Listing Bookmarks
List of Bookmarks
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Summary
So Loki screams. He thrashes. He spits poison and curses at the implacable ceiling of his prison, but the pain never fades. And for the first time in centuries, Thor sneaks up on him.
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A Texas cop saves the life of the king of Montovia and is rewarded.
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Your name is Dirk Strider and the person you love the most is dying.
Last bookmarked by Ritta_McCain
24 May 2012
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ok so its kinda adorable and by kinda I mean majorly
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Your name is Dave Strider, and you head-over-heels in love.
With your best friend.
Who is heterosexual.
And married.
You aren't sure how long you can keep this up.
[WELP the original story I had up of this was accidentally deleted. Sorry for any confusion!]
Last bookmarked by Ritta_McCain
24 May 2012
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ok so I prefer the beggining overt he end but it carries on really well and is ridiculously heartbreaking
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Lalonde makes an interesting proposition to Strider.
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It's the 1920s. Dave is a crow-hybrid and full-time circus freak. John is a free spirit who decides to break him out and ensure he is given a better life. Together, they set off to seek protection and support at a charismatic speakeasy. Based off the AU created by Tara (neophytecherryglare on tumblr).
Last bookmarked by Ritta_McCain
24 May 2012
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That awesome moment when dave is a 1/2 bird circus freak and john has to save him due to some sence of justice so they end up on the run.
Yeah that.
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Dirk's making his move on Jake. Roxy's devastated. She turns to the AR for comfort, finding more in him than just simple friendship.
Last bookmarked by Ritta_McCain
24 May 2012
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you started crying in GPP, mike criticized you and made fun of you...
it was worth every word
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After contracting an Asgardian virus, Tony starts forgetting things. And people. And Steve.
Last bookmarked by SavioBriion
20 May 2012
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Copy of my review: Oh my god, this. This is beautiful and heartwrenching and amazing. The characters and emotions and oh, the plot. The sheer research. I thought I was a Norse mythology geek, but your worldbuilding is amazing and I am in awe and feel lie I need to do more research now. The depth of Asgard, your amazing marriage of actual Norse myth and customs to Marvel, the plot, it was all amazing. And oh, Steve and Tony. *sobs* Tony's pain and helplessness and anger at forgetting everything seriously hurt to read. And Steve, steadfast, loving Steve; they both made me want to cry. And Sif and Loki, and you even incorporated the myth where Loki cuts off Sif's hair and again tied myth to Marvel beautifully, and even though I recognised Tyr from his first appearance I hadn't expected those complications and just. I apologise for my incoherence.
And your writing and descriptions are amazing; you brought the harshness of Asgard's winter plains to life, and Steve's reaction to the ice was so sad. And the mentions of things like the kings before Odin and Heimdall's origin and all the sagas and statues and monuments reminded me of Tolkien and the richness of his world, all the history that he created and referenced (like Gollum mentioning the war that resulted in the marshes, or the Fellowship coming across the statues at the Argonath and that other headless statue much later on; all of that created history and collective memory and layers and depth and bittersweet beauty to his world), and he's my favourite author, so that's how amazing your writing is.
And of course, all your characters, from Pepper and Frigga and Thor and the other Avengers to Sif and Loki and Steve and Tony. ♥ All of them have so many issues and I really love how you fleshed out both Loki and Sif. And I've said it before but I'll say it again, Steve and Tony were beautifully, achingly sad. I can only imagine the pain Steve felt as he watched Tony stare at him mistrustfully, as he tried to make Tony remember and eventually watched him walk away. And before that, in the longhouse, so close and yet so far. The end, with your description of Steve breathing out against Tony's neck and both of them letting down guards, and that kiss and Tony saying Steve's name... I made a little sound and whispered, "Oh my God," just because it was all so heartbreakingly perfect.
Thank you so much for writing this, it must have taken forever and tons of research. Bookmarking it so I can link it to everyone and reread it over and over.
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Darcy should have seen it coming. She couldn't hang around the spandex crowd forever and not end up with a great big target painted on her back eventually. She was just surprised it took Loki so long. (AU for The Avengers)
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Post-Half Blood Prince (written prior to Deathly Hallows). There's a strange boy living in the woods near The Burrow.
Last bookmarked by defenestrator
3 May 2012
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Rec 8
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The wind shifts, blowing freshly through Merlin’s hair. He rises, craning his head to the forest behind him, and just… knows. He knows. This is the day Arthur will be with him again.
Last bookmarked by pyrrhical (anoyo)
3 May 2012
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I had to pause reading this because it was just TOO MUCH -- I had to take a BREAK to finish it. The prose was that fucking beautiful. Finding this again was a delight.
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Rec 3
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Eames had always thought Arthur would be a morning person.
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Rec 13
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People you kiss in an airport baggage claim and then don't talk to for thirteen months shouldn't be able to exist, let alone make your chest do the things Arthur's chest is doing. There are rules.
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Rec 35
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The thing about Neal is that he is always in Peter’s personal space. “Hello, Officer,” he says, batting his eyelashes in a way that probably even a sixteen-year-old knows isn’t actually seductive. Teenage hooker AU.
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Rec 29
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Their actions could not have cut deeper than by confirming his suspicions – Rodney was tolerated because of the things he could do, but he had no real friends on Atlantis. When it had come time to prove otherwise, Rodney had stood alone against Greenwall.
(Or: The one where Mckay gets -wait for it- Replaced!)
Last bookmarked by SavageEpiphany
27 Apr 2012
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Rec 4
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Arthur and Merlin are twenty-somethings working in the same building (and sharing the lift). It comes to pass that Arthur is a twat.
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Rec 19
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Charles can't cope with the aftermath of wearing his heart on his sleeve. Erik teaches him that they don't have to want all of the same things as long as they want one of the same things.
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One year after John is killed Sherlock starts to wonder whether John has actually gone anywhere.
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Sherlock loves the Underground. Other things are a bit more complicated.