the usual amounts of swearing and drinking and drug use
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The monster kidnaps Eliot and Quentin and forces them to star in its own chaotic television show. But it changes the premise every time it gets bored, so they're constantly facing entirely different scenarios and genres - zombies and romance and superheroes and spies and god knows what else. And somehow, in the middle of all that, they have to figure out how to get themselves home.
Brian wonders if perhaps he might be dead.
He does this idly, like it’s nothing more than a vaguely interesting thought experiment, one in which he doesn’t have any real stake in the possible outcomes.
It’s almost as if he’s imagined being dead many, many times before, enough that it’s no longer a frightening concept. (Although he has no memory of doing anything like that.)
What he does remember is the stalker on the street, the handsome one with the glowing eyes and disturbing rant about playtime and friendship and wrath, and then Brian was just…here. Still standing upright but rendered immobile somehow, trapped in a seemingly infinite blank space where everything is warm and white and soft, like he’s been firmly shoved up the ass of the Stay Puft Marshmallow Man.