walked away and she just stood there. She let it happen. She didn’t say anything.
Fault aches in her bones and it’s not the bullet impact in her spine. If she had control she wouldn’t have had regret. But she can’t change the past. She can change the now, but she threw her dad under a krogan tank. He’s seems delighted by it and that angers her more, as if he expected her to pull the shady stunt, to be selfish; vindictive. Exactly what he is: someone who walks away.
Shepard wants to claw her chest out until her manufactured heart shows and she can ask Illusive Man to yank it out. If control and feelings can’t cooperate, she wants nothing to do with one of them. She looks at Illusive Man and he’s been looking at her this whole time. She’s lost in thought and he’s staring. A non-existent sun burns her but a feeling kind of person would call it blushing. She supposes she’s that kind of feeling-person. His stare is intense. If it’s deliberate or not, it stirs exhilaration or fear, or both. Who ever Illusive Man is she can’t shake that off-putting skepticism. People like him are bad people with good intentions. So why can’t she look away? Why is he not the disgusting creature she saw changing in the armory?
“Why are you here?” she chokes out.
Illusive man doesn’t roll his eyes, but his voice does. “While I enjoy our chats, I do not like to repeat myself.”
“Was Liara’s contact that DJ or is she one of yours?”
“If you’re implying if I have a romantic relationship with her—”
“Any relationship, really.”
“—she plays for the other team. Not that it’s any of your concern. You are concerned, aren’t you?”
“Not at all. Just wondering if she’s a viable source.”
“She’s reliable, Shepard. I let her choose our song.”
“Well,” she searches for words, “good.”
“Yeah, it was a good song.” His eyes tell her he’s not talking about the song. At last, he looks down, and plays with his pinky nail. “You’ve known me your entire second life, Shepard. Since when have I left you? Derelict ship doesn’t count; I misled you, didn’t abandon you, because I trusted you whole-heartedly.” He pockets his hands. “I’m here, Shepard, and I won’t apologize for it due to your predisposition of me.”
That’s right. He’s here. The man immune to Henry Shepard’s charisma. The man who told Henry to stay—who told him off, but he didn’t have to. He gave her time with Henry though she didn’t want it. And when she didn’t want it the man knew she needed it. Why is he working so hard to bring them together? Why, if all he says is he brought her back to stop the Reapers, the threat of humanity. One small family in the scheme of humanity’s interests cannot be enough to put his personal stake in her affairs. Yet here he is, leaning against the stone with one foot pinned back, hands fidgeting in his pockets, and looking into the distance, waiting for their rescue, his neck taut by the muscle from his collar bone to that angled jaw. He’s always been here, in the shadows, and the light, in every message, and call. For the ruthless orders he makes, he’s been dependable. He resurrected her and didn’t leave her on her own.
He didn’t walk away.
Illusive Man searches for a fresh cigarette in his jacket. He fixes it between his fingers but senses her burning stare. A new type of burn, one that’s not meant to hurt.
When he looks at her again, it takes her a second to realize she’s moved in, sharing a stopped breath, their noses almost touching. A magnetic force stops her lips. A nerve-wrecking signal penetrates her mind, whispering one hundred reasons not to, and bringing up a barrier between them she feels pulling at her chest. It aches and she’s shaking and she needs to stop the pain. She should run—her feet don’t work. She takes in the musk of day-old aftershave, adrenaline, and sweat. Her lip quivers, resisting the last thread of reason before the snap. His short inhale trembles. He doesn’t move.
“I’m on to you, Jack,” she says.
He drops the cigarette and leans in. His mouth brushes against hers—the whirring sound of a car halts nearby and a woman yells into the tempestuous quiet.
“Get in!” she says.
Shepard had expected the DJ but it’s no one she knows, and no one from the party. She clenches her teeth hard.
“The hell are you?” Shepard snaps.
A blue head leans out from the driver’s side.
“Shepard!” she says.
Fury dies instantly and Shepard runs for the car. Illusive Man jumps in last and the car takes off before the door shuts.
“What are you doing here?” Shepard says. “How come you’re not on Illium?”
They veer upward into the skyway.
Liara glances back. “This seemed more urgent given your circumstances.”
“Seems everyone’s taking a personal stake in this.” Shepard says.
“I heard about Hannah. And your father. How are you holding up, Shepard?”
Illusive Man says, “Let’s discuss this later when we’re out of planet jurisdiction.”
“Illusive Man,” Liara says, followed by a pause. “Perhaps you’re right.”
“Where can we go?” Shepard says.
“I’ve set up a shack for emergencies like these. You’ll be safe provided you don’t stay too long.”
“We really shouldn’t rest,” Shepard says. “I need to get my dad.”
Liara assures. “My sources tell me they’ve stopped for fuel at a nearby planet and will be there just for the day.”
“Refueling doesn’t take a day.”
Liara smirks. “It appears someone rigged their ship before take-off and they lost all their reserves. They won’t meet with the Calamity until later.”
“He is quite the quick-thinker.”
Shepard doesn’t take the passive compliment but she’ll accept anything that might have something resembling a shower.
“It’s good to see you, Liara,” she says.
“I wouldn’t miss helping a friend,” Liara says. “I’d regret it if I did.”
Illusive Man looks out his starboard window. Shepard looks ahead, watching the other skycars. Between them, his little finger rests alongside hers. She doesn’t move her hand.
Chapter 10: Conflict of Interest
Song: "Plastic Heart" - John Wick 2 OST
(See the end of the chapter for more notes.)
It’s only been a year but Shepard’s body shows promise as Miranda’s work progresses. Hannah needed only visit the station once to verify the body, but when she glimpsed her report, she knew she had to extend. Insight into Shepard’s psyche has boosted the science team’s morale, as well as hearing stories of a childhood Miranda never had. The team’s concluded that Hannah should be a permanent consultant for the memory back-up design. If something is wrong, her mom would know. And if her mom didn’t know but it’s true in other reports, then her mom gets to learn more about her daughter. Science shares.
When Miranda isn’t at Lazarus, she’s at Cronos, only briefly. It keeps her sanity, to be able to leave her duty station, even if it’s for business. Though if she’s honest with herself, it’s more to be close to the man who took her under his wing.
Miranda walks in to the lair of despair as the cleaners call the place. Usually there are cleaning mechs but Illusive Man likes it thorough, and entrusts the job to the human crew, someone who can spot the smallest detail. Illusive Man stands, walking around his holo feed, exhaling smoke as he listens to a vid of Hannah and Jane Shepard playing cards.
“What is this?” Miranda says.
“Research,” he says between drags.
He holds out his arm and Miranda gives him the file. She almost forgot she had one.
“It doesn’t pertain to Shepard’s qualifications for our purpose,” she says.
“Everything that is in Shepard’s memory qualifies.” He swipes through the reading.
“Sir, I have taken every precaution to not make this personal.”
“Yet you have. Shepard is your creation; Hannah’s recreation.”
Miranda observes the ash tray; eight fully extinguished butts; one still smoking.
“How long have you been here?”
He extinguishes the tenth cigarette. “My case is empty.”
The average person could take a ten minute smoke break; a person on edge could suck one in five. Illusive Man is known to indulge every drag, and drink in between. It could take him a half hour to fully enjoy one cigarette. If he used the modern smoke devices he would be at it for hours with less rubbish.
“Should I be concerned?”
Illusive Man rubs his temple. “No, Miranda.”
He masks his lips, rubs his jaw, then picks at his pinky with his thumb, staring at the screen. Jane Shepard slaps her hand down and cries out, “Finally! Fair and square I beat you!”
He says, “I should.” He taps the arm chair and the feed pauses. “What’s so important you came here in person?”
“It’s Hannah,” she says. “She’s calling in the favor.”
“Very well. Encrypt her itinerary and get her to Roe station, in and out, if possible. We don’t want the Alliance becoming suspicious.”
The strictest, most regulated world, and Liara gets them through no problem. They had changed transport outside Milgrom and took her shuttle to an ExSolar private transport ship, where she docked in their hangar bay. Someone at the security checkpoint entering the planet let them through, but Shepard was stuck on blackmail while Illusive Man thought Liara bribed them. If she knows her biotic princess, it was blackmail. Liara hired a taxi soon after and half of the ride into the asari metropolis was spent arguing over her methods, and she was a good sport up until the argument circled around a third time, and she threatened them to eject the back seat. They knew that was not a safety feature for this model but they shut up regardless.
Liara parks the car in a resort called the Zaliokuz Sky Hotel and can’t get out of her seat fast enough. She breathes in her homeworld, deep and slow.
Shepard steps out; this is the tallest atmos-scraper she’s been to. Her own little joke inside her head: atmos is Latin for vapor, so instead of skyscraper, it’s really vaporscraper. She doesn’t tell anyone; just a bad joke she loves to hear for herself. It helps ease the tension in the air as they follow Liara inside and she checks them into a matriarchal suite, located at the topmost level.
“This is the shack?” Shepard says.
“Criminals run from Illium to get away from authority,” Liara says, “so the best place to be is where no one would think to look for you.”
The one-hundred and sixty-fifth floor has one long hallway, and only one door. They have the place to themselves.
“How many Cerberus terrorists do you know on Illium?” Liara adds and Shepard blinks once. “Precisely my point.”
Liara unlocks the door and lets them through. Shepard first notices the panels of windows with a view of the city. A blue ring glows underneath the king bed on a dais, fitted with white sheets. A long sofa divides the room between sleeping and dressing. It’s firm and a faded slate, facing the vanity and bathroom. The bathroom, rectangular, rests adjacent on the other wall of the vanity, and has a second access to the dining and full kitchen. Like a naval base she once trained on, there’s a wet side—shower, jacuzzi, toilet stall—and a dry side—handwashing station, bench, and small locker with a laundry chute. Kitchen takes a quarter of the entire room while the bedroom takes half. It has a full fridge and cabinet set with plenty counter space and an island that duals as a bar. She notes the controls along the wall to activate a sound shield, which manufacturers claimed was to stop smells and waking up sleeping guests. More like a gossip curtain for vacationers who spend too much time around each other.
The view of any place she’s been to has always been spectacular, but this one has particularly taken her back. The second of the tallest buildings mirrors the hotel; between them, an active fountain spraying varying designs through dancing holographs. She notes a large coast below the horizon line, and it reflects the late moon.
“I was saving this room for such an occasion,” Liara says, “though I had hoped no one had to use it. It is yours for the night.”
“Thank you,” Shepard exhales, gawking through the kitchen window.
“Shepard,” she pauses, looking for Illusive Man, who’s checking the drawers in the vanity. He walks into the bedroom. She continues, lowering her voice, “I know it’s none of my business.”
“It’s okay,” she matches the volume. “You’ve earned an explanation.”
“No, Shepard. I don’t need you to explain anything. I’m giving you this because we are friends.” She leans on the island. “But as your friend, I want you to know that I care a great deal, and don’t want to see you hurt. I’m here for whatever you need.”
“I appreciate it but what about the Shadow Broker?”
“I’ll find him,” she says. Her mouth stiffens. She takes Shepard’s hand with both of hers and gently squeezes.“I’ll be down a level. No need to knock, just don’t run up behind me when I’m working.”
“I promise I won’t scare the biotics outta ya.” Shepard smiles.
“Well. We all need some rest so—” Liara knocks on the drawer near the bathroom door. “—There’s a gun in here,” she points, “there, in the pistachio bowl, and in the shower. Good night, Shepard.”
“Good night, Dr. T’Soni,” Illusive Man inspects the abstract painting, a steel blue and bright red mix of fluid textures. “I hope you find what you’re looking for.”
Liara glares. “You too.” And the door shuts behind her.
Silence lies heavy, as crushing as deep space, smothering, and making every fresh thought thunder between her ears. Every memory is lightning and her blood is fire caught in the heat of what she wants and what she needs. Even if her words were directed at Illusive Man, Liara spoke to her. She sees what Shepard can’t even if it’s staring her in the mirror. Shepard moves to the vanity, a perfect place to holster her jewelry. When she sits, a portrait light turns on, lining the mirror. Illusive Man sits on the couch, crosses his leg, and watches her.
Shepard begins with her necklace, a cool silver chain that stops at the top of her sternum. The latch is stubborn.
She could unlock it if she stopped thinking about everything. She left her dad when she just got him back and it’s gnawing at her. Her mom, loved by all, is paying the price for one mistake.
Her finger slips off the hook and she pulls. It’s stuck. She grumps about it and tries again. It’s frustrating trying to find peace when he makes it so…so…
No one can battle this morass without becoming the victim of overthinking. How Illusive Man brainwashed Mom into liking him. She recalls the shock of watching them hug, but then Shepard’s back in the collector ship, and she hears Joker’s words: “he knew it was a trap?” And that was when she knew he couldn’t be trusted. Then he goes into battle with her and he’s not just a corporate putz, which makes her wonder who he was before he was Cerberus. He took her arm and brought out her confidence, then told off her father, and taught her to dance. In business, he’s ruthless, and irritating. She wants to punch him in the face. Punch him in his whisky glass and then his face. But then he’s with her in person and he’s different. There’s an aura engulfing her to aspire, to be better than she is. He’s calm under gunfire as if he never left those conference calls. And when everyone is around them, he makes her feel like she is the only one there. And if she hadn’t dealt with Henry, she’d think the same about him. She doesn’t know if it’s the need to release her anger, a way to stab every sliver of hate into him, find a way to process the addlement, but she has to let something out. Maybe if she can beat herself up instead of thinking it, because physical pain is better than this crap. If she gets it out, it’ll go away, even if it’s just for what’s left of the night.
She tugs the necklace; nothing.
“Why won’t this damned thing come off!?” she roars and slams her elbows on the desk, she hides her face in her palms.
A hand rests on her shoulder, he traces her collar—she shivers. She peeks through her fingers into the mirror. Illusive Man stands behind her. He effortlessly frees the chain and leans in low, because he can’t just throw the necklace on the vanity. He clings her cheek to his, breathes her in, skims the chain down her arm, to the desk, and lets it go. It clinks with a metallic slither as it coils into itself.
He takes his time straightening out, then turns for the door. He checks the console and re-locks it. It gleams red. Shepard breaks from the stool and the frame turns off. It’s the first thing Illusive Man catches before she pins him against the door. His heart beats against her hand, she presses into him, sliding her finger up the stitching of his suit. It’s a simple path, leading to his neck, and opening the way to where she wants to be. He reads her anger brewing beneath the surface, his eyes flickering bright, then he springs his mouth onto hers, and she forgets what’s wrong. He snatches her around the waist, her back, and pulls her in, touching her, moving upward, gripping her neck until his fingers slip through her hair, and he grips it like reins—she moans.
He grows insistent, parting her lips from each other to sink himself into her, entangling their tongues in a fight without a loser. It’s clean, precise, and hotter the longer he keeps her in his hold. She finds the closure to his jacket and unbuttons it to fondle the white shirt beneath, and pull the tails from the pants. She feels the V of his abs, and rubs her palm along the crevice, and up his sculpted back. Warmth stirs between her legs and she drags her nails down his wings. He voices pleasure with a groan—he shudders, and takes her dress. It unravels itself from the false seam at the back. Either from her will, or his knowledge, both wanted it off, and it knew it. He kicks it across the floor, and for one heavy breath, he admires the view, and she almost sees his cheeks flush. He rips off his jacket, his shirt—it’s stained with trickles of blood—and picks her up, and throws her on the couch. He kisses her, harder now, as if he’s leaving her. He does leave; he descends her body, kissing her breasts, her stomach, her hip. Shepard shakes the dizziness away, then a burst of hot sensation rolls through her, and she realizes her womanhood is on his face.
She grips his graying hair, biting back the string of curse words, until he finds the spot where she can’t hold it anymore.
And he stays, stroking her with his tongue, invoking tremors up her arms, and suddenly she can’t feel her lips. Her eyes tingle, soon her entire face.
She can’t help it. She’s fallen in an abyss of nerve-melting ecstasy and it’s cushioned with white upholstery. It feels like minutes but he’s been there for longer according to the clock she briefly glimpsed before she rolled her eyes in the back of her head as he finger-teased her holes. She refuses to finish, and so soon, and admit he’s that good, that she pulls him up before he has time to wipe his face, and tastes herself on him. He grips her ass, and lifts her up, spinning her around to the vanity, planting her on the desk, and moving the chair away, where his kisses become a distraction as he unzips, kicking off his shoes, his socks--she feels the edge of his pants, then the bulge stretching the linen. He inhales.
He drops the pants. The body of fifty years looks too perfect to exist. He leans over her and pushes her into the mirror; it shocks her skin with a chill, but she’s too hot to hate it. Shepard gapes up at him when his sex touches hers, Blood hammers in her ears. He looks into her eyes and just as fast as they started, her wet slit brings him inside her, and they gasp.
He’s here and he’s real. And he’s the first person to ever make her feel alive. She was a vessel of violent tactics on the field, taking orders from one person or the other, and barking them down the chain. A husk with a title. Now, she feels the reason to fight instead of being told there is one. It used to be just solving problems there’s purpose. Even if this feeling dies, it’s here now, and she feels whole. And she doesn’t want him to stop.
A bead of sweat catches in the stubble as Illusive Man pushes himself, taking all of her. He holds her ass on the edge of the desk. He draws back, the gleam of her fluid coating him forces her eyes elsewhere. Pumping veins along his neck redden the damp skin. She finds a depression in the muscles with her mouth. He tastes salty and smells like the bar. Part of him lingers with a musky cologne, but events leading to now eroded the strength. She imagines his view of her, how he can see her curves, and her reflection moving with each thrust. She wants to see. And just as her tailbone starts to numb from the hard surface and pressure of the ride knocking the vanity against the wall over and over, Illusive Man turns her over onto her feet and her knees go weak when she sees him watching her watching him. He puts his hand around her neck and caresses her jaw where his finger meets her lower lip and she nibbles the tip. He massages her breast, and bites her shoulder before bending her over; she holds the mirror up, and moans louder than the first when he thrusts again.
Minutes become an hour, split into several changes of scenery, and positions. She’s most aware of each other when he takes her to the window, back still immune to the chill, and hoists her up as she fastens her legs around his middle. Sometimes he enjoys the drag before the push; he’s most fun when he drives it fast, and she watches the strain in his brow. She won’t blame him if he drops her but he maintains, all 170 pounds of her.
Not a corporate putz.
It empowers her want to return the favor, to show she doesn’t just take; she gives. Sex is a battle; let her have the field.
She loosens one leg and he balances out her descent; she doesn’t have to say anything as she leads him to the bed. It’s untouched, unravaged, and she plans to make it the centerpiece of the second longest night of her life. Illusive Man reaches for her when he falls back on the sheets and clamps his mouth to hers, but then breaks away when she climbs over him. He moves back, blue eyes fixed to her face, seeking words, but can’t, or won’t speak. She straddles him and panic flickers across his face. She eases onto him, she lowers herself until their noses touch, and she pushes her lips into his until everything wants to taste him, and she rocks forward, listening to the bed resist. She rocks back. Illusive Man’s breath quickens. He brings his fingers over her and they clamp gingerly around her waist. The blue ring around the platform wanes, thinking they’re going to rest. Now only the light from the city shines through, of silvery-blues and full violet. His eyes glow brighter with the room asleep. He arches and his neck lengthens. Light shifts across his body, shining the traces of moisture on his chest, trapped along the crevices where hair retains it. Heat rushes over her in waves, a warning. He must feel it too, her muscles spasming, her breath quieting, She falls forward, weakened by the approaching end, and buries herself in the crescent of his neck. His breath brushes across her ear.
“Come for me,” he says.
Fire ignites throughout her head, wafting downward, and meeting the swelling tempest below. She fights it but he’s trapped her in a wrap where she’s stopped, but he’s going, and knows where. She tries to say no and he claps a hand over her mouth—her moan whines. How dare he.
His stubble scratches her, she smells sex on his fingers, his musk mixing with the slapping of their bodies. Her mind stills and she focuses on the breath, the pressure of his grip, and how her body floats above him, like she’ll reclaim heaven if she hears him call for her one last time. One great demand. She realizes why she for all this time he rubbed her the wrong way, because it was the right way.
She liked him telling her what to do. And now she acts on it instead of being caged by a virtual conference.
“Oh my gawd,” she mumbles through his hand.
Hot billows of passion curl into her limbs, shooting tingles in her fingers, and numbing her thoughts to keep her grounded, grinding her mound against his body as he reaches the angle that sparks her revelation.
“Come for me, Shepard,” he orders.
He frees her mouth.
She looks at him before they touch brows and she bites her lip.
“Jack…” she says. “Jack!”
He impales the fire and nothing stops the eruption of the sun. He pulls out and she arches without containment, every sector of her being ignites, and she screams, sultry tears pool, and fall in the overload. Waves stagger up her body in continuous sweeps of uncontrolled gratification. She drops onto him, unfurling in the euphoria of their afterparty. Jack collapses his limbs, now a dead, clammy star, but relieved. They don’t move. Instead, she listens to his heart calm, and his body chat with itself.
At some point she must have passed out. When she comes to, the sky is a lighter violet, and the sheets lie over her. Jack stares, his arm a kickstand as he outlines her body with the other. And when she closes her eyes again, she drifts off into the deepest dream, and wishes her dream was as vibrant as her reality.
You look for me Inside the dark
I am the ocean
You are the shark
You hunt me like
Your last goodbye
Oh fallen angel
Of the night
Just take my heart
Just rip it out
This holy skin
It's falling out
I lay my body
On the bed
One day, someday
You know I will see you again
I put my hand against your plastic heart
No, suicide is not the plan
Even the stars are trapped inside
Oh my There's nothing left to hide
There's nothing left to die
There's nothing left to die
I put my hand against your plastic heart
No, suicide is not the plan Stand far
Even the stars are trapped inside
Oh my There's nothing left to hide
There's nothing left to die
There's nothing left to die
No, suicide is not the plan
Even the stars are trapped inside
There's nothing left to hide
There's nothing left to die There's nothing left to die
Chapter 11: Silver Hair and the Ginger Bear
We learn the why and the consequences thereof. Liara maps their plot in more ways than one. Shepard eats.
Song: "Do You Feel It?" by Chaos Chaos
Perhaps it’s the situation of Oriana weighing heavily on her, or Illusive Man taking a turn after withholding the false signal from the derelict ship, but she’s been in a mood that’s grown resentful in a matter of hours. With Shepard on liberty for armor and weapons upgrades with Garrus on Illium (not to help her with Oriana in the slightest), Miranda takes a business trip across galaxies, back to her work-away-from-work. It hasn’t changed but the aura feels colder, grayer, not as much life as on the small confines of the Normandy.
Miranda struts into Illusive Man’s private quarters. Another day, another…empty bed? She scans the room and no one but Illusive Man looking out his window. A cigarette burns itself out in the ashtray on the bedside table. He’s managed to wear pants but nothing else and doesn’t turn around when he hears her say, “An opportunity has come up.” He stares out at the red and blue swirling orb. She meets him—his profile remains calm, perhaps blank. She tries to pull him into the present.
“Hannah Shepard’s private medical services have been compromised. Alliance admirals are suggesting her arrest, and court-martial.”
“Contact Henry Shepard,” he says.
“Henry Shepard? Isn’t that a little close?”
“He’s a smuggler and a good one. Once he hears about his family, he’ll be onboard.”
“He can’t be trusted.”
“Who can? Besides, I need his expertise. Have him see me as soon as possible.”
“Is this public knowledge that you know Henry?”
“No. Let’s keep it that way for now until I know how to deal with…what’s happening.”
What’s happening is not something anyone can fix because it’s a human trait. A hormonal urge, carnal, and hard to ignore unless it’s fulfilled.
Miranda folds her arms. “Unbelievable.” She throws the datapad on the bed and grabs his biceps, forcing him to look at her. “Fuck her.” Gawd, she sounds like Jack.
Illusive Man blinks.
“When I was growing up I knew this boy. I became obsessed; I wanted him so bad, I wanted him forever. We had sex and to my great disappointment I didn’t feel anything after that. This is how you deal with it and two things can happen: (1) You don’t love her and just wanted to play with the shiny new toy, or (2) you do.”
Jack taps the arm chair. “And if I do?”
Miranda says, hard and clear as glass, “Then you have your answer and a horrible, lifelong condition.”
“People like you and I can’t afford that. That’s not us—that’s not who I am.”
“Then you have my sympathy.”
“I don’t require it, Miranda.”
“You will because love cannot be controlled.”
Sunlight stirs Shepard awake but it’s painful to open her eyes. She stretches, moans—
Jack lies underneath her and shudders, then pulls her in. He tells her to—
—her eyes shoot open to the other side of the bed.
The sheets are folded over the pillow. It was a dream.
An impression remains where someone once sat. Or not.
Someone slept in her bed.
She scratches her head and feels the ginger nest sticking in mad directions. Rubbing her eyes to get the remnants of sleep away barely makes them function. She wobbles to her feet and shivers. There’s a robe lying over a reading chair. Anything’s better than naked.
A magazine and digital newspaper lie on the side table. Somebody’s been updating their worldly views.
Shepard makes it out of the bedroom as she ties the plush rope. A coffee aroma hits her. Somebody’s been in her kitchen. Still squinting around, she fumbles for the bathroom door and meets warm steam. Somebody’s used her shower and likes the fan turned off.
She finishes up her business and walks to the kitchen. She spots the coffee pot half full. Somebody knows how to make coffee—she inhales—and it doesn’t smell like charred beans.
She freezes. Her heart ricochets off the ice and what was blurry is sharp and bright. Jack sips from a black mug, looking up at her from across the island.
“Fuck,” she says, catching her breath.
He slides his mug over, his fingers tipped on the rim. The same pronounced tendons once taut holding her against the glass now offer her another pleasure.
“The pot’s cold,” he says, and gets up for another mug.
Shepard curls her fingers around the ceramic; it’s warm. She puts it to her lip and Jack’s shirt ripples back and forth against the lower back as he maneuvers about, pouring, placing, then starting the microwave. It’s the first time she’s seen him out of his suit.
Well, not the first time.
In clothes, she means.
“I don’t drink my own poison,” he says, and she realizes she hasn’t sipped yet.
The way he turns to her makes her want to do everything last night on top of the counters. She tries to tucks the wish away and blows on the coffee.
“Don’t wanna burn my tongue,” she says.
She drinks, breathing in a mellow aroma, tasting a livening flavor that’s mellow enough. Jack has people who wait on him hand, knee, and foot, but when he makes coffee…
“How is it?” he says.
She interlaces her fingers around the cup.
“Just right,” she says.
They don’t say much else apart from her stomach grumbling shortly after finishing the pot. In truth, she’s content in the silence because her head rages along its tracks, picking up every thought and mashing them together, trying to make sense of them, interrogating them over and over until she tries washing them away in the shower, only to turn off the faucet ten minutes later, and her head is now raging, and drenched. She towels off and finds her dress in the stand-up locker, or closet. This is a hotel, she reminds herself. It feels strange not pulling out her BDUs, or something like them, but it’s Illium. She can pull off the commando look for now. The attonytes file into a sleeveless catsuit. Shepard puts on the shoes and her feet begin to ache. All that dancing and the pressure from these mating ritual shoes repulse her body into a whole new soreness. She misses boots but it’s a happy distraction from the emotional battle inside.
Illusive Man searches through the directory on the fridge and asks her if she’d like breakfast.
“Breakfast?” Shepard says.
Her feet throb, every memory recalls itself, louder than the party speakers. His eyes glow, the kitchen glows, the sun beams through the second tallest building in the city, and it fills each panel across the wall, carrying her father’s voice: “Happy birthday, sweetheart!”
Jack says, “Can’t catch pirates without breakfast.”
Shepard shields her eyes and the warm orange illuminates her hand. Jack turns around. His hair’s perfect, his clothes are ironed, shoes shined. He had his towel tri-folded, and pillow fluffed. Her side is a mess, with her robe bathroom floor, towel thrown over the bar, and she just shook the water out of her hair, and threw on yesterday’s dirty clothes.
“Liara’s waiting,” she says. “I’m—uh—gonna go check how things are…going.”
Before she can hear a response, she’s out the door, and down the hall, tapping the elevator’s interface.
It’s a private elevator but she only assumes that when no one between one-hundred-sixty-fifth and Lobby stops the car. And when she gets out, there’s armed security on either side of her that greet her.
“Liara T’Soni is waiting for you in the cafeteria.”
Zaliokuz’ lobby opens from the check-in and elevator hall into an atrium holding a crescent of food places, and a large dining floor domed by the cinematic view of its fountain, a courtyard with a garden, and Nos Astra as the backdrop. In a human setting, it would be easy to find Liara in this beehive, but now everyone’s some shade of blue, but only a few wear white as well as she does.
Liara has taken a table near a cafe with small but enticing portions of baked goods. She’s reading from her datapad, and looks like she ordered for a full table. When Shepard makes it down the stairs, Liara notices, and discreetly waves. Shepard makes sure she smiles. It may be the last time she sees her for a while and quality time counts.
“Good morning, Shepard. Help yourself. I didn’t know what to get you, or—um—Jack, so I got a little of everything.”
“Thanks,” Shepard sits and starts on what looks like skirt steak and eggs with a red dot on them. “I think he’s ordering in.”
“What’s wrong? I heard things were going well between you.”
Maybe this is the chance she can use to organize her thoughts, with a second pair of eyes attached to an intuitive mind.
“You heard huh?”
“Oh yes,” Liara says. “All night long.”
Dread washes down along with a drink of milk.“How? You slept on another level.”
“How else am I supposed to keep you safe if I don’t know what’s going on?”
“You spied on me?”
“It’s The Illusive Man in the flesh. I’m sorry, Shepard, but I couldn’t take any chances. I wanted to make sure you weren’t taken advantage of. Looks like it was the other way around.”
“I…” She folds her hands. “…I don’t know what’s gotten over me. Am I crazy?”
“Perhaps a little. But you wouldn’t have those feelings for him if there wasn’t something your instincts tell you wasn’t there. During the trouble on Bekenstein, calling me wasn’t The Illusive Man’s afterthought.”
Shepard sorts the platter of fruit and sticks mango, strawberry, mango to her fork. “What do you mean?” And eats it.
“I was his emergency contact. I know he doesn’t trust me, Shepard, but he trusts you.”
“He also prolly knew you’d rescue me no matter what.” She skewers two strawberries this time.
“Well, there is that. I wasn’t friendly when he got a hold of me, though, and I regret it now.”
“You may not see it, Shepard, because you’re trying not to look. For how little I know of him, but how often I’ve seen him, I have never seen him look at anyone without some ulterior motive. When he’s with you, it seems he’s there just to simply be there. Nobody that important takes the time with anyone to do nothing.”
She stabs the mango—the fork tings as it hits the plate.
“We’re not doing nothing.” She looks at it and aims again.
Liara eats a square cut of salmon and cream cheese, probably marinated in eezo. It might not be cream cheese. Or salmon. Shepard stares at the mango she failed to harpoon but Liara nails what Shepard’s been trying to solve. Shepard fists the fork and impales all the chunks she can fit on it. Jack could easily fix all this behind a computer, ordering people around like he does with the Collectors. Saving her mom is nothing in comparison. Liara doesn’t have to say it; her eyes say it.
“I know,” Liara says, “and I can’t blame your mother for what she’s done. I wasn’t quite sure what to do with myself when you died.”
“You told me about the Shadow Broker,” Shepard says. “So did J—the Illusive Man.”
“We’ve all had our hand in the chocolate box, Shepard. None of us have faced the consequences just yet.”
“She seems at peace with it, but you say you have to free her. Shepard, she knows you’re alive. Don’t you think she already is?”
“I can’t just let it be.”
“I know. I see how you help your friends.”
Liara snacks on a fruit that looks like sliced tomatoes, then finishes the small plate of salmon after Shepard stacks three empty plates, and goes for something resembling pudding. She’s stuffed her mouth when Liara glances up and mentions T-I-M. Shepard turns—his jacket is a new cut, new design, new him—and swallows the baseball-sized bit of food.
“What is he wearing?” Shepard wipes her mouth.
“Breathable Asari linen with close impact absorption, so don’t push his buttons.”
Jack doesn’t come over until he speaks with the attendant serving small pastries. Moments later he carries a folded bag over to their table and sets it on the edge.
He says, “Morning, Dr. T’Soni. Shepard.”
Shepard eyes down the bag and wonders if she’ll need to cut the blue or red wire. “What is that?”
“My breakfast,” he says. “Dr. T’Soni, I’m not saying I’m ungrateful for the hospitality. I appreciate it beyond words. But we need to go.”
Liara nods. “I understand.” She transmits data to Shepard’s omni-tool.
“Hold on,” Shepard reads the data; they’re headed to the Arrae system. “We’re still wanted criminals.”
“Didn’t I mention?” Liara says. “I’ve cleared the mix-up on Bekenstein and you should be safe to ride in style with the Normandy again.”
“How’d you manage that or do I want to know?”
“Relax, Shepard. All you have to do is get the cargo and your father back.”
“Nothing is that straight-forward. Ever.”
“Well, at least you have someone along for the ride.”
Jack snatches his bag and walks away. “EDI…” His chat fades the further he gets. Shepard stares at the table’s edge. Ground zero.
“What was that?” Liara says.
“Yeah.” Shepard flexes her fists, watching the knuckles change color. “Thanks for everything, Liara. I’ll catch you later.”
“Shepard?” She touches Shepard’s hand along the tendons. “Happy birthday.”
Chapter 12: Her Just stresseD
Coffee, breakfast, the cake is a lie.
Part One of the Gellix facility chapter. Didn't want readers to wait longer than I scheduled, so here's this.
Gellix is a warm gray and brown pearl of this galaxy. Shepard dabbles through her omni-tool, trying to get a read on their landing zone. EDI warns them of the low pressure and expects snowfall. They’ll know for sure when they pass the atmosphere in a few minutes.
While on the Normandy, Jack and Shepard had kept to themselves, armoring up, checking out their guns, and keeping a peaceful distance so they didn’t upset the crew, but the silence did worse, and heavy air followed them into the shuttle, where Jack has kept a bench apart, staring at a corner. The bag remains next to him, unopened. Shepard knows bad blood will ruin a mission, but she doesn’t know how to start, or if it’ll end, but it needs to. Liara hit so many nails on the head that she made a picture frame. Shepard steps into her gallery, and stares at it until she has to look away. None of this is as worrisome as making the same mistake her mother did. She can control the battlefield, control her fear of the enemy, so why couldn’t she have stayed in for breakfast?
Before she has a guess at what to say, Jack breaks the dead air. “So did you like the coffee or not?”
“What?” Shepard holds the support bar. “I did like the coffee.”
“But you didn’t want breakfast.”
“I did but—”
“Instead you had breakfast with someone else.”
“I didn’t know she’d order food! Are you really upset about this?”
“It’s a big deal.”
“Okay, okay. I’m sorry.” Shepard sighs.
“Hey, commander?” Joker comms.
“Not now, Joker,” she snaps.
Jack slaps his hands to his knees. “I need to clear the air.”
Jack removes his helmet (Shepard takes hers off in kind), then he stands, and he asks,“Do you want to have breakfast with me or do you just want coffee?”
“Uh, well, what do you want?”
He invades the space between them. “Answer the question!”
She fires back, “I want to have breakfast with you!”
“Good!” He steps back. “That’s all I wanted to know.”
“What the hell do you want to do?”
“I just wanted to have breakfast with you!”
“Tomorrow, then! We’ll have breakfast!”
Jack turns for his bag, then tosses it at her.
“What’s this?” she says.
“Commander?” Joker comms again.
Jack just flicks his head up. She guesses she’s supposed to open it, and when she looks inside, it’s a small, frosted cake, rounded and layered with fruit. She wishes she kept the helmet on because it’s hard to hide flush in her cheeks, and the grin spreading like a flash sickness.
She snaps, “What?”
“Picking up some weird signals, commander. Oh, and there are pirates in the area too! Check radar.”
Shepard reads the screen on the shuttle.
“They’re swarming a Cerberus facility,” Joker says. “Papa Shep likely inside.”
“How many?” Jack says.
“All of them?” Joker answers. “Honestly, you’d be better off with another squadmate.”
“Out of the question.” He primes his main weapon. “We find Henry Shepard, and secure the Calamity.”
Shepard balances rifle and cake in her hand while putting on her helmet. And yes Snippy’s weight matches a baby krogan. The flash flood of information suddenly registers. “What is Henry doing at a Cerberus facility?”
The shuttle breaches the atmosphere. It’s a pale sheet over the jagged snowcaps and flurries. When they hit the mountain’s elevation, flurry slows to trickles of snow. It shouldn’t harm her aim and when the shuttle circles the facility, she has at least a dozen chances to find out. The Gellix facility haunts the mountainside and braces the constant windchill. The dry snow passes across the landing zone, and when they hover over, it kicks up in a spiraling curtain. Shepard opens the door to the sound of nearby gunfire.
“Move!” Shepard jumps out and grabs nearby cover, a crate at the perimeter of the helo-pad. Jack posts next to her.
“Shepard, did you seriously bring the cake?” he says.
“Life’s uncertain!” She bites down on half, crumbs stick to her mouth.
“Would have been true but you had your meal.”
“Then here!” She smacks the side of his visor, it opens, she stuffs the other half in his mouth, and he didn’t have time to dispute.
He chews quickly, and pushes some to his cheek. “‘ow I go’ fros’ing in ‘y hel’e’,” he tries to say, swiping bits out of his visor before he closes it.
Shepard cloaks and scopes the entrance with Snippy. It’s obscured but the returning fire isn’t from Henry. “He must be inside. Who else could be here?”
“Just a small security team,” Jack says, finished with the cake. “Gellix is not a main operation. No one should know about it at all.”
“They do. Let’s get to those doors. Maybe inside we’ll find some answers. And Henry.”
It’s easy to move Jack through the sectors, now that she knows his dance steps. They go from cover to cover, counting under her breath. Her VI manages her heat, keeping it off radar, and her attonytes keeping her warm, and stable. Getting shot is survivable but still hurts like hell, and she won’t chance anything risky, except maybe having more than coffee. Breakfast with the Cerberus boss. That’ll go over well when the crew finds out. Small ships—no secrets.
Walkways form a T and the bottom is the entrance. They meet the long line going to the doors. A line of pirates with their backs to Shepard fire at it from behind a wall of shipment, with Cerberus, and Hanish Zhadny, defending the area.
“Watch your aim,” Shepard says and Jack nods.
“Let’s get in close,” he says.
Shepard disagrees. “Cerberus might hit us; they don’t know we’re here.”
“A distraction then?”
“I’m not gonna dance the marigold.”
“No more dancing. Just watch.”
Jack sifts through an ornament of data, swirling in his hand as he types in a code via omni-tool. He swipes it forward and the data disappears, transferring to some other place. Shepard doesn’t see it at first, then something pops up across the facility’s outer bulkhead. A scrolling holo-sign in big, bold letters.
The pirates cease fire and Cerberus ducks back down. One stands half behind cover, reading aloud as slowly as the scroll.
“Get the hell down, you idiot!” a kneeling pirate hisses.
“Shuddup! M’tryin’ ta read!” He looks up again. “…a…dis—track—shun.”
Revelation washes over the crew but it’s too late. Jack exploits their backsides and shoots the right side with his rifle and the left with his pistol, instantly killing ones who took it in the head, and peppering the rest down like her target sheets in infiltrator school. Jack pins the poor reader face-down, and executes him, and moves toward his people. Hanish Zhadny’s hands shoot up after he drops his gun.
Shepard follows Jack, and glances down at the dead reader—there’s a perforated C shape in his armor.
Cerberus explain to Jack that Zhadny helped them when his men wanted everyone to pay for Henry’s treachery.
“Well,” Zhadny says, “this is unfortuitous.”
“You started it,” Shepard says.
“At which point?” He exchanges looks between her and Jack. “Your father is a disparate hack.”
“Don’t try to get on my good side,” she says.
“Shepard,” Jack says, “He can’t be trusted.”
“You’re with these pirates. Why were they shooting at you? Why are you out here and not in there with Henry?”
“He locked me out! And he didn’t care who else was with me at the time.”
Shepard sees bodies of pirates lying sporadically from the door to Jack’s pile behind them.
“The Heathens want revenge. And they want what Henry promised them which is broken anyway!”
“What did he promise?”
“Pffft.” Shepard almost snorts.
Jack lowers his pistol but not his rifle.
“He blocked me ’n’ my men in, and when they wanted to kill the bystanders, I tried to stop them, but they kept coming.”
“Where’s the cargo?” Jack says.
“Honestly, I wouldn’t be too caught up in this cargo deal. I’d be more concerned with why Henry is here in the first place. And since his ship hasn’t left, I foresee he’s still looking for it.”
“Where’s the ship?” Jack asks next.
“Docked. You know where since this is your domain.”
“It is. You’re a smart man, Mr. Zhadny. How many more ‘Heathens’ are there?”
“You get us in and I’ll show you.”
“You tell me now. In good faith.” Jack takes two steps back.
“All right, all right. There’re more on the way, maybe ten minutes out. But you need to get to Henry fast. And you need us.”
“You’re wrong there.” Jack says, cheek to stock, staring with both eyes wide, pupils narrow, the blue brighter than she’s seen.
It’s like watching a car wreck, where, in just the one second, she can recall the light orange sun peeking through the mountaintops, and the twenty-one rays thriving through the haze, reaching across every flat surface; the blood spurting through the light angles in slowed time, the bursts of white with each shot, and the look of surprise from Hanish Zhadny as the bullets penetrate his chest; the bullets move across Cerberus, a hose of death, a live wire, but intent, direct, until all of them fall, and their end pools out the back as assurance. What she doesn’t remember is moving. Because she didn’t. She stood there, she let it happen, and all she sees now are the sun rays lying across the bodies.
Shepard shakes herself aware. Aware of Jack and the mess on the ground.
She yells, “What the hell did you do!?”
Jack steps in the red and straddles one of the Cerberus bodies; he pulls off his helmet. A Batarian.
“Any Cerberus employee of this facility would have access to the building. They couldn’t get back in.”
“Because they’re not Cerberus,” she says.
Jack doesn’t scrape off the blood from his boots as he goes for the door. “We need to get the cargo before the others arrive.” He beeps and boops the omni-tool. The door eventually opens and the rifle returns to his shoulder.
“How’d I not see it?” Shepard says.
“Could be birthday blues,” he jokes, leading them down a hall.
“Yeah. It was that cake I ate.”
Which she knows is a lie.
Jack locks every door they pass through, and just like Roe station, they’re cautious, and clear each sector before moving on, but her helmet picks up nothing, and no one. Jack must see the same when he slacks his rifle, and his posture. They take on a ramp to the next level, a squared-off, O-shaped room with side rooms. There are control panels for random things, mainly radar, and basic defense. Down to their left is Jack’s focus, a medical room with exam tables. He looks through the glass, pressing his hand against it, then sighs, and traverses the door. Shepard looks in and sees a pile of bodies, their uniforms stripped.
But he walks passed them, looking on at a trauma table with an attached imaging system, something she figured out from Dr. Chakwas. He taps the crescent neck of the machine.
Instead of asking the obvious question, she asks another obvious question, “What is this place?”
“My misshapen fight against the inevitable,” he says. After a moment, he adds, “They were my most trusted scientists. I should have thanked Mr. Zhadny.”
She bit. “Why?”
“My darkest secrets are dead with them; secrets that should stay hidden.” He glances back.
“Is this why Henry’s here?”
“He’s here for the Calamity.” He takes a deep breath. “This place is small so we’ll find him.”
“Where’s the hangar?”
“Non-existent,” he marches toward a computer, “but if the ship’s parked somewhere, it’s hidden well. You check that other computer. See if we can’t locate a timestamp relative to an unauthorized port access.”
Shepard takes on the machine on the other side of the room, reading through files, but she can’t gain security footage from here, or watch logs. “EDI, can you filter through these?” Static. “EDI? Damn.”
In one file reads the permission granted to an outlandish experiment pertaining to Indoctrination. They kept extensive studies on Saren and other victims exhibiting familiar indoctrination traits. One T.I.M. holosigned for a series of tests run on his eyes in year 2184. Jack determinedly stares down his own screen, focused on his search. Shepard scrolls to another strangely accessible secret: a new consultant, Dr. H. S.. She bites the inside of her cheek, re-reading the file.
Dr. Henry Shepard is granted authority to our Gellix facility resources.
I want him in comfortable living quarters by the time I arrive.
- The Illusive Man
Jack didn’t seem worried about the bodies on the floor, so much as the table where only he would know what happened, and her father. Shepard shuts down the screen.
“You find somethin’?”
She almost answers Jack only it wasn’t his voice. Henry stands in the doorway holding a datapad casually, and conspicuously. Jack acknowledges it, then Henry, and pushes from the computer.
“You knew,” Shepard says. “Before all of this.” She scowls. “You knew each other.”
Chapter 13: Pier-Shaped
Shepard works with the devil but can't decide which one he is. Then she finds herself between two ends of a pier. Enter antagonist behind the piracy. Mako!
(Extra scene dedicated to Martin Sheen, who knows every Frank Sinatra song by heart.)
Song: "SOS New York" - Crysis 2 OST - Borislov Slovov
Pier scene: "Hunted" - Transformers: Extinction - Steve Jablonsky
(See the end of the chapter for more notes.)
Henry remains smugly still, as if he’s prepared for his daughter to rage, and spit every nasty word the Alliance taught her. I bet he wants her to. She wants to. The consonants line up on her tongue, ready to leap, and free fall until they hang themselves by the vowels left lingering in the air. A smoldering heat flashes underneath the suit and the helmet stifles, but she refuses to uncover the flames escaping her eyes, and the repugnant wave filling up her twisted insides. She could hurl, but she swallows the bile, and the words, and lives in her sweat to which the suit cannot compensate. No machine can factor the feeling of betrayal from family, or from an illusive man.
If she could kick her own ass she would. She’d kick her ass out the door and back to that night she forgot everything, and if she could, she’d never wake up from it, she’d never have taken Mom’s call, and she could decompose in peace, or rust, or whatever she’s made of now.
“I had to, Jane,” The Illusive Man says.
She doesn’t hide her quaking hand when she points at him. “No. No…” She can’t look at him, but she can stare at her father, stare him dead in the eye because she’s had years to plan what she’s wanted to say to him. But when she tries, nothing comes out. She hears his footsteps but he’s not moving. He’s not going anywhere. Why!?
“We only have a few minutes,” Henry says, “I want to tell you everything, but we need to get to the ship.”
“I’m not going anywhere with you,” she says. “Or you.” But she still doesn’t look at him.
“The Illusive Man was looking for this file,” Henry pats the datapad on his thigh. “All you ever needed, Jane, is right here, but The Illusive Man wanted a joy ride with you, manipulate you into thinking you needed me, but really it’s all him.”
“That’s not true!” Jack yells.
“Most of it!” Henry yells back.
“We got what we need!” Jack whips his arm straight to point beyond the facility walls. “Now we need to leave.”
“I need answers!” Shepard says.
“Jane, the Alliance would have incriminating evidence on him, as well as valuable sources to Cerberus’ weaknesses. Specifically, his weaknesses.”
“We don’t have time for this right now,” Jack says.
“Course not,” Henry continues.
“What about the cargo?” Shepard says.
“It all floats in the same sea.”
Whatever that means.
An explosion sounds outside, but it’s muffled, sounding like a thunderclap covered by a giant metal shell. They’ll have a few doors to break open before they meet muzzles.
“Hanish is using his brute strength now?” Henry pulls out his pistol and pockets the datapad in his coat’s breast.
“He’s dead,” Shepard says.
“Pity. Should come back later and salvage his parts.”
Henry makes way through the corridors leading away from the blast and she’s only following because she doesn’t know where to go. Jack takes flank, which is only good because of his array of weaponry. But knowing he’s behind her makes her attonytes crawl in ways they shouldn’t.
“Where’s your ship?” Shepard says.
“Through here.” Henry descends a level using a back entrance.
The hall is dark and lights up as they move through, setting off a domino effect of light until it stops at the exit far down. Along the way are small offices, and exam rooms.
Shepard states, “Some of the files I read said these spaces were used for eye testing. Seems odd if it was also used for studying indoctrination.”
“Read that, huh?” Henry says. “I’ll explain the correlation when we’re safe. How’d you get that information?”
Henry stops at a control panel and initiates a systemwide shutdown. It rings: “Wiping System. Confirmation required.”
“If you would do the honors,” Henry says. “Boss.”
“Can it, Henry.” Jack says. Then speaks into the panel, “Confirmation: The Illusive Man.”
Shepard spins around. “Don’t talk to my father like that.”
“Voice recognized,” the computer finalizes.
Her pointer finger nearly jabs Henry’s nose. “It’s Commander until I say otherwise. Keep movin’.”
Jack says, “This isn’t the way to the loading docks.”
“You know what?” Shepard snaps. “Don’t talk to him at all! I need you two focused! Got it? Focused!”
Though perhaps she is trying to tell herself that. Playing Commander-in-the-Middle has no winners, especially with pirates with explosives outside.
The building shakes after something else detonates.
“Is this place bomb proof?” Shepard asks.
“Oh yeah,” Henry says. “But the mountain? Eh…let’s hurry.”
They double time it and meet the exit, which leads outside to the alpine range, and the sudden sting in her nostrils. Along the snow line is a used path along the pinnacle that disappears down the side. Parked thirty yards down the path is a Cerberus equivalent to the M-35 Mako. Shepard checks her sector, moving down the exterior to another station of horribly placed crates.
“Must’ve shifted from the explosion,” Henry says.
Jack says, “You need to hang around Shepard more.” He checks his firing chamber and re-locks the Vindicator. “Oh and duck.”
Shepard’s neck bristles. Nerves fire a warning and she snatches Henry’s coat to pull him down before the laser from behind the Mako meets his chest. Heathens pop out, firing sporadic rounds. Some ricochet off the containers and the wall. Underneath the barrage, Henry peeks between crates. Shepard inches back, waiting for the pause of reloading, while she sets up her shot using the VI. It registers six armed people.
“Kala-fecking-hira! Stop shooting at my kid!”
One of the humans peeks out, wearing a mocked Alliance suit with patches blacked out.
He yells, “Time to reap what you owe—urk!”
Shepard snipes him in the neck and he falls away from the Mako. She reloads.
Henry says, “That—that’s not how it goes. Can’t hire good help these days.”
“I agree,” Jack says, hiding on Henry’s right side, behind the tallest crate.
Shepard yells, “What did I say!?” Jack doesn’t respond. She nods and asks Henry, “Now what?”
“Get the Mako!” Henry says. “And I’ll get you to Calamity!”
Between Jack shooting suppressive fire and Henry occasionally firing his pistol, Shepard can cross the zone without suspect. She cloaks. Her VI masks her exhales and she moves undetected behind Mako—five people stand in front of her without a clue. Before they knew what happened, she killed them. She had shot one from the hip and the bullet went through the man next to him, but before the first fell, she snatched his rifle, and fired on the others before unleashing her Incineration tech to watch them burn alive. She kicks the one pinned on the tire and goes to pull the latch for the door. She might as well have been a monkey opening a soup can.
“How the hell does it open!?”
Henry and Jack check the area before moving around.
“Daughter, did you ever learn to drive?”
“Got a crash course a few times.” She tries the latch again. “Where is the friggin door!?”
“It’s right there!”
But Henry’s busy with a new set of pirates who must’ve followed the gunshots. He stands in front of Shepard and creates a tech bubble around himself. Bullets catch in the field, and disintegrate. Jack fires off a couple then helps Shepard.
“That’s to the engine console,” Jack says. He slaps the side next to the latch. “This is the—” Nothing opens. “—oh. How do you…?”
“Henry! Didn’t you drive this thing at one point!?”
“Not exactly drive.”
“Oh for f—ugh! I hate my family! I hate this damned—” she kicks it. A bent panel flies up on the opposite side like a broken wing. “I’m sorry, baby, I didn’t mean it!”
Jack wheels around for added cover as Henry’s bubble fades. They back up and use Mako for cover (it’d be pointless to cloak now). Shepard checks the panel—it’s opened to four seats and the pilot’s chair. The friggin’ door.
“Get in!” she says.
Then she jumps in last, Jack secures himself in the back, and Henry’s at the helm, scrambling to find the button to close the hatch. Shepard takes the seat across and diagonal, away from both of them, then straps in, shoulder harness and all because she swears to the cosmos this is karma laughing maniacally.
She asks, “What does that even mean, ‘not exactly drive?’” Pings from bulletfire hit the exterior and maybe she’s hoping for the distraction by satiating curiosity.
Henry’s fingers leap over the haptic interface and Mako goes live. “When I needed to be alone, I’d cozy up in here. Sometimes not so alone. Heh heh heh…”
“Oh gawd!” She could be sitting in one of the places he had—ew! Her face blanches. “That is gross!”
“Sorry, that was undadly of me. Very inappropriate. Very. Sorry, ‘k’, here we go!”
Mako roars and Henry charges her forward. The tires rumble the floor and the bulkheads hum. Then she sees Henry turn off the road, and in their small window, she sees the bottom of the mountain, and the long, steep slope of white.
She spits out, “Wait, wait, wait, wait, wait! Where are you going!?”
“Away from the bullets!”
“Oh my gawd.” Shepard grips her shoulder straps so hard her hands ache. She glances at Jack--his calm composure, and relaxed posture aggravates her so much she forgets for a second Henry just leapt off the side of a mountain. She looks—they’re soaring, nose down, toward the sheet of snow. Her organs feel the weightlessness just before Mako’s tires slam down; the straps stab into her neck, and she pulls them tighter to stop her from jumping around. She hits the thin foam padding with the back of her visor and grits her teeth.
Henry exclaims, “Woo! Hoo hoo hoo!”
“Fecking hell!” she shouts.
With snow kicking up the sides, and Henry skiing the tank toward what appears to be a mine a kilometer out—or down—Shepard forces her eyes shut, never having this many trust issues tested at once, but she hears a humming, not from the walls, but a voice. She opens an eye. Jack sways his head to and fro, with a curl in his lip, and brow pinched.
“Yougottabekiddingme…” she exhales as a raspy mutter and stares at the ceiling.
Jack sings between bumps in the slope. “Call me…irresponsible…yes I’m…unreliable…but it’s…undeniably true…”
Shepard rolls her eyes to the back of her head. He’s rubbing it in.
Henry says, “Made it!” He makes a final jump, shooting off the boosters, toward a small parking area with a ramp up to the catwalks that either lead into or around the mountain. “Shit!” Heathens emerge from the only visible door on the nearest catwalk.
She beats out several exhale before she mutters “to hell with this” and unbuckles. She jumps from her seat, overcoming the dreaded feeling of all her blood going to her head as they gravitate to the landing pad.
“Squash ‘em!” she yells. She snatches onto the pilot chair before Henry charges the boosters again.
She reaches for the turret controls and fires off a few to scare them, if the incoming Mako doesn’t scare them enough.
“There’s no space!”
“There’s plenty of space!”
“It’s a walk way!”
“We’ll make it.”
Mako drops and his argument does too—it teeters on three tires at the mercy of physics and Shepard feels the suspension as if on a sailboat that’s falling off a huge wave, then it regains level, lists to port, landing the other three tires against the mountain. Shepard loses grip and slams into the starboard bulkhead, which opens a hatch—the hatch—that she had tried with the latch.
“Hey, look at that,” Henry says.
Shepard moans and readies Snippy. Jack leaves first and tells them it’s clear before Henry goes, then Shepard. She checks for damage; underneath the Mako lies crushed bodies and weapons splayed across the ground. One such weapon is beeping.
“Get in! Get in!” she yells and shoves them through the door.
“Hey!” Henry protests—
The beeping increases speed, the door closes, it pops, then booms. A fire’s roar becomes a hissing grumble. Metal weakens, wanes, and creaks until it breaks, and Shepard’s heart falls with the sound of the Mako’s demise.
—and the data pad drops from his coat. Henry reaches for it but it’s Jack who picks it up and holds it, looking at it, not reading but thinking. His eyes don’t move, much less anything until the ground shakes, which puts him back in the moment, and he hands the pad to Henry.
Shepard points Snippy down the passageway, noting the spaceport aesthetics than an actual mine. It’s only a main hallway cutting into the mountain, with smaller, paths crossing lengthwise. They advance down the main; the lights flicker after another explosion. Dust rattles, pieces of rock fall from seams.
Henry pants. “Keep going!”
Glitching holo-decals along the bulkhead read Docking. Henry bolts. The exit closes in and Jack takes left, Shepard right, and Henry pushes the green. The door twists from its center circle, locks dislodge themselves, and the door splits open.
Shepard breaches and feels the balcony walkway beneath her threaten to give. The crag is a couple thousand feet, cupping the docks, a giant’s hand guarding ships, possibly from icy gusts. A ship smaller than the Normandy stands by, magne-tethered to the second sky pier to her right. No hull code. Two turian cannons, Batarian guts, and Alliance shell. The Calamity matches the dimensions a scout shipTo her bottom, however, is that long plummet the Heathens seem to be hoping by blowing up the place.
“Watch your footing!” she says.
They stick to the crag, wildly aware of the upcoming bridge connected to a stable terrace with pillars and buttresses supporting a high ceiling, and they make it, but they meet guns when a door further down opens. Metal creaks again and the bridge behind them collapses. Before Shepard thinks, Jack yells “Go!” and unleashes his rifle on the pirates. She cloaks and grabs Henry.
One one-thousand, two one-thousand.
The tiny triangles scale over him and she runs him toward the pier before they’re completely blocked off. Shepard doesn’t think on the hard evidence Mom needs that’s in his coat, she doesn’t think about handing him the only immediate escape plan they have, and she certainly doesn’t think about Henry flying away to avoid his own incarceration. She’s just going to have to use the T word because the F word is beyond saving right now.
“Get on!” she yells, slowing down to watch the invisibility peel away, and he guns for it. It’s a long pier and she hears the plates beneath her, and the gunfire behind her, and she stops. She turns. Henry has to make it. He will as long as she stands here. But Jack…
He hides behind a bit of extruding wall, but the ricochets pepper his shields; he won’t have time to recover. Shepard, no cover, worries about her target and beyond: one head in line with the next, and she hopes she can take down two before they move in closer to Jack. There are seven now; two more had come through the door, two lie on the deck.
After nine-one-thousand, a song springs in, and she hums as she lines up her scope with their heads.
Say what you want, say what you want
Ka-Boom! A pirate walks into the crosshairs—three drop (top that, Garrus), blood splurting everywhere, and a survivor yells “Shepard!” as her cloak fades. He’s Krogan with a bigger mouth than Wrex, and an even bigger shotgun than the Claymore.
When he turns to shoot, Jack kills the human pistol-wielder, and stabs his hand out that causes violent convulsions in the other two as their weapons overheat, and cook their gloves. Jack leaps onto the krogan’s back. He grips his crest plate and pulls forward. The krogan panics and reaches back. He snatches Jack and throws him overhead.
“No!” Shepard dashes to Jack as he flies back-first into a pillar.
It cracks. Something snaps underneath and the floor drops an inch, but her insides lurch further. Jack groans, Shepard grabs under his shoulders and drags him away before the krogan charges, and gets him down the pier. He manages to stand but the floor drops again, and everyone falls to their hands.
A voice calls out behind them.“Oh, captain! My captain!”
The krogan smugly nods up. Jack and Jane look back. A man has Henry at gunpoint, the Calamity untethered and purring. He doesn’t wear a helmet, has a fresh, Alliance-reg haircut, a sharp jaw, and thin compared to her father.
Jack urps—the krogan takes him by the neck and keeps him on his knees, the Claymore v.2 aimed at his back. She doesn’t know when her heart began churning stomach acid.
“Commander,” the man says, “I need you to stay.”
“Who the hell are you?” she says.
“An arbiter. Your father will not be joining your mother.”
Henry spits out, “Dammit, Illusive Man! You see what you’ve done!?”
“He didn’t do anything, well, except…” He waves his pistol at Jane. “Guess you are Cerberus’ lap dog.”
The floor moans.
“Who bought me out, Chris?” Henry says. “Who hired you and took my crew?”
“Nobody.” He takes the data pad from Henry. “Only top brass of Cerberus have access to this place. Now I will have piece of mind, knowing I brought you all down, and solved the galaxy’s biggest concern: survival.”
“That evidence belongs to Captain Shepard! Not you!”
“Don’t worry. It will be turned into the judge, once we change some things. I don’t wish to punish the innocent.”
“But why us? Why me? Why kill the captain’s kid? Why not just go all the way?”
He smiles. “You’re just walking, talking parts, commander.”
“You can’t let ‘em have it, Janey! You’re not parts! I know cuz—”
“No, you shut up.” He says.
“No.” He pokes the pistol toward Shepard. “You. Open your eyes, Shepard. These men you fawn over are withholding knowledge the world has a right to. The right to live. It’s not up to them to control it!”
“Then let us go! We’ll all fly off and you can have your data pad, and you can have Henry—“
“Again!?” Henry protests. “Damn, that’s twice I’ve been on the receiving end.”
The floor drops another inch. Chris steps onto the open airlock, escorting Henry onto the ledge with him.
“Because as long as you have The Illusive Man alive, I can’t make that deal. And you’ve given me the best chance at ending Cerberus forever.” He looks at Jack. “You should’ve stayed in your chair.”
Henry’s eyes yell at her. She checks the krogan and she wants to slice him open and use his guts as a bungee off this hell plank. But she can’t chance Jack. She has every reason to, every motive, but when he looks at her, Liara’s words resonate. And her instincts don’t lie.
Jack is on his knees but he is in close-range of a mid-range weapon. Jack eyeballs his captor, then meets eyes with Shepard and blinks once. In that blink, Henry yells out her name.
Then Henry cries, “Don’t!”
Chris pulls him into the ship but Henry resists, then rips the data pad from him, and throws it.
“NO!” the man jumps for it as it lands on the pier and Henry vanishes into the ship. The data pad sticks against the metal, just barely, with its rubberized, shock resistant frame. The pier bows and thins that resistance, a plank on a listing ship, and the last of the crew are at its mercy. The krogan flees with Jack’s helmet. He drops it to free his grasp. It vanishes in the haze below. The bend steepens, he slips, and he grabs the terrace ledge. Metal creaks louder; not as loud as the whimper from a 500-year turtle tank.
Chris uses the railings and hauls toward the pad as it scoots along the path, making every centimeter to stretch and take it a mile in ratio if Shepard attempted.
Jack eases his descent but she grabs his arm.
“It’s not worth it!” Shepard yells.
He shoots a look that pierces something she didn’t know was there. Before she pleads him to stop, he’s already going down, and Chris climbs in a tizzy to get it before him. Jack reaches, leaning, trying not to stumble; Chris extends his fingers, and the pad falls with Jack’s weight reaching the end of the walkway. Chris presses it to his chest but when he turns, Henry has flown the Calamity too far for him to jump. Jack heel kicks him in the face. The pier lurches. Chris grabs Jack’s ankle and Shepard is already sliding on her back before she realizes she had let go. The pier threatens its final hold. Shepard straightens her body, aiming for Chris, and the world blurs. All except Chris; all except Jack. Chris sees her and makes a choice, to jump and hope he makes the ship, or take her on.
He hangs in the air a second before half of him slams into the open airlock, knocking the air out of him. His thin arms can’t hoist him up after all that climbing. Shepard tries slow, grasping at the railing, widening her legs to boost friction, but she sees the end of the pier, and there’s not enough time to stop.
She knows his struggle. She was just like him before N7. Weak, naïve, desperate to cling on to what matters, and knows the outcome.
Chris’ arms buckle and like the last bit of water on the edge of a cup, he drops, along with the data pad. He plummets into the clouds screaming.
Just as she’ll be…if she was still the booter she was years ago. Jack snatches her wrist. She twists over to her stomach and grapples the last leg of railing; it breaks and he’s all that’s left, straining to put his back into over two-hundred pounds of armor and female muscle. His forehead protrudes a vein the pinker his face gets. Sweat dampens his skin where his neck is taut, and he bears his teeth.
“I can’t hold on!” he says.
Lurching terror fills inside. In one, slow motion, she watches his grip fail, his hand lets go, and a light-headed aura blooms just before she falls, and her boots meet metal.
“Taxi for Janet Sherbert?” Henry’s says over the 1MC in a bad, Quarian accent.
He’s extended the airlock’s deck to catch her. Jack lands next to her and hurries her inside. They meet Henry at the helm. He fluidly uses the haptic interface as an artist making sweeps across their canvas, closing the air lock, turning the port rudder to get them out of the docks, and back in the air where a ship belongs, leaving the krogan hanging off the terrace in the corner of the window. The terrace breaks off to fulfill its two-thousand-foot destiny, and ending the alien without her knowing his name.
“Activating stealth,” he says.
The six-man vessel has little room on the bridge, but plenty of oh-shit bars lining the bulkheads, to which they oblige. The ship seems to work adjacent to the Normandy, however a simpler cloak, perhaps not for recon. It skitters over her shell like a shallow stream.
“We lost the data,” Shepard says.
“That poor data,” Henry says. “Lost to the frozen chasm. Glad I turned the heater on here here, but whew! It is hot!” He fans himself with a makeshift fan of rubberized frame.
“The data pad!” Shepard snatches it from him, monkey hanging from a limb. “Holy—but I saw it fall.”
“I actually…never kept the real one on me. I had transferred the data to my ship under the wire, virtually. This is the real one.”
Shepard swells with energized butterflies that she wants to cheer. Her happiness leaks out in a grin; she bites her lip to suppress it. Mom’s saved.
“Congratulations,” Jack says.
Shepard glares. “What were you thinking? That was reckless.”
“It was worth it to you,” he says.
“Well, don’t—” she responds immediately before she hears him. Something inside melts. “Don’t do it again.”
“I’m going to check out the ship,” he says. “Where’s your main storage?”
“Back that way,” Henry points. “Passed the berthing lounge. Don’t break anything! And don’t touch my sandwich! It’s been a couple days, okay maybe don’t touch any food in the reefer.”
Jack leaves quietly.
“You should follow him,” Henry says, turning Calamity’s nose to the sky in a gradual ascension.
“Don’t want him getting food poison?” she asks, though she understands why he can’t be trusted.
“You should meet who you’ve been fighting for this whole time.”
See her mom’s unfertilized collection? Talk about them over expired leftovers?
“They're just eggs, Henry.”
Call me irresponsible - call me unreliable
Throw in undependable too
Do my foolish alibis bore you
Well I'm not too clever - I just adore you
Call me unpredictable - tell me I'm impractical
Rainbows I'm inclined to pursue
Call me irresponsible - yes I'm unreliable
But it's undeniably true - I'm irresponsibly mad for you
Call me irresponsible - yes I'm unreliable
But it's undeniably true - I'm irresponsibly mad for you
- Frank Sinatra
Chapter 14: To Protect and Pardon
Shepard discovers the past between her father and The Illusive Man that leads to a fateful decision.
Songs: "A Warm Place" by NIN, "New Devon" Uncharted 4 OST
Already the stars shine brighter having the data in her own hands. Henry plots a course with Joker, though introductions were rusty when Joker got excited at initial connection, but Shepard already left to avoid responsibility. It’s strange being aboard anything not the Normandy, and she won’t admit she’s intrigued, after all she’s almost collected every model ship she can find, but the schematics she read in the scan don’t do this bird justice. The armory makes up the bulkheads of the p-way, from the bridge and aft, holding armor lockers, EEBDs, and open racks of weapons.
A hole empties her sorrow from the pit of her stomach and she brushes her fingers along the side of a Viper, remembering—realizing—she had sacrificed Snippy.
The quick-action door opens and the observation dome above entrances her. Space moves across a dining loft, with chairs outboard to better see above and below. On her level is the galley (as small as the Normandy’s), a port ladderwell to medical and engineering, a wider ladderwell to the loft on starboard side, and four racks stacked in twos with six stand-up lockers. In smaller vessels, they’d call it hotracking, as always someone would be on watch—two in this case), but if Henry used to have the Heathens, how come there are so many shooting at her?
The why entices her to read the datapad. Underneath the passing stars, she scrolls, but she doesn’t trust what she sees, and shakes the disbelief from her thoughts.
She plays an audio file with Henry’s voice. “Dr. Sharpé. Gellix cycle 40 February, 2183. Haven’t been planetside in a long while and this system they’re using pisses me off, so I made my own. I’ve doubled the months up so it’s like Earth, but longer. My dates are not a typo. The following reports are for The Illusive Man’s eyes only. See what I did there? Right, right. Sorry. It’s just…” For a while it’s nothing but dead noise and when he comes back he chokes. “I can’t believe she’s gone.”
Heat surfaces behind her eyes and she sniffs.
“41 February 2183. Began Illusive Man’s eval. Vitals are healthy, in the above-average percentile of his age bracket, only twelve years to catch up with me, and despite the smoking and drinking, he remains active, physically, sexually, and goes to annual check-ups. His concern for his mental health is understandable, but there are no clear signs of deterioration. He’ll remain in my care in the coming month. Tomorrow, he’s scheduled for optometry as requested. Notes attached.”
Shepard swipes to the attachment—his evaluation. In the patient’s concerns field, it reads “cognitive alterations.”
“42 February 2183. The Illusive Man’s optics are unmatched. His clarity to read people’s microexpressions, heart rate, and gauge their character without knowing them is beyond human. I had him take a personality test, one that does not change over a lifespan, and he is a natural leader, already an excellent judge of character, and in power of limitless information. I’d hate to have him as an enemy. But there is something. Something that doesn’t connect. I’m gonna meditate over a bottle of scotch.”
“43 February 2183. Wait. 44 February 2183. Sorry. Turns out the boss man likes scotch too. And I wasn’t sharing my bottle so he had another one on hand. Yaaay—ugh. So I and he…he and I were swapping stories and I got to talking about…well anyway, she fought Sovereign, so I started thinking, and it was mostly Illusive Man doing the thinking for me at that point…why don’t I fight in her honor? Be her hero again, because he gave me renewed hope. He’s the only one that can save her. I will happily pay my share and save him too.”
“45 February 2183. Tests synthesized.” Henry sighs. “Correlation is positive.”
The audio stops and she swipes to the end, unable to open the encrypted files. Henry had said the cargo hold was straight back. She opens the door, passing the starboard head, another ladderwell, and meets the aft of the ship, a large bay, similar to the Normandy’s, but not empty, and not alone. Jack strolls between the containers, helmet off. When he hears her step down, he turns just enough for her to hear him back.
For such a large room it’s unnervingly quiet. Stacked outboard are fifty cots at least. This isn’t a ship, it’s an escape pod. She glances at one container with a small case on top (most likely for ammo or weapons), and a Heathen symbol on it. She could fit herself in there.
“It’s over, isn’t it?” Jack says.
He raps his fingers along a rim of a sealed container with a glass dome that’s sandwiched by larger crates. It’s the only sound in the hold.
She takes her helmet off and rests it under her arm. “We’re on our way to the Citadel. Probably best if you were just a disco ball.”
“Right.” He glances at the data pad. “I…thought I had more time.”
“It’s—what—two-three days left? Plenty of time.” But the aura around him—the tension, the shadows lingering between the cargo, coating the catwalks, and half his body—whisper she’s off point. “The tests were positive.” She looks for a response but he’s stone. “What were the tests for?”
Except for the small twinge in his jowl.
The ship lists.
“I knew this would become complicated,” he says, “when I had to put myself back in the field. But it’s worth it.”
“This was never about my mom to you.”
“It’s bigger than that.”
“You have to stop talking around me.”
“I’m indoctrinated, Jane.” He looks at her. “And Henry is my doctor.” He takes his helmet he had placed on the crate, and stares at his reflection.
Like Benezia, like Saren, and like him. She had made a quiet assumption back on Gellix, but didn't think hard on it. They were being shot at. But to have it even closer to home, her benefactor especially, the one calling out the orders to defeat the Reapers, to find out everything about them. His work will be destroyed by them taking his mind. If he's aware of it, then he's mostly intact, and somehow Henry's helping in that. But how much of this indoctrination affects him? How much of their time together was real?
Jack continues, “If he gets into Alliance hands, he stops being my doctor, and you will never see him again.”
“Yes I will, just behind glass.”
“That was Captain Robertson’s son you killed. Chris Robertson. I didn’t place it until it was too late. Henry took him on as one of his patients when he was active duty. When the captain finds out, your mother won’t have a chance.”
“We have to tell her!” Shepard waves on her omni-tool.
“I let slip in encrypted communications that he has a son who disappeared. She’ll make the connection; I trust her, as I trust you.”
Omni-tool shuts off. “And you want me to delay the return so it benefits you.”
“With you I know my word isn’t convincing enough. It never has been.”
She ughs. “I have to go to the Citadel. This is my mission, Jack.”
“But is it what you really want?”
She looks sideways. “Yes!”
Jack exhales, a disappointment quick to express, predicting her answer before she said it, and just as quick, he slams his fist into the crate. The loud klang reverberates. His arm trembles and ripples the effect over him. His inhales deepen, exhales even deeper, and when he looks her dead across the path, they are eyes of pleading.
“It’s my mom! I owe this to her!” she says.
“You don’t owe anything because I paid it by bringing you back to her!”
“What? So, in the big scheme of the Collectors and Reapers, you drag my family into it for—? You brought me back so you could use my parents for you and use me for the Collectors!?”
“Yes. And no! At first, in part.”
Air becomes lava and it singes her skin, standing her hair on end. It’s too thick to breathe, too thin to hold her breath. Using her to finish her job against Sovereign, fine. Using her family…no. Just no. She can’t imagine how desperate they must have been, then Illusive Man just happened to be available and offer ‘help.’
“So when did it change?” she says. “When was it less about Mom, and all about you?”
Jack shakes his head. “That’s not it.”
He bites his cheek.
“What is it!?”
The bulkheads rattle from disturbance outside. Shepard looks about, listening for the next thing, and it’s a faint boom overhead. Henry calls over the 1MC, “General Quarters! Mann battlestations! Route for General Quarters are back to my damned pilothouse!”
“Dammit!” Shepard yells. “On my way!”
The ship hoists railings along the p-ways, popping up sections of grab bars from the ground, and locking in place. All crates have already been secured with net hooked into the deck pad-eyes. When the ship lists again, Shepard grabs the railing with Jack and lean opposite. Cargo shifts under the net then stop dead against the tension.
“Jane,” Jack says, and she turns her back, he blurts out, “Please!”
They’re under attack, probably the retaliation of Heathens, and Jack doesn’t want her to bring all this to Citadel space? It will drop the case in an instant, the captain will have to answer for his son being a part of a conspiracy against the Shepards, as well as going A-wall, and Jack can hide somewhere until Henry, lord of smugglers, can let him out. Her and Jack can go back to saving the galaxy and Mom will be free. Henry, who cares? He must pay for his actions. But if she doesn’t act now, this ship’ll go down.
She’s about to latch her helmet and leave when the calm of Jack’s voice roars over danger’s emergence, and time slows between them, but the crates remain at the mercy of the rudders. Nets clang, bulkheads thump, but she hears him as clear as the glass on Floor 165.
“When you became real,” he says. “In that instant your fist met my chest, you knocked me out of the dark, and broke me, and I couldn’t breathe, I couldn’t blink, and I couldn’t take my eyes off you.”
Henry jerks the ship port. Shepard and Jack hurl into the other railing. Her helmet flies out of her hands and rolls across the deck. Jack catches it and guides himself up to her, holding it out for her to take.
“Please, Jane. My mind will be gone without you. So what if that makes me selfish?” he says.
Shepard shakes her head, disbelieving, not his words, but her yearning of them to be true. She puts on her helmet. It locks. She can hide the shine in her eyes now.
“I’m sorry,” she says, “I have to.”
Lost is the only word she can describe what she sees, right before a new, burning purpose callouses the fear, and Jack stands upright, unwavering, gripping his helmet so tight he shakes. He lowers his head. His lips tighten. He glares.
“Forgive me,” he mutters.
She watches it in slow motion, at first not understanding what or why. Jack swings across, his helmet the hammer. Then, she realizes, and he smashes the helmet into the nearest container, and both pieces crack.
“No!” she gasps and bull runs into Jack, he falls back, she grabs the crate, and checks the damage.
An alert projects across the glass, reporting vital signs, and levels, similar to Grunt’s tank, but they’re mostly covered by a sheet. Underneath, she only sees liquid, and the faint glow from the computer and machinery maintaining the product. Oh and the splinter in the glass from the impact. She strokes the crack; it’s damp. A trickle of the liquid seeps through.
“Brace for shock!” Henry yells.
Shepard grips the rail tighter. Calamity takes a hit and Shepard’s knees buckle. The cargo bay quakes but no damage to hull; shields maintain. Before she regroups, Jack leaves his helmet and springs. He goes for a second hit, fists now. She catches one and would kick her enemy in the groin, but she yells to herself not to. It takes everything not to hurt him as he gains strength; his upper hand over her comes at her head. She flinches. He hits the crack by her and a tiny stream spouts.
Shit! She hurls her foot into his armored groin and he curls in like a snail.
Shepard spins about and puts her hand on the leak. Shepard growls, needing a patch, and as she pulls the sheet down to fix the hole, she freezes, staring.
In the liquid, a person floats unknowing, sleeping; it’s a younger woman looking like her, but with shorter hair, a lighter red, and pale, freckleless skin. The alert pinging her snaps her out of it and she presses the sheet against the hole. Shepard turns to Jack. He’s recovered, one hand on the opposite rail, watching her.
What have you done?
She means to say it but the words don’t come out. Henry yells over the comm again. Shepard finds a net on the floor; it had been unlatched. She secures it over the sheet; a pathetic patch, but when the ship is hit again, and the hold vibrates, she doesn’t care. She grabs Jack who’s compliant—now—and shoves him forward.
“Move!” she barks.
Jack is first into the pilothouse and takes Henry’s left, Shepard takes right, and Henry rightly exclaims his impatience but gets to business.
“It’s Chris!” Henry says. “He hijacked a fighter.”
“One of the crates sprung a leak!” Shepard says. “We have to get to the Citadel now!”
“What? How!? Which crate?”
Jack’s face pales whiter than the female in the tank.
“Alpha one tak one—”
Henry almost ejects from his seat. “We have to—we can’t go to the Citadel!”
Hot flurries in her chest. “Why not?”
“That’s Hanar tech! We need to get to Kahje! Only they can save her.”
“How many more crates like that are there?”
Henry pauses, diving through a spray of bulletfire. “All of ‘em.”
That’s a cargo full of tankbreds. Citadel is closer and would save everyone but the new version of her. Her mom could explain herself about these “eggs” and be free. Chris is alive; C-Sec could arrest him and that threat would end, along with the captain having no say over the case, and be dismissed for a fairer hearing. Or the hearing would be dropped entirely. She’d be free. Shepard could continue fighting the Collectors, finding a way to end the Reaper threat, and Jack would be back behind glass. Just like Henry. A glass wall where she’d be safe from being hurt, disappointed, betrayed. Left. But alone. Surrounded by people but feeling empty, sleeping in the unknown like the one she’d leave to die if she chooses the Citadel. Jack’s indoctrination would ruin him, and she’s already seen what it does to family. T’Soni wouldn’t forgive her if she had a way to cure indoctrination and didn’t try. She wouldn’t want people to go through the pain she did with Benezia.
Her younger self is scarless, blameless, floating in motherless goo; Grunt calls it the tank; she calls it confined space—as she died floating, suffocating, freezing—she lives again, floating, absorbing, warm. If this self dies, she’ll never know pain, but never know life.
Forgive me, Jack said. Not sorry. He isn’t sorry. He believes in the larger scheme, and sees the connections sometimes she can’t. He makes the decisions simpler people are scared to take. None of this is simple, and she can’t keep on being simple either. This isn’t black and white, but it is life or death. And life is gray and full of things she hates and loves, ‘but the greatest of these…’
Jack owes her an explanation, but she owes him faith. If her parents trusted him enough, she needs to. Everyone is desperate right now. Desperate enough to say please. A kind of desperate that is linked to survival at any cost.
Isn’t it her duty to protect all, unborn, or already knowing? But it’s a shell. A clone. Isn’t it? And if it was a clone would she tell herself to let her sleep? Forever?
Shepard wishes Jack kept her dead. And the moment she awoke, she was already in pain. It would be the same again. She’d be doing herself a favor.
She opens her mouth to make the call, order Henry to the Citadel, but she croaks. All she wants is to prove Mom’s innocence! But how can she show up to what was probably her mom’s plan in the first place, and she hands over her treason verdict? And Mom would never forgive her for letting one of her children die—her sister, if not a clone, but a twin.
It’s not her life. It’s not her choice. It’s another chance.
“Dammit, fine! Get to Kahje!” Shepard switches channels. “Normandy!”
Joker reports in. “Yes, commander?”
“We’re making an emergency stop. Sending you coordinates. Dock the Normandy at the Citadel. I’ll tell Admiral Hackett we’ve been delayed and verify he gets my message.”
“Sure thing, Shepard, but you only have a couple days left.”
“I know. Shepard out. This thing have a mass effect core still?”
“Retrospectively, yes,” Henry says. He resets the target coords. “Just hope it won’t fry this time.”
“What?” she spits.
“Engaging core!” Henry slaps the engine panel, pulls the throttle on the interface, and Shepard and Jack grab the oh-shit bars.
Stars streak across the window as the engine hum gains volume, then all is white. Unlike the Normandy that’s able to normalize the G-force, she feels the sickly push of all her organs, her blood, her skin, sink into the back, as if being pressed against a wall. Calamity jumps into the next galaxy, but all Shepard sees is more space, and a faint rosy aura, probably from a nebula.
“Chris is still out there,” Henry says, “but he won’t find us for a while. No one will.”
Henry veers toward his desire then hits the auto. She reads the interface and it says they’re headed toward the Relic Cluster. He unstraps himself and takes off his helmet, securing from General Quarters more like. He stands and faces her as she also unlatches.
“How’d the crate get damaged?” Henry asks her.
She glances at Jack. Jack looks away, toward the void.
“During a roll, it—it collided with another crate. I tried but—”
Jack’s attention slowly returns to her, as if he didn’t quite hear her, or did, and doesn’t believe it. She can’t either.
“It’s fine,” Henry says. “It’s…it’s fine. We’re almost to Kahje, my home.” He pats her on the back. “Hey.” He checks behind her. “Did you lose your gun?”
“No,” she says solemnly.
“But you loved that gun.”
Maybe she found she loved something more.
Chapter 15: Thrown Out
Hannah has a disco ball up her sleeve. Joker doesn't save the day and reaps the spoils of Hackett's place anyway.
Song: “Main Menu - And Ever We Fight On” - Killzone 3 OST
It’s Hannah’s idea to knock on Judge Vaughnus’ door at 0600. When she confessed to Hackett and Anderson, they gathered all their resources, and put their connections to use. They were not about to wait for Commander Shepard to rescue her, but cut the claws off the accusations, and end this. They stand properly, and don’t flinch when Vaughnus grumbles as he unlocks the door, and splits it open. He’s wearing a bathrobe and workout gear underneath.
“I apologize, Judge,” Hannah begins, “were you about to go for a run?”
“Why would you get that idea?” Vaughnus says.
His neon blue and white training shoes squeak on the tile. Every morning after toast, a banana, and a glass of water, he would run eights around the Presidium, sometimes by Hackett’s home. If he had put her in a cell, she would have never been up as early, drinking tea by the window overlooking the housing area. It’s a small world.
“Why are you here?” he says next. “And out of your confinement.”
“She’s with me, Vaughnus,” Hackett says, arms crossed.
His dress blues were freshly ironed and delivered this morning by his flag cook. As a councilor, she assumes Anderson also has assistants, but he would probably feel awkward having them do his own laundry. Nevertheless, he’s shiny too, but instead of crossing arms, he hands the judge a datapad.
Hannah explains, “This is a list of all the volunteers for the secret project led and funded by Cerberus.”
He glances over it. “This information needs to be addressed by the investigative officer, captain, and he’s not here.”
She unveils a ball with disco party qualities. Castleberry pops up.
“I’m here, your honor,” he says. “I apologize for not meeting in person; I had a delay. All names have been blacked out for privacy reasons, but the ones who didn’t mind us helping out Hannah’s case came forward. It’s a long list, your honor, and I’m betting you don’t want to arrest and try everyone, specifically Captain Robertson, the man who accused Captain Shepard in the first place, and opened up this giant jar of hypocrisy.
“You see, Captain Robertson has a son, Chris, who went AWOL with Captain Shepard’s ex-husband, the former Alliance psych-doc, along with one-fourth of the crew from his final command, the SSV Patton. That black stain could be washed in blood if her ex happened to return to answer for his crimes, along with providing the missing cargo, which is rightfully Cerberus’ property, by the way, and in no way counts as Alliance property, as determined by the falsehood that we as individuals are slaves to the military, but contracted, and only bound legally by regulations and uniformity. We are paid, free-willed citizens as with any job. Article 108 of the UCMJ, the foundation of this entire case, dictates monetary value, though it should measure the emotional trauma of a famed and honorable Alliance officer who put her trust in the military. I digress, because we sought out the former doctor by utilizing Commander Shepard’s resources—Cerberus funding, mind you—we have found not only the cargo—”
A picture of a small box on top of a larger crate in a ship’s cargo hold flickers before the rotating ball and Castleberry’s image.
A new picture replaces the old, of Henry at the helm of the Calamity, with Shepard in the corner, holding a support bar.
“—and the AWOL crewman, including associates who aided their disappearance, calling themselves the Heathens—”
New pictures cut in sequence, of Bart, Hanish, and a heap of dead bodies.
“—that’s gruesome—but we also revealed Captain Robertson’s son, who had been off the grid for so long, it took Henry and his daughter to bring him into the light.”
Picture flashes of him holding Henry. Hannah covers her mouth.
“He slipped up and hacked into a Cerberus fighter, which we pinged, and are currently following. What’s more interesting is that list. Captain Robertson is on there as a volunteer. And to cover it up, Robertson used Shepard as a scapegoat to give his son time to redeem himself by taking Cerberus down, including Roe Station.”
The next picture is a video of Shepard running toward the camera; an arm reaches for her, things explode, they’re spaced, and the destroyed station slowly shrinks behind her. The camera view sticks to Shepard’s helmet, reflecting a partial image of another helmet. Hannah hears heavy breathing, steady, but fast.
“Who’s taking that?” Vaughnus says.
“Why Henry, of course,” Castleberry says.
Hannah slowly drops her hand and hides it in her arms.
“And these photos with Henry in them?”
“One of Shepard’s trusted crewmembers. Cerberus has been more than cooperative in helping us with this case, but they’d like to see justice done to the right man, and that’s not Captain Shepard.”
“Admiral Hackett, bring Captain Robertson to me. I need to validate this.”
“How soon do you want him?” Hackett says.
“Thirty seconds ago. Before I learned all this bullshit.”
“You heard ‘em, lieutenant.”
“Aye, aye, sir.” Castleberry turns to someone they can’t see. “Captain, if you’ll step onto this platform.” Captain Robertson appears. “Thank you.”
Robertson stands parade rest, glowering. “Your honor.”
Vaughnus scans the present party, then stares down the hologram. “Is this true!?”
He turns up his nose. “I invoke my right to—”
“Can it, Robertson.” He shoves a finger in the holo. “You’re done but you’re not done with me. Lieutenant Castleberry, consider this case thrown out. Captain Shepard, you are free to go. I will inform the rest of AJAG as well as the Citadel Council. Inform C-Sec of any news on the captain’s son. We’ll be in touch.”
“Working on it now, your honor,” Castleberry says, and the ball turns off the holo and floats into Hannah’s jacket.
“What a fucking morning,” Vaughnus turns into his house. He stops. “Sorry for the mess, Hannah.”
“It’s okay, George. It was nothing personal.”
“You can tell Commander Shepard she doesn’t need her father anymore.”
Hannah grows a smile with tears brimming. “I’ll never tell her that.”
“Enjoy your run,” Anderson grins.
The door shuts, the lock shifts.
Hannah had been standing in silence for a minute, maybe it was seconds, but time had stood still as the air changed into a fresh, cool relief. She breathes deeply just before Hackett congratulates her; he was nice enough to give her that pause.
“You did it, Shepard! I guess I have to kick you to the curb now.”
Anderson says, “Maybe not just yet, admiral. How about after celebratory drinks?”
Hannah’s face burns from smiling so much. “It’s not even breakfast! My kinda sailors.”
It won’t be long before they begin asking her questions about a new investigation, the supposed intel between her and Cerberus, and the ties with Henry, though that had been reported long ago when they divorced. She’s not responsible for him and often wonders how he managed to convince fifty-plus men off one ship to go on his delusional adventure. People have done crazier things. And although she’s clear of judgment, Hackett and Anderson will now have to deal with Robertson. Their neverending dockets make her thoughts spin so fast they’re scraping against her skull. At least the house will be quiet.
Being fleet admiral has perks. Hannah steps out of their taxi to Hackett’s home, a three-story complex in the Alliance officers housing, as close to the Presidium without becoming a politician. She notices the flyboy on the wall, waiting for their return apparently.
“Jeffrey!” she exclaims and jogs as fast as her heels allow to hug him.
Jeff Moreau, Joker to her daughter, had been in the family after the Battle of the Citadel. The first time they met, she rushed to the fridge and asked where the old man hid the beer. She had said “he drinks hard ciders and after I gave him the boot, they went down the sink.” His reply? “Oh shit. Sorry, Mom. Hey, are those cheese scones?” And after she fed him a dozen, she’s kept him as a son ever since.
“Oh my goodness!” Hannah starts. “I thought I’d never get to see you again.” She peppers him with kisses, so overwhelmed with joy she forgets she could break a cheekbone.
“Ow ow ow ow ow. Okay okay. It’s getting weird with the big wigs staring.”
“Sorry. Well, they know. So.”
It’s true. They do know. With nothing better to do on house arrest, she told Hackett of her stories when Jane would bring him to see her at her apartment. They’d be too far away to visit family sometimes and on too short of notice, so she’d cook them dinner if she was on shore. Thanksgiving was a special time, though not important enough to put in the Citadel’s archives. Important to her. She liked seeing her daughter have friends, even if he was two pay grades under her. Jeff probably saved the ship in more ways than the reports say, especially during that last push to Saren. He’s earned that Thanksgiving dinner every year for every crew member on the SR-1, and now the SR-2. He would’ve been the perfect son-in-law. But she knew her daughter would never go for him. He’s sweet, and too much like a kid to be an equal, and scratch loyal-til-death off the list, but it was never meant to be. Hannah can keep him around just like all the rapscallions, and roguish types Jane drags through the door wanting to know what’s in the fridge. Hannah loves every one of them because they take care of her baby. And she’ll love them as her own even after giving her own away to Cerberus.
“What are you doing here?” she asks.
“Commander’s orders were to stall the case,” Jeff says, “but it looks like I don’t have to do that now.”
“Maybe you could pass along the good news. Where is she?”
“Last transmission she was headed to Kahje. Bit of an untimely vacation if you ask me. ‘Just taking a road trip to Water World, Joker. Mind the Collectors while I’m gone. Don’t let the galaxy blow up.”
“I’m sure the galaxy will still be mostly intact.”
“Yeah sure. But there goes my retirement salary. Speaking of handsome devils with big wallets…”
“I’m sorry, Jeffrey, but I can’t talk about that.”
But she’s misinformed of the context when another shows out of the blue. She’d been in the cab the whole time, probably listening, waiting for the moment to strut in, and she did.
“Ms. Lawson,” Hannah says.
After months working together, Miranda still wears a second skin revealing everything but her heart; she keeps her distance, even in voice.
“Is it wise for you to be out in the open like this?”
“Not at all. May we meet in your quarters, admiral?” Miranda turns to Hackett.
Hackett and Anderson have left them alone in the kitchen, probably more for liability reasons. Miranda gives the overview while Joker finds snacks. Basically, she did not know Illusive Man would get this involved with Shepard, or this case, and wishes she had more say in the matter, but she’s grateful to be informed when Hannah explains Castleberry’s manipulation of the evidence. When Hannah gets to the video of the explosion, then the photos, Miranda recrosses her legs and shifts herself on the stool in the kitchen. Hannah’s leaning back on the counter with a cup of breakfast tea.
“The Illusive Man did that?” Miranda says.
Hannah sips, nodding.
“Wow. I knew about the spacewalk, but Gellix? It almost seems…romantic.”
“Jane never went for clean noses. She needed to know someone would have her back even if it meant breaking the rules.”
“It seems Illusive Man is right for the job.”
“Castleberry said he’s tracking the hijacked fighter. With a unique ship like Henry’s, I doubt it’ll remain hidden. He’ll know where Henry landed.”
Jeff adds in, “I sent a message already but I haven’t heard back. It’s funny.”
“Well, it’s been radio silence since I told her we hit port. Usually she’s on top of these things but I think paradise is getting to her head. She probably through her omni-tool in the water or something.”
“Paradise?” Miranda says.
“You know, Kahje, the Encompassing, a tropical retreat for exotic aquatics. Just her and The Illusive Man on a holo-beach, under an umbrella, sipping a lima coladas through a curly straw…”
Miranda growls. “We need to make sure Chris Robertson won’t be a problem. Sorry to cut this short, Ms. Shepard.”
Hannah says, “Thanks for taking care of my daughter.” She puts down the mug. “You’re a good friend to her.” And hugs Miranda.
At first, Miranda doesn’t know what to do with her arms. Maybe she needed a reboot because she seems too perfect to be real. Eventually, Hannah feels the squeeze around her ribs, and Miranda’s head resting on her shoulder. Hannah recalls Jane holding her back like this during her graduation. Miranda hiccups, like she’s trying to hide a cry, and swallows it. Hannah squeezes back.
Jeff mocks. “Awwww! You’re one of the family now!” He pops in a grape and munches on it. “Quite the happy ending, Mom.”
Miranda pulls herself away and slips out of the house without showing her face to Jeff.
Hannah looks toward the door. “Oh, I don’t know about that. If all goes accordingly, this will be a happy beginning.”
“Can’t feel like a new person until you’re threatened with court martial and come out on top.” He pours a drink, though she doesn’t know—or want to know—how he found the alcohol so fast. “I’m one to know.” He cheers himself with the second poured glass and downs a shot.
Reapers fight unconventionally, with no remorse. They take away life and use it for their own. They know nothing of sacrifice. But what if one person made life and gave it away freely? What if one person became two; two became four and four became millions? She believed in the cause and she believed in her husband, though not in the beginning; in tragedy. When death knocks, eyes open to new perspectives and conventional ways become obsolete. People think of their future and face the promise of their own death however near or distant, and prepare, or hide. She likes to think she planned well ahead to have a chance again, even if they must sacrifice themselves like her child did, like so many sons and daughters do all the time. The rare one percent of the population who swear their lives to service with so little pay but the moral reward of knowing you’re doing something important. Even though sometimes they wonder if it was the right call. Sometimes falling prey to questioning the white light when they meet it. But this time, it’s not blind faith that will lead them into the next life. It’s wide open fact that from the ashes they will rise again.
And she could not have done it without Henry.