1 - 20 of 24 Works in Fergus (Being Human)
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Hal Yorke and Nick Cutler. 1950-1955. Cutler came into his own; Lord Hal was overcome by his guilt. Six scenes depicting their relationship, beginning with Hal choosing Cutler and ending with Hal's disappearance. No slash, but as much UST as there was in the show, meaning the nature of their relationship is open to interpretation.
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"Lady Catherine doesn't die there, in the crumbling shell of the abbey."
Two chemicals, benign apart, but when thrust together-- they produce an explosion of energy.
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If they'd talked like this while Cutler was still alive, things might not have turned out the way they did.
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(Please carefully read the warnings for this one - it's the most disturbing thing I've written to date, imho.)
Precious couple of hours away from the transformation, they’re playing Russian Roulette with their dicks on the line.
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Based on Shaitanah's plot bunny: "Cutler has invented Hal and his vampirism and is really a human who suffers from delusions and hallucinations."
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It's not loyalty, more a sense of bowing to the inevitable. (AU – canon divergence.)
Series
- Part 6 of We're All Mad Here
- Words:
- 1,233
- Chapters:
- 1/1
- Kudos:
- 7
- Hits:
- 167
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I Do Like to be Beside the Seaside by non_canonical for watchtowerhere, Shaitanah
Being Human, Being Human (UK)
11 Dec 2012
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August, 1954. Hal hasn't been himself lately, and maybe a change will do him good.
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With Hal, there are always more questions than answers.
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Lawyer, bloodsucker – some might say there's not much difference between the two. Cutler wishes they were right.
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There was a time Hal and Cutler were friends.
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Aside from planning to take over the world and missing Hal, Nick Cutler does… absolutely nothing.
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To save humanity the War Child must die. Eve found a loophole but humanity isn’t as grateful as it should be. Sequel to Lonely Rivers.
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In Southend, Leo is slowly dying, and Hal has been praying for a miracle. But then there's a knock on the door, and a completely different option is presented to him. (A canonical AU from the end of episode 1 of series 4, charting how the Hal in Southend becomes the Hal of Eve's future. Spoilers for series 4.)
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They try to stop Eve seeing the prisoner. They worry he's been sent there to kill her, and she's not sure that they're wrong.
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Lord Hal has a unique proposal for the War Child. She’s not interested but it might end up becoming her only option.
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Hal and Fergus: not quite a girl on each arm, but this is post-war Britain and some things are in short supply.
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Dennis wants to read. Louis wants to dance. Fergus wants to kill. Or: How Hal’s henchmen pass the time.
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Back in the fifties, Hal was cruel temptation. Now it’s Cutler’s turn to return the favour.
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It starts as an act of mercy, a jailer setting his captive free. But no good thing ever lasts.
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Deification comes with a price tag attached. So does Hal.