1 Work in Conrad Veidt

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    Even if he's the one wearing the dress--a beautiful, white silk dress and silk stockings, with smooth-shaven legs underneath--Connie's the one who's ended up on top tonight. And very literally so: now, Connie is straddling Baz, kissing him, grinding into him, hard underneath his dress; determined, he is pressing Baz's wrists into the bed and won't let him move.

    All of this had happened naturally, somehow; inevitably. The moment Baz had shown up looking gloomy and tense--well. Connie had taken one look at him and had known that tonight, he needed to take charge, needed to undo that stupid anguish of his, those knots in his being.

    Even if it's but subconscious, both of them know that tonight's the night: tonight, Connie will finally take him. He wants Baz so much he isn't going to be satisfied with just taking the female role this time--well, depending on the female. For Connie is now also the woman who takes, the maneater, and Baz cannot help but think of the firm command with which Marlene had taken him to her bed.

    Therefore, after a little tumble upon the bed, it just so happens that Connie throws Baz face down upon the bed, yanks up his hips and buries his tongue in his arse.

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