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Good Omens, Greater Results: The Intertextual Relationship Between Fanon and Canon in Adaptation by mildlydiscouraging
19 Mar 2019
Abstract: This paper examines how the history of queer shipping among fans of the novel Good Omens, and the authority derived thereof, is under negotiation in light of the new television adaptation. Drawing on previous research on the distinctions and overlap between academic and fan analysis (Busse, Polasek, Aragay and López) and broader intertextuality (Martin, Kristeva, Barthes), it shows how online interactions within the Good Omens fandom as well as between fans and Neil Gaiman show how fans use intertextual and fannish analysis to challenge the fan/creator boundary, and how that is, in turn, challenged by the upcoming series. This paper argues for a reconsideration of the current distinctions made between the analytical practices of fans versus academics, and how fans take authority over their texts by queer representation.