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Fandoms: Thief of Bagdad (1940), Original Work, كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights
27 Nov 2012
"Come when you hear the call; come and return to the home of your soul. Like the king's white falcon, fly to your master's hand when you hear the sound of his drum. Come, come, let your soul return to the one who has always loved you."
Three years have passed, and her fairytale with Ahmad is coming to an end. Heartbroken, tired of living, Yassamin realises how much she has in common with the exiled Jaffar: someone trapped, stripped of his freedom and his dreams, locked in a gilded cage. Once word arrives that Jaffar is dying, she knows she cannot remain in Baghdad a day longer.
She has to make amends, yet little does she know of the entire new life that awaits her in Samarkand: the life of a woman cherished, respected, a Yassamin passionately, intelligently and fiercely loved--by Jaffar, the beast she had been so terrified of. If she can but grow out of her own fear and her anguish and brave the embrace of the dark sorcerer she had once hated with all her heart, in his arms will she find the greatest love of all.
- Part 1 of The King's White Falcon
Fandoms: Romeo and Juliet (1936), Thief of Bagdad (1940), Romeo And Juliet - Shakespeare, كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights
26 Dec 2016
In both his sleep and in his waking is Tybalt of the Capulets a man haunted: yet not by the spirits of all those he's slain, but a demon sent from Hell to tempt him with all his forbidden desires.
It is the ghost of a Moorish sorcerer, out to devour his soul.
Even now, within the long shadows of the courts of the Capulets, he can sense he is being followed.
Fandoms: British Actor RPF, Actor RPF, Conrad Veidt - Fandom, German Actor RPF - Fandom, Basil Rathbone - Fandom, Conrad Veidt/Basil Rathbone, Veidtbone, Old Hollywood RPF
20 May 2017
Even if he's the one wearing the dress--a beautiful, white silk dress and silk stockings, with smooth-shaven legs underneath--Connie's the one who's ended up on top tonight. And very literally so: now, Connie is straddling Baz, kissing him, grinding into him, hard underneath his dress; determined, he is pressing Baz's wrists into the bed and won't let him move.
All of this had happened naturally, somehow; inevitably. The moment Baz had shown up looking gloomy and tense--well. Connie had taken one look at him and had known that tonight, he needed to take charge, needed to undo that stupid anguish of his, those knots in his being.
Even if it's but subconscious, both of them know that tonight's the night: tonight, Connie will finally take him. He wants Baz so much he isn't going to be satisfied with just taking the female role this time--well, depending on the female. For Connie is now also the woman who takes, the maneater, and Baz cannot help but think of the firm command with which Marlene had taken him to her bed.
Therefore, after a little tumble upon the bed, it just so happens that Connie throws Baz face down upon the bed, yanks up his hips and buries his tongue in his arse.